With her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember.
The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ... See full summary »
Elizabeth Thatcher, a cultured young teacher in 1910, fears leaving her comfortable world in the city. But when she accepts a teaching position in a frontier town, she finds new purpose and love with a handsome Royal Canadian Mountie.
In 1974, the teenager Martha Moxley moves to the high-class area of Belle Haven, Greenwich, Connecticut. On the Mischief Night, eve of Halloween, she was murdered in the backyard of her house and her murder remained unsolved. Twenty-two years later, the writer Mark Fuhrman, who is a former LA detective that has fallen in disgrace for perjury in O.J. Simpson trial and moved to Idaho, decides to investigate the case with his partner Stephen Weeks with the purpose of writing a book. The locals squirm and do not welcome them, but with the support of the retired detective Steve Carroll that was in charge of the investigation in the 70's, they discover the criminal and a net of power and money to cover the murder. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The real identities of several of the protagonists are replaced with pseudonyms in this adaptation. These include: - The Skakel family tutor/supervisor, Ken Littleton (in the film called Morris Banks); - The Moxley's neighbor, briefly suspected of the murder, Ed Hammond (Rob Mathers); - The Skakel family relations whose house several of the Skakel brothers visited that night, the Terrians, including Jimmy Dowdle/Terrian (The Morgans / Larry Morgan); - The family who lived across the street from the Moxleys, the Ix family (the Fosters), in particular Mildred "Cissy" Ix (Constance Foster) and Martha's friend Helen Ix (Charity Foster); - The 11-year old who accompanied Martha and Helen while they listened to music with Michael Skakel in the Lincoln, Geoffrey Byrne (in the film called Paul Joyce, and made a similar age to Martha and Helen/Charity, with whom he "makes out" in the back seat of the Lincoln, contrary to real life events); - Skakel family gardener Franz "Frank" Wittine (Alex Grafton); - Jim McKenzie, a Great Lakes Carbon junior lawyer who "babysits" the Skakel children following the discovery of Martha's body and prior to Rushton Skakel's return (Jackson O'Connor). In addition, the character of Hildy Southerlyn in the film is a fictional device, enabling the introduction of information from several real-life sources. Similarly, Martha's "best friend" Lucy Duke is a fictitious character, probably representing an amalgamation of Christy Kalan, Tory Fuchs and Margie Walker. See more »
Palm trees and other subtropical vegetation in Connecticut. See more »
My name is Martha Moxley. My friends call me "Mox"
. In 1974, my family moved to Belle Haven, which is in Greenwich, which is in Connecticut. It was the richest neighborhood in the richest town in the richest country in the world.
This was our house in Walsh Lane. And across the street, over on Otter Rock Drive, that's where the Skakels lived. They were our neighbors, they were rich and they were Kennedys.
This was the morning after Mischief Night, we called ...
[...] See more »
Having seen this without knowing all the hoopla surrounding the lead character, indeed without even knowing that it was based on real-life events, I must say I am impressed. "Murder in Greenwich" is an above average production for a made-for-TV movie - the acting is uniformly great, Christopher Meloni in particular putting in a stand-out performance and the teen actors excel in what are difficult roles. The idea of the dead girl narrating the movie is a stroke of genius which elevates the movie from merely good to excellent. The script is exemplary for what is essentially movie-of-the-week fodder and the cinematography is beautiful.
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