| Clive Owen | ... | Driver | |
| Gary Oldman | ... | Devil | |
| James Brown | ... | Himself (as Mr. James Brown) | |
| Marilyn Manson | ... | Himself | |
| Danny Trejo | ... | Bob | |
| Tony Wilson | ... | Young James Brown | |
| Tomirae Brown | ... | Vegas Girl | |
| Judge Bradley | ... | Crossroads Doorman |
Directed by | |||
| Tony Scott | |||
Writing credits | ||
| David Fincher | (original concept) | |
| David Carter | (written by) & | |
| Greg Hahn | (written by) & | |
| Vincent Ngo | (written by) | |
Produced by | |||
| Skip Chaisson | .... | executive producer: Skip Film | |
| Jules Daly | .... | executive producer | |
| David Davies | .... | executive producer: Complete Post | |
| Brian DiLorenzo | .... | co-executive producer (as Brian Di Lorenzo) | |
| Kimberly Jacobs-Toeg | .... | executive producer: Skip Film (as Kimberly Jacobs Toeg) | |
| Teddy 'Knuckles' Knutson | .... | associate producer | |
| David Mitchell | .... | producer | |
| Ridley Scott | .... | executive producer | |
| Tony Scott | .... | executive producer | |
| Philip Steuer | .... | co-executive producer | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| Paul Cameron | (director of photography) | ||
Film Editing by | |||
| Skip Chaisson | |||
Casting by | |||
| Victoria Thomas | (as Vicki Thomas) | ||
Production Design by | |||
| Ken Davis | |||
Art Direction by | |||
| Shepherd Frankel | |||
Set Decoration by | |||
| Cynthia Anne Slagter | (as Cindy Slagter) | ||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Daniel Erdman | .... | key hair stylist | |
| Gina Monaci | .... | key makeup artist | |
| Ellen Wong | .... | makeup department head | |
| Bridget O'Neill | .... | makeup artist (uncredited) | |
Production Management | |||
| Marjie Abrahams | .... | executive in charge of production | |
| David Bernstein | .... | assistant production supervisor | |
| Nicci Freeman | .... | second assistant production supervisor (as Nicole Freeman) | |
| Jessica Garcia | .... | production manager | |
| R. Stephan Mohammed | .... | production supervisor (as Ralph Mohammed) | |
| Kate Talbott | .... | post-production manager | |
| Bob Wendt | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Frank Kostenko Jr. | .... | second assistant director (as Frank Kostenko) | |
| John Wildermuth | .... | first assistant director | |
Art Department | |||
| Mychael Bates | .... | property master | |
| Robbie Bolick | .... | designer (as Rob Bolick) | |
| Richard 'Rocky' Nichols | .... | assistant property master (as Rocky Nichols) | |
| Jessica Samuelson | .... | assistant property master | |
| Jorge A. Yazji | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Crew Chamberlain | .... | sound: Las Vegas | |
| Yvette Garfield | .... | boom operator: Los Angeles | |
| Daniel Kent | .... | sound: Los Angeles | |
| Marydixie Kirkpatrick | .... | boom operator: Las Vegas (as Mary Dixie Kirkpatrick) | |
| David Lai | .... | sound designer | |
| Eric Martell | .... | sound re-recording mixer: Martell Sound | |
| Kurt Nicholas Forshager | .... | supervising sound editor (uncredited) | |
| Daniel Kent | .... | sound mixer (uncredited) | |
| Nancy MacLeod | .... | sound effects editor (uncredited) | |
| Jeff M. Sliney | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| John C. Hartigan | .... | special effects coordinator (as John Hartigan) | |
Visual Effects by | |||
| Ron Barr | .... | fire artist | |
| Timothy Clark | .... | matte painter: visual effects (as Tim Clark) | |
| David Hofflich | .... | visual effects executive producer | |
| Bill Laverty | .... | chief engineer: visual effects | |
| Emma McGuinness | .... | visual effects executive producer | |
| Nathan McGuinness | .... | senior visual effects supervisor | |
| Carlos Morales | .... | digital compositor | |
| Alex G. Ortoll | .... | inferno artist (as Alex Ortoll) | |
| Darcie Tang | .... | visual effects producer | |
| Rob Moggach | .... | digital compositor (uncredited) | |
Stunts | |||
| Paul Borne | .... | stunts | |
| Gilbert B. Combs | .... | stunt driver (as Gil Combs) | |
| Cindy Daniels | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| Corey Michael Eubanks | .... | stunt driver (as Corey Eubanks) | |
