The well-known little village from the Asterix and Obelix-comic books is in trouble: It is the last place not controlled by Rome. When Tax collector Claudius Incorruptus does not get his ... See full summary »
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
Violet, Klaus and Sunny Baudelaire are three intelligent young children who receive terrible news that their parents have died in a fire and have left them an enormous fortune not to be used until the eldest child is of age. When they are sent to live with Count Olaf, a greedy distant relative, they soon learn he is trying to steal their fortune for himself. Written by
The beginning of the film features a false-start opening sequence called "The Littlest Elf". The sequence was created in CGI, but designed to resemble the stop-motion animated children's specials common in the 1960s and '70s, most famously by Rankin-Bass. See more »
When it's at the part where they're on the boat, Klaus shows the drawing of the eye to Aunt Josephine. When the camera turns to her, Klaus folds the paper. Then when it turns it back to him, he has it unfolded in his hands. See more »
[the Littlest Elf has just come to an abrupt halt]
I'm sorry to say that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one...
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If you've seen the movie, you don't know what the books are like
The movie was decent. I enjoyed it, certainly. Technically it was outstanding. Casting was good, sets were outstanding, costumes were very nice.
As an adaptation of the books, however, this was horrendous. It was as if the writer had torn a quarter of the pages from the first three books, a few pages from books 4-9, and pasted them together in a random fashion to try and create a cohesive movie. Now, had I not read the books, I would have enjoyed this movie very much, so I have to give that to them, but as a fan, it was just a slap in the face.
If you've read the books, don't see the movie, it will just enrage you. If you haven't, see the movie. It'll be very enjoyable. If, however, you decide to read the books afterwards, be aware that they are far darker than the movie shows, and the mystery is certainly deeper than some magnifying glass in Count Olaf's house. Do not think of them as kid stuff.
7.5/10 for the movie, 2/10 for the adaptation.
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