When her surrogate father who owns the casino she works in gets murdered, Modesty Blaise takes on those that killed him and are now at the casino to rob it. It turns out she is more than just a modest worker.
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who ... See full summary »
With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
The Knoxville, Tennessee-set film, written by Bronson, is a dark comedy about a father (Knoxville) struggling to keep his once lucrative Tennessee golfing empire intact when his estranged 14-year-old daughter (a gifted musician) is unexpectedly left in his care. Written by
"Ducktown" (noted also in the catchy song as "Ducktown USA") is where this movie fictionally 'happens' - but Ducktown is an actual town in Tennessee, located in the extreme southeast corner of the state. Johnny Knoxville is of course from nearby Knoxville, TN. See more »
At 36min 35, Daltry and June are walking and talking. Daltry pauses while talking with June, and then moves on. When he moves there is a dog behind him that starts running in the opposite direction. Neither he, nor anyone else on his property, owns a dog. See more »
It is impossible to say Goodbye to someone you love. It is easier to say 'See ya Later... may be in heaven'.
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After the credits end Daltry, Frankie, Doyle and June are practicing golf and goof around with golf balls and golf clubs. Daltry ends the scene by throwing a golf club towards the camera. See more »
Put any other actress in the "leading" role of June (Sophie Traub), and this film goes over the top, off the cliff, and vanishes into the backlist of the premium cable channels. Hilary Duff would have demolished this character, as would Lindsay Lohan or any of the other Hollywood divas.
This role will do for Traub what River's Edge and Point Break did for Keanu Reeves. Neither of those films made too many waves, but they led to the top roles that he would later secure because of his performance in those films. In this film, Traub doesn't just shine, but wipes the mud off of a very mediocre script with a very mediocre supporting cast other than Juliette Lewis, who is totally misplaced and misused.
It's easy to think this is a decent script with a decent plot. It's not. It's about a woman dying of cancer who drops her gifted 14 year-old daughter with her father who hasn't seen her since birth, just as his business empire is collapsing; not that he wouldn't trade that empire for his daughter, whom he accepts immediately and appears in awe of at most times.
The daughter seems unaffected by circumstance, taking what life gives her without much outward complaint, not letting anything get in the way of her music, or her dreams of going to Julliard, where she'll be whisked into high society, with all its patronage and the social life that comes with being an artisan in Manhattan, a place where June will always be welcome.
Traub could have pulled an Oscar nomination from a less political academy, but they'll likely make her pay her dues. Look for her to get increasingly meatier roles in films with bigger and bigger budgets, until she delivers that defining performance that gets her the future Oscar that appears to have her name on it, if she maintains her present course.
Oh yeah, Johnny Knoxville isn't bad in this film. He, like the rest of the cast, is very good at getting out of the way so Traub can shine.
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