| Takeshi Kaneshiro | ... | Miyamoto | |
| Anne Suzuki | ... | Milly | |
| Kirin Kiki | ... | Xie | |
| Gorô Kishitani | ... | Mizoguchi | |
| Yukiko Okamoto | ... | Dr. Yagi | |
| Mitsuru Murata | ... | Mizoguchi's Henchman | |
| Kisuke Iida | ... | Karasawa, Mizoguchi's Henchman | |
| Kazuya Shimizu | ... | Murakami, Mizoguchi's Henchman | |
| Chiharu Kawai | ... | Liu's Interpreter | |
| Dean Harrington | ... | Dr. Brown | |
| Xiaoqun Zhao | ... | Slave Merchant | |
| Masaya Takahashi | ... | Liu Laoban, Chinese Godfather | |
| Kenji Motomiya | ... | Mizoguchi's Henchman | |
| Hoshi Ishida | |||
| Misako Nagashima | |||
| Shûgo Oshinari | ... | Shooter | |
| Steve Ryan | ... | Future Soldier | |
| Bernard Beardsley | ... | Future Soldier | |
| Sean Ryan | ... | Future Soldier | |
| Ahmad Ali | ... | Future Soldier | |
| Eric Robinson | ... | Future Technician | |
| Soltane M. Salah | ... | Future Soldier | |
| Ari Andres | ... | Future Technician | |
| Byron Baron | ... | Future Soldier | |
| Adeyto | ... | Future Technician (as Laura Windrash) | |
| Semenov Ivan | ... | Future Technician | |
| Francisco Gala | ... | Future Soldier | |
| Ryan Hill | ... | Future Technician | |
| Nejat Shanino | ... | Future Soldier | |
| Kristie Protacio | ... | Future Technician | |
| Buruna | ... | Future Soldier | |
| Kanata Hongô | ... | Young Miyamoto |
Directed by | |||
| Takashi Yamazaki | |||
Writing credits(in alphabetical order) | ||
| Kenya Hirata | ||
| Takashi Yamazaki | ||
Produced by | |||
| Chikahiro Ando | .... | producer | |
| Toru Horibe | .... | producer | |
| Akifumi Takuma | .... | producer | |
Original Music by | |||
| Akihiko Matsumoto | |||
Cinematography by | |||
| Akira Sako | |||
| Kôzô Shibasaki | |||
Film Editing by | |||
| Takuya Taguchi | |||
Production Design by | |||
| Anri Johjo | |||
Production Management | |||
| Koichi Murakami | .... | post-production manager | |
Sound Department | |||
| Nerses Gezalyan | .... | sound mixer | |
| Keiichi Momose | .... | sound designer | |
| Yasushi Tanaka | .... | sound | |
Special Effects by | |||
| Kikuo Notomi | .... | armourer | |
| Kikuo Notomi | .... | pyrotechnician | |
Visual Effects by | |||
| Semin Tho | .... | CG artist | |
| Takashi Yamazaki | .... | visual effects | |
Stunts | |||
| Misako Nagashima | .... | stunts | |
| Yûji Shimomura | .... | stunts | |
| Hiroyuki Yoshida | .... | utility stunts | |
Camera and Electrical Department | |||
| Nariyuki Ueda | .... | lighting technician | |
Other crew | |||
| Eric Robinson | .... | weapons consultant | |
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| Transformers: Dark of the Moon | Resident Evil: Afterlife | Bad Boys II | The Professional: Golgo 13 | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
If you watch enough Japanese sci-fi films (live-action or animated), you'll see that their makers *love* to get their ideas from American films. This one is no exception; among other films, you'll see elements of THE TERMINATOR, INDEPENDENCE DAY, and E.T. There's even evidence that the filmmakers saw the Jack Scalia/Dennis Christopher direct-to-video flick THE SILENCERS! As derivative as the movie may be, it's still pretty entertaining. Sure, the story has a few murky plot points, but none that terribly confuse you about what is going on. And while it's directed in that stiff and somewhat sterile style often found in Japanese films, that feeling is much less intense than usual. The movie rolls along at an acceptable clip, there are some neat action scenes, and the special effects are often pretty good for what must have been a limited budget. Not a movie to actively seek out, but it's a good one to pick up when your neighborhood Asian DVD rental place is offering 3 rentals for $10. Ten lashes with a whip for the Universe Laser & Video Co., however, for one of the crummiest DVD transfers to date!