It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Violet, Klaus and Sunny Baudelaire are three intelligent young children who receive terrible news that their parents have died in a fire and have left them an enormous fortune not to be used until the eldest child is of age. When they are sent to live with Count Olaf, a greedy distant relative, they soon learn he is trying to steal their fortune for himself. Written by
The real ending of "The Wide Window" is as follows: after rescuing the orphans from the leeches (and drowning Aunt Josephine), Count Olaf, still disguised as Captain Sham, would return to the dock, where Mr. Poe and the person of indeterminable gender are waiting. Olaf seems to have won, but Sunny bites his peg leg with great force, causing it to crack open and reveal his real leg. Mr. Poe would then stand up to Olaf, but the villain quickly runs away with his henchman, leaving Poe and the Baudelaires locked up behind them. See more »
When we meet Count Olaf as Stephano, he mentions that he works in the Monterey Bay Aquarium with sea snakes, and that he has been bitten "347 hundred times", mostly on the face. The venom of the sea snake is 10x more potent than a king cobra's. See more »
[the Littlest Elf has just come to an abrupt halt]
I'm sorry to say that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one...
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Jim Carrey sings a sea shanty as Captain Sham towards the end of the end credits. See more »
In the wake of Harry Potter the popular Lemony Snicket books have been rushed into production and considering the less than promising prospect of Brad Silberling directing and Jim Carrey starring, I didn't really hold out much hope. It turns out that the film is surprisingly good and apart from The Incredibles this was the only big budget Hollywood film I truly enjoyed this year.
Like Harry Potter, the Lemony Snicket books appeal to adults as well as to children but they are darker, funnier and more eccentric, making them more of a cult than the mainstream success of the Harry Potter series.
If you've read the books, you may miss the clever word play and you may feel that the two older children are miscast. Unlike in the books, the boy doesn't come across as particularly brainy and the girl looks just a bit too sexy as Violet, reminiscent of a teenage Anjelina Jolie. Still they are better than some of the child actors in the Harry Potter series.
On a visual level the film is simply stunning. True, some of it is reminiscent of Tim Burton as both Burton and Daniel Handler are strongly influenced by the work of the writer and illustrator Edward Gor ey. The look of the film is a highly stylized mixture of Edwardian times and the 1950's and convincingly brings to life the parallel universe of the books, where death is ever present and where the whole world has conspired to make the Baudelaire children's life a misery.
Folding books two and three into the storyline of the first one, the plot feels episodic but it stays consistently entertaining. Not being a Jim Carrey fan I was worried about his involvement (I still think Richard E. Grant would have been the perfect choice) but he nails and certainly looks the part of evil, failed thespian Count Olaf and thankfully he doesn't end up dominating the film, turning it into the Jim Carrey show.
The section involving Meryl Streep's fearful Aunt Josephine is the best part of the film. Taking place against backdrops reminiscent of Masaki Kobayashi's stylish horror classic Kwaidan, Lake Lachrymose is as beautiful as it is nightmarish.
Make sure to stay for the beautifully animated credit sequence.
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