A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship.
The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by
Ryan McIntosh <Save_Ferris85@hotmail.com>
Four of the miniature airplanes used in creating the effects for the film are now on display at the Evergreen Aviation Museum in McMinnville, Oregon, home of the real Howard Hughes HK-1 "Spruce Goose". Models on display include two of the biplanes from the Hell's Angels (1930) sequence, most of the XF-11 model, and the motion-control "Spruce Goose". The "Spruce Goose" model is remarkably detailed, and even includes scale puppets of Howard Hughes and Dr. Fritz. See more »
A more careful examination of the timing Howard Hughes during the speed-test run: Odie says "347" (miles per hour) then "352". The first run shows the stopwatch at as near to 18.5 seconds as is possible to determine and the second run clearly shows the stopwatch (a more distant view of the watch face) at 18.3 seconds which is more in agreement with the times Odie announced. Since 1905, the Fédération Aéronautique Internationale, FAI, has been the recognized arbiter of all speed records. For a recognized record, their rules require 2 runs at a sanctioned event viewed by their officials, with the speed for the record being the average of the best of two runs. See more »
Martin Scorsese's "The Aviator" is grand spectacle with a reverence for the nostalgic, set in simpler times. As a snapshot of Howard Hughes's life from 1927 to 1947, "The Aviator" is a portrait of a man of genius and unmatched innovation, and also a man debilitated by severe obsessive compulsive disorder and extreme depression. "The Aviator" has an amazing performance by Leonardo DiCaprio as Howard Hughes, and a mesmerizing performance by Cate Blanchett, who seems to inhabit the role of Katherine Hepburn-- the love of Hughes's life. However, the one indelible image I have of the film is the scene in which Hughes is frozen in the men's restroom, because he can't make himself touch the door knob for fear of germs and contamination. Granted this was a time before obsessive compulsive disorder existed as a diagnosis. The scene is intended as a dramatic arc, distinguishing a tragic flaw in Hughes. However, for me it seemed overly indulgent, and was curious regarding the scene length. Much like most of the nearly 3 hour movie, this is an exercise in indulgence, and attention to detail that is only that. Scorsese's balance between Hughes's genius and his great suffering is good melodrama, but not very inspiring. I have a particular affinity for Howard Hughes the man. Had John Lone's (and Michael Mann's) story followed Hughes through the 1950's and beyond, the story would be even sadder. "The Aviator" illustrates the highs of genius, and the abyss of near insanity. This is an accurate depiction of an amazing man's life, but it is skewed toward the broken aspect. So just personally for me, it was frustrating to watch. To Scorsese's credit, one gets that he has immense compassion for Howard Hughes.
Hughes' life sentence is established in the opening scene. Hughes's mother while bathing the young Hughes, tells him something that perhaps leads to his obsessive compulsive nature. Apparently he is incomplete in his relationship with his mother, and the story surrounding what she said.
Fast forward to 1927, when Hughes left his father's wealthy drill bit tool company in Texas, to be a maverick film maker in California. Hughes is an ambitious and novice film director, but he is smart and has unmatched drive. However, his real genius is as a pilot and an innovative designer of airplanes. His gifts for fame and fortune are established. Hughes (DiCaprio) then pursues a touching romance with Katherine Hepburn (Blanchett). This is the highlight of "The Aviator", even amidst the spectacular aerial cinematography, because it is just about relationships that move people. There is a wonderful moment when Hughes lets Hepburn take control of his plane as they fly above Los Angeles at night. As great as the chemistry is between Dicaprio and Blanchett, this romance part of the story goes on a little too long in the context of the movie.
From this point on, the movie becomes increasingly darker. Sure, Hughes has his share of triumphs, but everything is tempered by his spiraling decline into depression and his debilitating obsessive compulsive disorder. The acting is outstanding throughout the picture. This is Leonardo DiCaprio's most mature performance. He truly captures Hughes's intensity, genius, and charm. His suffering also elicits great compassion. Cate Blanchett is outstanding as Kate Hepburn. At first one wonders whether she is doing a caricature of Hepburn. She is not. She is being Hepburn. Blanchett's performance is simply stunning. An unrecognizable Kate Beckinsale is awesome as Ava Gardner. Beckinsale gives surprising layers to Gardner, who is really not all that she appears to be on the surface. John C. Reilly is fabulous as Hughes's CFO. In an understated fashion Reilly's performance anchors the movie. Alec Baldwin as Pan Am CEO, Juan Trippe, and Matt Ross as Hughes's engineer Glenn Odekirk give strong performances.
Scorsese's "The Aviator" is spectacular to view, and has a sense of history and tragedy. He offers an interesting portrait of the dichotomy between genius and madness, with an emphasis on the dark. This choice really lost me. "The Aviator" is amazing work, that is not very inspiring, though it was probably not intended to do so. That is a bit of a disappointment.
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