| Photos (See all 32 | slideshow) | Videos (see all 5) |
| Michael Gambon | ... | Jimmie Langton | |
| Annette Bening | ... | Julia Lambert | |
| Leigh Lawson | ... | Archie Dexter | |
| Shaun Evans | ... | Tom Fennel | |
| Mari Kiss | ... | Mr. Gosselyn's Secretary | |
| Jeremy Irons | ... | Michael Gosselyn | |
| Ronald Markham | ... | Butler | |
| Terry Sach | ... | Chauffeur | |
| Catherine Charlton | ... | Miss Philips | |
| Juliet Stevenson | ... | Evie | |
| Miriam Margolyes | ... | Dolly de Vries | |
| Max Irons | ... | Curtain Call Boy | |
| Andrew Paton Story Busher | ... | Male Singer | |
| George Lang | ... | Antoine the Maitre D | |
| Michael Culkin | ... | Rupert | |
| Marsha Fitzalan | ... | Florence | |
| Bruce Greenwood | ... | Lord Charles | |
| Denzel Sinclaire | ... | Singer / Pianist (as Denzal Sinclaire) | |
| Julian Richings | ... | Mr. Turnbull | |
| Tom Sturridge | ... | Roger Gosselyn | |
| Sheila McCarthy | ... | Grace Dexter | |
| Lucy Punch | ... | Avice Crichton | |
| Teresa Churcher | ... | Cynthia | |
| Rosemary Harris | ... | Julia's Mother | |
| Rita Tushingham | ... | Aunt Carrie | |
| Maury Chaykin | ... | Walter Gibbs | |
| István Komlós | ... | Prompter | |
| Bruce Anderson | ... | Jewellery Shop Assistant | |
| Bryan Burdon | ... | Busker 'Chamberlain' | |
| Alison Jiear | ... | Female Singer | |
| rest of cast listed alphabetically: | |||
| Barnabás Réti | ... | Lord Charles' friend (uncredited) | |
Directed by | |||
| István Szabó | |||
Writing credits(in alphabetical order) | ||
| Ronald Harwood | ||
| W. Somerset Maugham | novel "Theatre" | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Susan Shipton | |||
Casting by | |||
| John Buchan | |||
| Celestia Fox | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| Paul Ghirardani | |||
| Lóránt Jávor | |||
Set Decoration by | |||
| Zoltán Horváth | |||
| Attila Köves | |||
| Ian Whittaker | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist: Annette Bening | |
| Judit Endrényiné | .... | makeup artist (as Judit Endrényi) | |
| Erzsébet Forgács | .... | makeup supervisor | |
| Kat Kairo | .... | makeup assistant: London & Jersey | |
| Jánosné Kajtár | .... | hair stylist supervisor (as Bogyó Kajtár) | |
| Nóra Koltai | .... | additional makeup artist | |
| Lesley Lamont-Fisher | .... | makeup artist: London/Jersey | |
| Chris Redman | .... | hairdresser: London/Jersey | |
| Stephen Rose | .... | personal hair stylist: Ms. Benning | |
| Jordan Samuel | .... | personal makeup artist: Ms. Bening | |
| Eric Scruby | .... | hairdresser: London/Jersey | |
| Sarah-Jane Sheehy | .... | makeup artist: London/Jersey | |
| Anna Tesner | .... | makeup artist: extras | |
| Jeanette Redmond | .... | hair stylist (uncredited) | |
Production Management | |||
| Neil Chordia | .... | co-production manager | |
| Kate Dain | .... | production manager | |
| Kinga Kovacs | .... | assistant unit manager | |
| Philip Morris | .... | line production manager | |
| Gábor Téni | .... | unit manager | |
| Lori A. Waters | .... | post-production supervisor | |
| Lajos Óvári | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Adam Barrington | .... | third assistant director: London/Jersey | |
| William Dutton | .... | second assistant director: London/Jersey | |
| Gergely Fülöp | .... | assistant director | |
| Christopher Hughes | .... | additional third assistant director | |
| László Janicsek | .... | first assistant director | |
| Lídia Jung | .... | trainee assistant director | |
| Dávid Spáh | .... | third assistant director | |
| Guy Travers | .... | first assistant director | |
| Matthew Wehrle | .... | crowd assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| Kinga Baranyai | .... | set decoration production assistant | |
| Péter Brill | .... | construction manager | |
| Roy Chapman | .... | set dresser: UK | |
| Aaron Chetwynd | .... | stand-by art director: UK | |
| Judit Csák | .... | draughtsperson | |
| Mike Cuddy | .... | props storeman: UK | |
