Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Violet, Klaus and Sunny Baudelaire are three intelligent young children who receive terrible news that their parents have died in a fire and have left them an enormous fortune not to be used until the eldest child is of age. When they are sent to live with Count Olaf, a greedy distant relative, they soon learn he is trying to steal their fortune for himself. Written by
In the film, Liam Aiken's character's home burns to the ground. During the premiere, Liam got word that his house was on fire. See more »
When Count Olaf is saying goodbye to the kids his hand is on the car's door handle. Then we cut to a shot from inside the car and Count Olaf's hands are on the windowsill. See more »
[the Littlest Elf has just come to an abrupt halt]
I'm sorry to say that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one...
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The title of the film isn't displayed until 1 minute into the end credits. See more »
A frightfully frenetic and beautifully tragic children's film
First, let it be declared that in the media of movie, it is a downright shock that Nickelodeon's monicker appears in this film. It is by far, the best film they have ever made. Second, it is probably the only movie you will see made for children (supposedly) and containing a claymation elf holding a rifle.
Second, let it be known that this movie is the most visually pleasing children's (live-action) film any of us will see for years. The costume design is amazing, from the strap-laden sunny to the neo-Gothic formality of Violet, and especially in the under-appreciated and subtle '60s formal-casual of Klaus, who looks like a miniature Harold from "Harold and Maude". The sets are equally beautiful, a spree of Burtonesque Gothic-Modern Post-Industrial Asymmetry, from the half formed carnage of The burnt Baudelaire Mansion to the perfectly executed closing credits, animated to perfection. Cinematography also plays an amazing roll on the parts of Violet and Klaus, where ingenious images are used to insert the audience into the minds of the genius Baudelaires.
Last, the performances, only two that everyone has't heard; Jude Law's perfect narration, and The Hoffman Twins astonishing performance as Sunny. Law's performance is so on target that it never occurs that this voice is not the elusive and enigmatic pseudonym himself. He is the perfect compliment to the often exciting or disturbing actions being inflicted upon the accurately charming and intelligent Baudelaires. as for Sunny, they have performed the impossible in giving a perfect performance to an infant from an infant, in both the physical acting and the ingenious form of translation. The sequels are sure to be the greatest of series, even if the events be unfortunate as they have been.
As an artist, this reviewer cannot help but give this movie a 10/10. It is his deep desire that you appreciate it as much as he, if not, well... ... that is rather... ... unfortunate.
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