| Genie Palmer | ... | Jeannie | |
| Breege McCoy | ... | Lil | |
| Hank Harrigan | ... | Zeb | |
| Tim E. Lane | ... | Tom | |
| James Schacht | ... | Hood | |
| Glenn Stensel | ... | Moose (as Glenn Stannel) | |
| Joseph Mikel | |||
| Lou Tu | |||
| Pat McLamry |
Directed by | |||
| Lester Williams | |||
Writing credits(in alphabetical order) | ||
| Stan Potosky | writer | |
Produced by | |||
| J.T. Urishin | .... | producer | |
| Rod Witmer | .... | producer | |
Cinematography by | |||
| Rod Witmer | |||
Film Editing by | |||
| J.T. Urishin | |||
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| Bonnie's Kids | Cellblock Sisters: Banished Behind Bars | Slacker | For a Few Lousy Dollars | Mulholland Dr. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
If you don't "like seeing sex between unattractive people (not to mention stupid jokes)", then why watch something called "Moonshine Love" in the first place? Did you really think it would be A-level entertainment? While this flick is not up there with Sarno or Meyer, it is good (un)clean fun.
I enjoyed this film for the same reason I enjoy others of its ilk: 1. Semi-kinky yet somehow chaste nudity; 2. Lack of polish; 3. Historical perspective. If you are interested in the period of the 60s after the time nudity was first popping up (so to speak) but before full-blown porn, I highly recommend the book "Sleazoid Express" which discusses in length, from firsthand reporting, the rise and fall of 42nd street in New York.