| János Czakó | .... | property master | |
| Billy Edwards | .... | property buyer | |
| Colin Ellis | .... | set dresser: UK | |
| Kimberley Fahey | .... | art department trainee | |
| Dave Fisher | .... | stand-by props | |
| Dean Fisher | .... | stand-by prop | |
| Steve Furneaux | .... | stand-by carpenter: UK | |
| Éva Gerö | .... | assistant set decorator | |
| John Gibson | .... | key carpenter: UK | |
| Jason Hopperton | .... | set dresser: UK | |
| Tamás Kiss | .... | standby construction | |
| Péter Kovács | .... | construction manager | |
| Tony Lenman | .... | key painter | |
| Warren Lever | .... | carpenter | |
| Mihály Marton | .... | stand-by props | |
| Gábor Parányi | .... | assistant set dresser | |
| Pippa Roberts | .... | graphic coordinator | |
| Robert Sansom | .... | construction manager: UK | |
| Miklós Schmelcz | .... | construction manager (as Miklós Schmelz) | |
| Pater Sparrow | .... | art department runner | |
| Pater Sparrow | .... | assistant art director | |
| Lajos E. Szabó | .... | stand-by construction manager | |
| Zoltán Szabó | .... | assistant set decorator | |
| Krisztina Szilágyi | .... | draughtsperson | |
| Zoltán Verebes | .... | art department runner | |
| József Ócsai | .... | stand-by construction manager | |
Sound Department | |||
| Fred Brennan | .... | dialogue and adr editor | |
| Kathy Choi | .... | first assistant sound editor | |
| Janie Dahn | .... | adr facility coordinator: UK | |
| Roderick Deogrades | .... | sound effects editor | |
| Nick Foley | .... | assistant adr recordist: UK | |
| Stefan Fraticelli | .... | foley artist | |
| Jamie Gould | .... | re-recording assistant | |
| Matthew Hussey | .... | first assistant sound editor | |
| Simon Kaye | .... | production sound mixer | |
| Garrett Kerr | .... | dialogue editor | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| Goro Koyama | .... | foley artist | |
| János Köporosy | .... | playback operator | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley recording mixer | |
| Margot Massie | .... | sound | |
| David McCallum | .... | sound effects editor | |
| Chris Navarro | .... | adr recordist | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Szabolcs Stella | .... | utility sound | |
| David Sutton | .... | boom operator | |
| Ted Swanscott | .... | adr mixer: UK | |
| Jane Tattersall | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Don White | .... | foley recording mixer | |
| Rebecca Wright | .... | foley recording assistant | |
| David Yonson | .... | adr mixer: Toronto | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Gábor Balogh | .... | standby special effects technician | |
| János Berki | .... | standby special effects technician | |
| Furedi Csaba | .... | special effects technician (2004) | |
| David Harris | .... | special effects: London/Jersey (as Dave Harris) | |
| Gabor Kiszelly | .... | special effects assistant | |
| Gyula Krasnyánszky | .... | pyrotechnic supervisor | |
| Ferenc Ormos | .... | special effects supervisor | |
Visual Effects by | |||
| Genevieve Forte | .... | digital artist | |
| John Furniotis | .... | digital artist | |
| Chris Wallace | .... | HD colourist | |
| Motassem Younes | .... | digital opticals | |
Camera and Electrical Department | |||
| Gyula Balogh | .... | electrician | |
| Csaba Bankhardt | .... | electrician | |
| Balázs Bélafalvy | .... | camera operator (as Balázs Bélafalvi) | |
| Andrew Curling | .... | best boy: UK | |
| Dániel Decsi | .... | camera loader | |
| István Decsi | .... | focus puller | |
| Alex Dukay | .... | still photographer | |
| Paul Facer | .... | electrician: UK | |
| Ákos Gulyás | .... | second assistant camera | |
| Károly Gál | .... | best boy (as Gaál Károly) | |
| Stuart Howell | .... | Steadicam operator: UK | |
| Adam Korneth | .... | video assistant | |
| Tamás Krausz | .... | electrician | |
| Sabrina Lantos | .... | assistant still photographer | |
| Joe McGee | .... | practical electrician | |
