There are times when it's right and proper to simply bury the dead. This is not one of those times... Gram Parsons was one of the most influential musicians of his time; a bitter, brilliant... See full summary »
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who ... See full summary »
When her surrogate father who owns the casino she works in gets murdered, Modesty Blaise takes on those that killed him and are now at the casino to rob it. It turns out she is more than just a modest worker.
The Knoxville, Tennessee-set film, written by Bronson, is a dark comedy about a father (Knoxville) struggling to keep his once lucrative Tennessee golfing empire intact when his estranged 14-year-old daughter (a gifted musician) is unexpectedly left in his care. Written by
"Ducktown" (noted also in the catchy song as "Ducktown USA") is where this movie fictionally 'happens' - but Ducktown is an actual town in Tennessee, located in the extreme southeast corner of the state. Johnny Knoxville is of course from nearby Knoxville, TN. See more »
When Frankie gets off the bus and looks around a man carrying a briefcase crosses the street. In the next shot he's crossing the street again, in the same direction. See more »
Put any other actress in the "leading" role of June (Sophie Traub), and this film goes over the top, off the cliff, and vanishes into the backlist of the premium cable channels. Hilary Duff would have demolished this character, as would Lindsay Lohan or any of the other Hollywood divas.
This role will do for Traub what River's Edge and Point Break did for Keanu Reeves. Neither of those films made too many waves, but they led to the top roles that he would later secure because of his performance in those films. In this film, Traub doesn't just shine, but wipes the mud off of a very mediocre script with a very mediocre supporting cast other than Juliette Lewis, who is totally misplaced and misused.
It's easy to think this is a decent script with a decent plot. It's not. It's about a woman dying of cancer who drops her gifted 14 year-old daughter with her father who hasn't seen her since birth, just as his business empire is collapsing; not that he wouldn't trade that empire for his daughter, whom he accepts immediately and appears in awe of at most times.
The daughter seems unaffected by circumstance, taking what life gives her without much outward complaint, not letting anything get in the way of her music, or her dreams of going to Julliard, where she'll be whisked into high society, with all its patronage and the social life that comes with being an artisan in Manhattan, a place where June will always be welcome.
Traub could have pulled an Oscar nomination from a less political academy, but they'll likely make her pay her dues. Look for her to get increasingly meatier roles in films with bigger and bigger budgets, until she delivers that defining performance that gets her the future Oscar that appears to have her name on it, if she maintains her present course.
Oh yeah, Johnny Knoxville isn't bad in this film. He, like the rest of the cast, is very good at getting out of the way so Traub can shine.
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