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A biopic depicting the early years of legendary director and aviator Howard Hughes' career from the late 1920s to the mid-1940s.

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420 ( 58)
Won 5 Oscars. Another 73 wins & 108 nominations. See more awards »

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Cast

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Storyline

The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by Ryan McIntosh <Save_Ferris85@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Imagine a life without limits. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence | See all certifications »

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Details

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Release Date:

25 December 2004 (USA)  »

Also Known As:

El aviador  »

Filming Locations:

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$858,021 (USA) (17 December 2004)

Gross:

$102,608,827 (USA) (27 May 2005)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Howard Hughes' Los Angeles home in the film was actually the home he lived on Muirland Drive. See more »

Goofs

In the projection room with Dietrich, Hughes jots down notes with his right hand. When he is at Ava Gardner's house much later in the film, he jots down notes with his left hand. See more »

Quotes

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.
See more »

Crazy Credits

Aside from company logos and the film's title, there are no opening credits. See more »

Connections

Featured in Hollywood's Top Ten: Flying to New Heights (2011) See more »

Soundtracks

Some of These Days
(1910)
Music and Lyrics by Shelton Brooks
Performed by Bing Crosby with Lennie Hayton and His Orchestra
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Frequently Asked Questions

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User Reviews

 
A GREAT American TRAGEDY
17 December 2004 | by (Los Angeles, CA) – See all my reviews

This is an astonishingly beautiful and moving film. Martin Scorcese has created a seminal work -- one that brings the harrowing, big-studio, adult movie making of the 1970's and totally reinvents and reinvigorates it for today's audience.

The story traces the rise and demise of billionaire Howard Hughes as he struggles to find meaning and purpose in a life unfettered by concerns of money, talent or opportunity. Whether trying to get a plane off the ground or a young starlet into bed, Hughes attacks life with a fierce gusto -- plagued and prodded by obsessive compulsive germphobia that constantly threatens to consume and defeat him.

DiCaprio is amazing! It's the performance no one thought he was capable of. It is a dynamic, smart, funny, articulate, intense, mature and ultimately harrowing performance that relaunches his career as one of American's finest actors. At the end of the film, you just want to take him in your arms and sob. It's really that good.

Cate Blanchett is incredible as Katherine Hepburn. At first, I was a little thrown by how bravely she attacked the Hepburn trademark voice, but I was completely won over by the second line. It is a tender, funny, incredibly convincing star turn that supplies the heart for the first half of the film. The scene where she takes Howard home "for dinner" with the family is a classic! Kate Beckinsale does a surprisingly fine job with Eva Gardner -- conveying the slow burning passion of this Hollywood icon without ever lapsing into mere mimicry.

But, in the end, this isn't a love story -- it's a war story -- a war between Howard's unstoppable will and his fierce inner demons battling for Howard's soul. It is the major relationship in the movie and the true heart of the film -- one that fuels his eccentric genius and yet constantly threatens to rip his life apart. He tries to ignore it by sleeping with every beauty in town. He tries to outrun it, building faster and faster airplanes. Yet, it is his one constant companion from early childhood to his ultimate, inescapable end. And it is this relationship that leaves you devastated at the end of the film.

Brilliant!


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