| Zsigmond Molcsány | .... | electrician (as Zsigmond Malcsán) | |
| Tamas Nyerges | .... | Steadicam operator | |
| Luis Santos | .... | lighting technician | |
| István Szaladják | .... | camera operator | |
| Rudolf Takács | .... | gaffer (as Takács 'Golyó' Rudolf) | |
| Mary Thompson | .... | video assistant: UK | |
| József Trombitás | .... | grip | |
| András Tóth | .... | dolly grip | |
Casting Department | |||
| Jay Benedict | .... | adr voice casting | |
| Alex Johnson | .... | casting assistant: UK | |
| Tamás Kertész | .... | extras casting | |
| Mari Makó | .... | casting: Hungary | |
| Jonathan Payne | .... | casting assistant: Canada | |
| Phoebe Scholfield | .... | adr voice casting | |
| Gail Stevens | .... | additional casting | |
Costume and Wardrobe Department | |||
| Charlotte Bird | .... | costume assistant: UK | |
| Imre Béres | .... | dresser | |
| Imre Béres | .... | tailor | |
| Sándor Csajbók | .... | costume assistant (as Sandor Csajbok) | |
| Anikó Fazekas | .... | costume assistant | |
| Mónika Frankl | .... | costume assistant | |
| Gabriella Hõgye | .... | costume assistant | |
| Attila Jánosi | .... | costume assistant | |
| David Murphy | .... | wardrobe supervisor: UK | |
| Miklós Nemes | .... | costume assistant | |
| Steven Paige | .... | costume assistant: UK | |
| Magdalen Rubalcava | .... | assistant costume designer | |
| Gábor Simkó | .... | costume assistant | |
| Móni Simkó | .... | costume assistant (as Mónika Simkó) | |
| Zsuzsa Stenger | .... | wardrobe supervisor | |
| Gabor Szabo | .... | costumer | |
| Gyula Zámbó | .... | costumer | |
Editorial Department | |||
| Chad Glastonbury | .... | negative cutter | |
| Chris Hinton | .... | color timer | |
| Brigitte Rabazo | .... | first assistant editor | |
| Catherine Rankin | .... | negative cutter | |
| Emma Sanders | .... | post-production coordinator | |
| Chris Wallace | .... | colorist: high definition | |
Music Department | |||
| Lesley Barber | .... | song producer | |
| Mychael Danna | .... | orchestrator | |
| Mychael Danna | .... | score producer | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Liz Gallacher | .... | music supervisor | |
| Paul Intson | .... | music editor | |
| Ron Korb | .... | musician: flute | |
| Dan Parr | .... | music preparation | |
| Michael Perlmutter | .... | music clearances (as Michael A. Perlmutter) | |
| Ron Searles | .... | music score recording engineer | |
| Ron Searles | .... | score mixer | |
| Ron Searles | .... | score recordist | |
| Rob Simonsen | .... | assistant to composer | |
| Lenny Solomon | .... | orchestra contractor | |
| Youki Yamamoto | .... | music preparation | |
Transportation Department | |||
| Péter Balogh | .... | transportation captain | |
| Simon Barker | .... | unit transportation captain: UK | |
| Zoltán Fohn | .... | driver | |
| Zsolt Spitzer | .... | driver | |
| Zsolt Zászló | .... | production driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
You don't have to be a fan of Annette Bening (or Jeremy Irons) to enjoy this high-spirited tale of theatrical life - or rather, Julia Lambert's life, to be specific.
Based on a novella by my one of my all-time favorite authors, W. Somerset Maugham, Being Julia is sort of like All About Eve, except not as stage-y. It's a period piece, taking place in England in the '30s, where burnt-out Diva Extraordinaire Julia Lambert is moaning and groaning about her tedious, boring life to anyone who will listen, including her weathered and weary husband (Irons, drolly pipe-puffing his way through the film as only he could). She meets a young, handsome, American fan/opportunist (Shaun Evans, highly effective) and together they rekindle Julia's lust for life.
This is just the first half hour - it gets better and more and more outrageous (and of course more FUN) as it goes on. Needless to say, you won't be bored; in fact, you might very well leave the theater smiling and shaking your head, as I did.