In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
A slacker awakes to find himself weak and wrapped in a webbing; after realizing that the world has been taken over by giant alien insects, he wakes a ragtag group of strangers and together they fight for survival.
Consumed by her career, Wendy never imagined going out with Jack. She never imagined spending any time with him at all, but she's about to witness events that will change her mind. She's ... See full summary »
Peaceful, rustic Berkeley is a charming fishing community where life is sweet and the people friendly. All that is about to change. After losing her childhood farm to the bank, local beauty Rene decides to leave town and head for the big city. Suddenly, an avalanche of meteorites races through the sky, bombarding the town and bringing an otherworldly infection. Departing is going to be much more difficult than she had planned. The living dead are awakened and Rene is now caught in a nightmare of zombies hungry for human flesh. She manages to find salvation in a small isolated farm house owned by the town loony, Marion. There she is met with four other desperate survivors. Together they battle their way through a plague of walking dead and discover that there is more transpiring than just an infection. Written by
I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
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