A film about women and diamonds which determine the fate of the men who desire them. A group of airport porters are planning on stealing 2 sacks of rough diamonds. The diamonds arrive on ...
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Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be ... See full summary »
The 1956, a few years after the War of Independence and the establishment of the State of Israel. Immigration is at its peak, transit camps are scattered throughout the country. This is the... See full summary »
In July 1976, an Air France flight from Tel-Aviv to Paris via Athens was hijacked and forced to land in Entebbe, Uganda. The Jewish passengers were separated and held hostage in demand to ... See full summary »
A film about women and diamonds which determine the fate of the men who desire them. A group of airport porters are planning on stealing 2 sacks of rough diamonds. The diamonds arrive on schedule on commercial flights to the airport. Being that the porters are the first to come in contact with the sacks from the moment they land in the airport, it goes without saying that they will be the first to be interrogated by the police. In order to escape the clutches of the police Bacho, the ring leader, must choose from among the porters two suckers who won't have a choice but to take the wrap and do time in jail. The gang of airport porters reside in a neighborhood adjacent to the airport. The film will take us to their neighborhood in search of these two porters. There in the midst of the love affairs, jealousies, sex and betrayals, Bacho takes advantage of the weaknesses of 2 porters: Punchika - the compulsive gambler, and Otary (Bacho's brother-in-law) - a wife beater, and forces them to... Written by
It's quite difficult to place 'Present from the Skies' into a well-defined corner. It's an Israeli film, but it does not look too much as other Israeli films. On one hand it is done with a professionalism and story telling skills that very few Israeli films have. It does borrow some elements of the so called 'burekas' comedies
genre inspired from the life of the development towns or suburbs in
the 70s or 80s, but it dares to deal with issues related to the life and habits of some of the Israeli social groups in a manner that exceeds many of the self-imposed limits other Israeli creators place on themselves.
The film deals with the Georgian community in Israel, and is half spoken in Georgian, and from this point of view reminds other ethnic films in the world cinema. The way the director Dover Koshashvili - of Georgian origin himself - approaches aspects of the family relations and especially the attitude towards women is of an extreme, almost cruel realism, and all is done with no intention of programmatic social or moral judgment. The director focuses on creating the right atmosphere, depicting a world, and inviting the viewer to judge by himself. Good acting adds to this movie which offers an experience different of all other Israeli movies that you may have seen.
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