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The Statement (2003)

R  |   |  Thriller, Drama  |  27 February 2004 (UK)
6.2
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Ratings: 6.2/10 from 4,037 users   Metascore: 45/100
Reviews: 49 user | 54 critic | 32 from Metacritic.com

Tale of a former Nazi executioner who becomes a target of hit men and Police investigators.

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Writers:

(screenplay), (novel)
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Title: The Statement (2003)

The Statement (2003) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
Pierre Brossard
...
Annemarie Livi
...
Colonel Roux
...
Armand Bertier
...
Nicole
...
Old Man
...
Pochon
...
Commissaire Vionnet
William Hutt ...
Le Moyne
...
David Manenbaum
...
Michael Levy
...
Inspector Cholet
...
Cardinal of Lyon
...
Father Patrice
David de Keyser ...
Dom André (as David De Keyser)
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Storyline

Tale of a former Nazi executioner who becomes a target of hit men and Police investigators.

Plot Summary | Add Synopsis

Taglines:

At the end of World War II, many of those involved in war crimes were prosecuted. Some got away. Until now.

Genres:

Thriller | Drama

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | | |

Release Date:

27 February 2004 (UK)  »

Also Known As:

A Declaração  »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

$37,220 (USA) (12 December 2003)

Gross:

$763,044 (USA) (26 March 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Alan Bates' final theatrical film appearance. See more »

Goofs

When Brossard kills the assassin, he removes the assassin's passport and places it in his right pants pocket. He removes the passport from his left pants pocket while he is sitting in the car at the abbey. See more »

Connections

Features Only You (1994) See more »

Soundtracks

Valse pour Maria-Pia
Written by Jaqueline Robin
Published by Lido-Melodies (SOCAN)
Courtesy of The Music People
See more »

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User Reviews

Far too basic on all levels – not bad but just rather disappointing throughout
27 December 2005 | by (United Kingdom) – See all my reviews

After the Nazi's were driven out of France, those who had collaborated were mostly rounded up and punished – many by death. However some escaped and were hidden, while others rose in power within the new regime. Pierre Brossard is one of the former and continues to live in fear, protected from those that would avenge his victims by his friends within the Catholic Church. However a close encounter shows that some group is closing in on him, meanwhile political pressure from Judge Livi and Colonel Roux's investigation into his whereabouts mean that he is quickly running out of friends willing to shelter him.

It is difficult to know how to approach this film because it itself doesn't seem too sure of what it is trying to do. Is it a drama looking at the idea of fleeing war criminals? Is it a chase movie? Is it a character piece looking at Brossard? It is never clear because it does do some elements of each but it doesn't really do anything that well and I, as a viewer, was a bit confused about what I was supposed to feel or think during it. The story itself is OK, reasonably engaging but not having anything of interest to it. As a chase film I was interested and the themes helped it seem more than the sum of its parts but not in reality. The motivations of the characters are never that well developed; the Livi/Roux parts are dull and quite routine although the sections with Brossard are more interesting.

It is a shame then that the film cannot decide what it wants to do with him – do we feel for him, hate him or just watch him? The film doesn't let us decide this in a good way representing the complex nature of the character, but rather just doesn't push out any ideas one way or another. Caine does well despite this and gives a good character a bit of depth. He is where the film is although he probably benefits from the fact that everyone else is quite ordinary. Swinton and Northam are quite ordinary and their parts of the film just seem put of place and half-cooked. Support from Neville, Bates, Rampling and others just about do the job but add little.

Overall this is an OK film but nothing at all more than that. Despite the interesting and complex potential the film just delivers an ordinary chase movie and fails to do anything with the ideas and concepts inherent in it. Caine does well to produce quite a convincing character but he is alone in that, with the material and the rest of the cast failing to do anything that interesting. Not bad but not worth trying to find because it is nowhere near as good as one would have hoped.


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