Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
When Colonel Pretis of the U.N. falls in love with Mathilde, a local girl, during the Balkans war, he lets his passion overcome his sense of duty and responsibility in a country torn by ... See full summary »
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
1938. Julia Lambert and Michael Gosselyn are the royal couple of the London theater scene, Julia an actress and Michael a former actor who took over running the theater and its troupe upon the passing of their mentor, Jimmie Langton. Jimmie is still constantly with Julia in spirit as she navigates through life. Besides their work, Julia and Michael lead largely separate lives, they long ago having stopped a sexual relationship. Julia of late has been feeling disenchanted with her life, she not wanting to admit it's because she is approaching middle age. Her disenchantment manifests itself in wanting Michael to close their current production early so that she can recharge her juices, something he is reluctant to do if only for not wanting to let the theater sit empty. What Julia ends up doing instead is embarking on an affair with Tom Fennel, an adoring young American who is young enough to be her son. As Julia and Tom's relationship progresses, the more she falls in love with him and ... Written by
Tom tells Julia that Michael has given him a box for the opening of the new play. When we see Tom after Julia makes an obvious reference to him by saying, "B-E-N," he is seated not in a box but in the orchestra section, next to Julia's son and in front of Julia's male friend. See more »
I've lived in the theatre since I was a kid, what I don't know about acting isn't worth knowing. Now, you may be 20 years old and just beginning, but I think you're a genius. You've got magnetism, but no idea how to use it. You have to grab the audience by the throat and say "Now, you buggers, you pay attention to me!" and remember this, when you're on the stage acting, theatre is the only reality, everything else, the world outside, what civilians call the real world, is nothing but fantasy ...
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Tom Sturridge in a lovely performance as Roger, Julia's son, puts it beautifully in a soft confrontation with his mother. "You're playing, mother, or playing wife..." Yes, acting as a way of life as a way of being. Tricky. Ronald Harwood can write the ins and outs of theatrical life better than any living soul - remember "The Dresser? - This is not any way near as good or as insightful but is charming and fun. Lilli Palmer played the part back in the 60's in "Adorable Julia" and she was adorable indeed as is Annette Bening in a tour de force performance with regular interruptions to give plenty of space to the trade mark Bening giggle. Shaun Evans plays the young man, the object of Julia's desire, her frustrating emotional holiday and I must admit, that's the one element that should have sizzle instead of fizzle. Shaun Evans is a good actor but it doesn't have anything that would make us understand the folly attraction that awakes in Julia. He plays an American but appears bland, as bland as a British actor can be when he's bland. I longed for a Billy Crudup or someone younger, a Brad Renfro. Can you imagine what the movie would have been like with a Heath Ledger in that part? Unless, of course, the whole thing was intentional to underline Julia's absurdity. An actress on the verge of a nervous break down. Comparasions with "All About Eve" are ridiculous. That would be like comparing "One Flew Over The Cookoo's Nest" with "The Couch Trip"
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