A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
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Klaus Maria Brandauer,
Hans Christian Blech,
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Jancsi Oláh is in the transitional phase between adolescence and adultness. He is born in 1938, and is now getting his first employment as an electronic engineer. On some TV-screens he ... See full summary »
1938. Julia Lambert and Michael Gosselyn are the royal couple of the London theater scene, Julia an actress and Michael a former actor who took over running the theater and its troupe upon the passing of their mentor, Jimmie Langton. Jimmie is still constantly with Julia in spirit as she navigates through life. Besides their work, Julia and Michael lead largely separate lives, they long ago having stopped a sexual relationship. Julia of late has been feeling disenchanted with her life, she not wanting to admit it's because she is approaching middle age. Her disenchantment manifests itself in wanting Michael to close their current production early so that she can recharge her juices, something he is reluctant to do if only for not wanting to let the theater sit empty. What Julia ends up doing instead is embarking on an affair with Tom Fennel, an adoring young American who is young enough to be her son. As Julia and Tom's relationship progresses, the more she falls in love with him and ... Written by
You don't have to be a fan of Annette Bening (or Jeremy Irons) to enjoy this high-spirited tale of theatrical life - or rather, Julia Lambert's life, to be specific.
Based on a novella by my one of my all-time favorite authors, W. Somerset Maugham, Being Julia is sort of like All About Eve, except not as stage-y. It's a period piece, taking place in England in the '30s, where burnt-out Diva Extraordinaire Julia Lambert is moaning and groaning about her tedious, boring life to anyone who will listen, including her weathered and weary husband (Irons, drolly pipe-puffing his way through the film as only he could). She meets a young, handsome, American fan/opportunist (Shaun Evans, highly effective) and together they rekindle Julia's lust for life.
This is just the first half hour - it gets better and more and more outrageous (and of course more FUN) as it goes on. Needless to say, you won't be bored; in fact, you might very well leave the theater smiling and shaking your head, as I did.
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