| Troy Gilbert | .... | stunts | |
| Gene Hartline | .... | stunt driver | |
| Tommy J. Huff | .... | stunts (as Tommy Huff) | |
| Henry Kingi | .... | stunts | |
| Bennie Moore | .... | stunt driver | |
| Allan Padelford | .... | stunts | |
| Chuck Picerni Jr. | .... | stunt coordinator | |
| Charlie Picerni | .... | stunts (as Charlie Picerni Sr.) | |
| Jimmy N. Roberts | .... | stunts (as Jimmy Roberts) | |
| Erik Rondell | .... | stunts | |
| Erik Stabenau | .... | stunts | |
Camera and Electrical Department | |||
| Donald Burghardt | .... | first assistant camera: "a" camera (as Don Burghardt) | |
| Ray D. Chase | .... | best boy grip (as Ray Chase) | |
| Ian Clampett | .... | camera loader (as Ian Clampett) | |
| John J. Ellingwood | .... | first assistant camera (as Jack Ellingwood) | |
| Brett F. Gates | .... | second assistant camera (as Brett Gates) | |
| Peter Gulla | .... | b camera operator | |
| John Hill | .... | vtr operator | |
| Steven A. Hughes | .... | best boy electric (as Steve Hughes) | |
| Joe Angel Martinez | .... | second assistant camera (as Joe Martinez) | |
| David B. Nowell | .... | aerial director of photography (as David Nowell) | |
| J. Michael Popovich | .... | key grip (as Mike Popovich) | |
| Andrew Rowlands | .... | Steadicam operator | |
| Martin Schaer | .... | camera operator | |
| Phil Walker | .... | gaffer | |
| Steven J. Winslow | .... | camera technician: Wescam camera (uncredited) | |
Editorial Department | |||
| Skip Chaisson | .... | editor: Skip Film | |
| Beth Dewey | .... | digital intermediate producer | |
| Mike DiBenedetto | .... | assistant editor | |
| Shane Harris | .... | assistant colorist | |
| Eleanor Infante | .... | editor: Skip Film | |
| Dan Muscarella | .... | color timer | |
| Thatcher Peterson | .... | digital color producer | |
| Stefan Sonnenfeld | .... | colorist | |
| Jackson Yu | .... | assistant editor | |
Music Department | |||
| Meri Gavin | .... | music programmer | |
| Harry Gregson-Williams | .... | music programmer | |
| David Lai | .... | music supervisor | |
| Mel Wesson | .... | music programmer | |
| Richard Whitfield | .... | music editor | |
| Toby Chu | .... | composer: additional music (uncredited) | |
| Mel Wesson | .... | music arranger: electronic music (uncredited) | |
Transportation Department | |||
| Derik Hixon | .... | transportation coordinator | |
| Roger Wooge | .... | driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
When you've got Gary Oldman wearing a red spandex and red lipstick in the role of the devil and James Brown, godfather of soul himself, complaining that the deal he got with the prince of darkness needs to be renegotiated because he's gotten too old to do splits, you know you've divided everyone who hears about it into two clearly marked, separated groups; those who reject it and those who are intrigued. Those that belong in the latter category probably wind up watching this commercial, are once again divided into two groups; those who love it and those who hate it. This is a clear-cut short film; either you love it or you hate it. But that doesn't mean that it's bad... just that it's limited. I don't know exactly why, but I'm thankful it is. Maybe it's because that allowed it to be what it wanted to be, what it had to be. What is that, you ask? Well, bizarre as hell, first of all. But also funny and stylish, not to mention quite intense. The race in the commercial is cool and exciting. The humor is very good... again, limited, but very good if you're into exactly that sort of thing... and I am. To an extent, at least. I laughed out loud at the 'twist' in the end. The editing and cinematography is very stylish, very typically Tony Scott. I liked all of the puns and jokes, both those concerning the devil himself and those concerning James Brown. The acting is good. Clive Owen once again delivers a perfect performance. All in all, just a very weird and bizarre yet entertaining little commercial. I recommend it to any fan of the commercials or any of the actors... and possibly fans of Tony Scott. 8/10