Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by
Ryan McIntosh <Save_Ferris85@hotmail.com>
Howard Hughes replies to Mrs. Hepburn's statement "we don't care about money" with "that's because you've always had it", an insinuation that he has made his own way whereas they were of "old money" (a "point" Hughes makes again when he says: "some of us choose to work for a living" as he leaves the table). Some have asserted that the real situation was nearer opposite: the real Hughes was born into millions whereas the Hepburns, while well-off, had to work for what they had. HOWEVER, Hughes was not literally born into wealth, and his comment could have been a reference to his father, who was an oft-failed entrepreneur before making a fortune with drill bits in the early 1910s, years after Howard Jr. was born. Meanwhile, Katharine Hepburn's mother was born into the Houghton family (a prominent New England and New York family famous for its involvement with Corning Glass Works) and married Thomas Hepburn, who came from a respected, well-to-do southern family and became a wealthy doctor after studying at Johns Hopkins. From such a perspective, Howard's assertion and insinuation in the film is accurate. See more »
Before Howard Hughes was a recluse so reclusive as to out-Salinger J.D. Salinger, he was a big time stud, who made big movies, flew fast planes, and courted gorgeous ladies; so say Martin Scorsese and John Logan, architects of this latest Hollywood biopic.' Leonardo DiCaprio continues his trend of turning in great performances with great directors, playing Howard Hughes between 1927 and 1947, the years where Hughes conquered the worlds of film and aviation, making room for romance with Katharine Hepburn (Cate Blanchett) and Ava Gardner (Kate Beckinsale). In later years, Hughes's mental problems would become legendary; at this stage in the game, he suffers only from pronounced germ phobia and mild obsessive-compulsive disorder. This is all expertly depicted by Scorsese, Logan, and DiCaprio. