"Song for a Raggy Boy" is based on the true story of a single teacher's courage to stand up against an untouchable prefect's sadistic disciplinary regime and other abuse in a Catholic Reformatory and Industrial School in 1939 Ireland.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the ... See full summary »
In 1939 William Franklin, an anti-Franco veteran of the bloody Spanish Civil War, arrives as first-ever lay teacher in a strict Catholic Reformatory and Industrial School for wayward boys. He soon learns the academic challenge is formidable, many boys being still illiterate, but gradually earns their trust, respect, in time almost devotion, with 'paternal' kindness, making the layman the opposite of the cruel prefect, brother John, who frequently administers painful and humiliating punishments, even the gentle, old superior Father Damian has no authority against his disciplinary mandate from the grim bishop Conlon. Slowly even class rebel Liam Mercier is turned around, trough his gift for literature. After Franklin dares stop the sadist's penny-weighted strap severely striking 'sinful scum' for a futility, the whole dorm is treated to an icy night outdoors, arms outstretched wearing only shorts. Brother Mac's mind may mean to educate well, his flesh is too weak for celibacy, so the ... Written by
An outstanding film from Ireland that is playing to strongly moved and even angry audiences in many parts of Europe as well as competing at the box office in its own territory favourably with such more obviously commercial movies as Intermission and Veronica Guerin. It has won either jury or audience awards at Ghent, Copenhagen, Cherbourg and Slovenia festivals. It tackles the tough and difficult-to-film subject of child abuse and manages to uplift your emotions before devestating and dashing them. All the performances, particularly those from Iain Glen as the sadist priest Brother John and from John Travers as the lead boy Mercier are outstanding and achieving widespread recognition, and many people think this is Aidan Quinn's best role ever. Skillfully and humanely handled by director Aisling Walsh, the film has more conviction than others in its family of films such as The Magdalene Sisters or Conspiracy of Silence and deserves to be seen anywhere it hasn't yet received a distribution. Anyone still interested in honest, highly moving drama or anyone whose youth was not a bed of roses will appreciate this film. An unusual film in that, just possibly, men may cry at it.
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