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Tale of a former Nazi executioner who becomes a target of hit men and Police investigators.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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...
...
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...
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Pochon
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Commissaire Vionnet
William Hutt ...
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David Manenbaum
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Michael Levy
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Inspector Cholet
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Cardinal of Lyon
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Father Patrice
David de Keyser ...
Dom André (as David De Keyser)
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Storyline

Tale of a former Nazi executioner who becomes a target of hit men and Police investigators.

Plot Summary | Add Synopsis

Taglines:

At the end of World War II, many of those involved in war crimes were prosecuted. Some got away. Until now.

Genres:

Thriller | Drama

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | | |

Release Date:

27 February 2004 (UK)  »

Also Known As:

A Confissão  »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

$37,220 (USA) (12 December 2003)

Gross:

$763,044 (USA) (26 March 2004)
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Company Credits

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Technical Specs

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film opens with a man seeking Michael Caine with the aid of a photograph. In the photograph, the man seen next to Michael Caine is director Norman Jewison. See more »

Goofs

When Brossard kills the assassin, he removes the assassin's passport and places it in his right pants pocket. He removes the passport from his left pants pocket while he is sitting in the car at the abbey. See more »

Connections

Features Only You (1994) See more »

Soundtracks

Valse pour Maria-Pia
Written by Jaqueline Robin
Published by Lido-Melodies (SOCAN)
Courtesy of The Music People
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User Reviews

 
Kudos to Jewison for an important, intelligent film. Someone I know who hadn't been to the cinema in decades saw The Statement last week and has had his faith in film restored by this movie.
30 December 2003 | by (Canada) – See all my reviews

Kudos to Jewison for an important, intelligent film. Someone I know who hadn't been to the cinema in decades saw The Statement last week and has had his faith in film restored by this movie.

I can't understand why newspaper critics focussed on the fact that French accents weren't used. I find that some directors, not this one, try to add in accents where they are not at all necessary. After all, the "real" characters merely spoke their language, and didn't have "foreign accents". As an English and French speaker, I find the use of accents in other films (that is, where the real character would not have spoken with a "foreign" accent, but in his or her own language) to be provincial at best and distracting at worst. The director is from Canada - as an intelligent person which we can assume he is based on his brilliant career, he would understand the importance of not adding in accents where they would not naturally have occurred.


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