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Highwaymen (2003)
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Overview
User Rating:
Release Date:
19 February 2004 (Puerto Rico) moreTagline:
Terror hits the road morePlot:
Rennie Cray (Caviezel) embarks on a bloodthirsty rampage to avenge the death of his wife who was struck down by a serial killer - a man who hunts and kills women using his '72 El Dorado. full summary | full synopsisAwards:
2 nominations moreNewsDesk:
(3 articles)
Tom Cruise Still Weighing Future Projects (From TheMovingPicture. 21 April 2009, 11:04 PM, PDT)
Len Wiseman Eyeing Motorcade
(From TheMovingPicture. 14 November 2008, 3:09 AM, PST)
User Comments:
Not The Hitcher but not bad moreCast
(Cast overview, first billed only)| James Caviezel | ... | James 'Rennie' Cray (as Jim Caviezel) | |
| Rhona Mitra | ... | Molly Poole | |
| Frankie Faison | ... | Will Macklin | |
| Colm Feore | ... | Fargo | |
| Gordon Currie | ... | Ray Boone | |
| Andrea Roth | ... | Alexandra Farrow | |
| Noam Jenkins | ... | Kelt | |
| Toby Proctor | ... | Rookie | |
| James Kee | ... | Trauma Counselor | |
| Guylaine St-Onge | ... | Olivia Cray (as Guylaine St. Onge) | |
| Joe Pingue | ... | Long Hair Mechanic | |
| Martin Roach | ... | Detective | |
| Ron Bell | ... | Semi Driver | |
| Paul Rutledge | ... | Pickup Driver | |
| Kelly Jones | ... | Pickup Passenger |
Additional Details
MPAA:
Rated R for violence, some gore and brief language.Parents Guide:
Add content advisory for parentsRuntime:
80 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Iceland:16 | Malaysia:18SG | Netherlands:16 | Argentina:16 | Australia:M | Germany:16 | Philippines:R-13 | Singapore:NC-16 | UK:18 | USA:R | Finland:K-15Fun Stuff
Goofs:
Continuity: Flipped shot: Right before you see that the El Dorado has been chained up to drag Boone's car down the road, we get a quick glimpse of the front of the Cadillac. The right headlight is supposed to be burned our (or broken) but it is working again and the license plat is reversed. moreQuotes:
[last lines]Fargo: Who are you supposed to be?
Will Macklin: Will Macklin. State traffic investigator.
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What kind of car does Jim Caviezal drive in the movie?more
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It's been 18 years and a long time in the TV movie/Van Damme C-list wilderness since Robert Harmon screeched onto the big screen with the acrid blend of scorching oil and hot blood that was The Hitcher. With Highwaymen, he's back in the familiar territory of eerie desert landscapes, lonesome blacktop unspooling to the horizon and two men engaged in a dance of death so ritualised and implausible that it's near-mythic. Rennie Cray (Jim Caviezel) is a vengeful fury, prowling the interstates in a battered Plymouth Barracuda as he stalks the hit-and-run killer who brutally murdered his wife five years previously. This deadly game of tag has left his nemesis James Fargo (Colm Feore) a spite-filled human wreck of broken flesh and prosthetic limbs lashed together with harnesses and straps in his customised Cadillac, taunting Cray with newspaper cuttings of his fresh kills. Caught in the middle is Molly (Rhona Mitra), a survivor of Fargo's latest attack and most likely his next target. Harmon doesn't get bogged down in logic and back story for this fusion of Duel and Crash; indeed, his sketched-in biographies for each protagonist feel welded on as an afterthought. Mitra's got nothing to do but look very fetching as she plays buffeted pawn-in-the-middle, but that's okay because Caviezel and Feore are only required to look grim and tormented as they have at each other time and again on the battleground of the highway. It's a tight 72 minutes but the director still takes time to capture the alien mood of the desert, a landscape further imbued with mystery by Mark Isham's effective electronic score. In marked contrast is Harmon's eroticisation of the car, the camera's lingering fascination with the scars of road accidents, wince-inducing moments of impact and the gunning engines pouring from the soundtrack like the howls of coupling dragons. The climax is appropriately downbeat save for a crummy last scene kiss-off and plot holes the size of Arizona open up when you stop to think about it, but this is a movie best enjoyed in the moment.