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My Wrongs 8245-8249 and 117 (2002)

Adapted from a monologue in his "Blue Jam" radio series, Chris Morris' first short film is a haunting black comedy about a man who no longer uses his name because he's decided he's ceased ... See full summary »

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(screenplay), (monologue) | 1 more credit »
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Won 1 BAFTA Film Award. See more awards »

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Cast

Cast overview:
...
Him
Miranda Pleasence ...
Imogen / Mum (as Miranda Pleasance)
Simon Greenall ...
Father in Church
...
Father in Park
Christopher Ettridge ...
Bus Conductor
Hayley Bird ...
Girl in Park
Eve Darby MacLennan ...
Girl in Church
Geoffrey Beevers ...
Cleric
...
Rothko (voice)
...
Gerbil (voice)
Ged Day ...
Seventies Dad
Tom Panton ...
Dog Warden
Michelle Hebbron ...
Family in Park
Isabel Mitchell ...
Family in Park
Samuel Mitchell ...
Family in Park
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Storyline

Adapted from a monologue in his "Blue Jam" radio series, Chris Morris' first short film is a haunting black comedy about a man who no longer uses his name because he's decided he's ceased to deserve one, and a dog called Rothko who says he is the man's lawyer. As reality bleeds into hallucination, Rothko decides to take the man for a walk... Written by James Wilkinson <wilko_3000@yahoo.com>

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6 November 2002 (UK)  »

Also Known As:

Dog Daze  »

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Did You Know?

Quotes

Rothko: You'd better apologise for what you're about to do.
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Crazy Credits

Stunt Ducks - David Hemming's Bird Slave Circus Action Baby - The Amersham Hurlable Child Kennel Mr Considine's Personal Flautist - Lilliana Hopetrap See more »

Soundtracks

The Nights Are Cold
Written by Richard Hawley
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User Reviews

 
Dark, disturbing, and painfully funny.
25 February 2003 | by See all my reviews

I've never really been a big fan of 'shorts' (the films, not the clothes) so it was always going to take an artist whom I really respect to convince me to actually buy one, and - as you've probably guessed - Chris Morris is such an artist. Possibly the most interesting comic around, if you take into account his media-shy persona and the controversy that surrounded the Brass Eye special a while back, this film marks his debut on this medium, and is a corker.

Revolving around a depressed man who (probably, but nothing is certain here) has gone insane due to self-loathing, and his relationship with the dog who lives in the house that he is looking after, the film inspires equal parts of horror, dismay, and hilarity. I don't think I've ever seen anything quite like this, and if I have, I've never found it this entertaining. Really highly recommended for anybody who is interested in art which pushes at the boundries of medium, form, and genre.


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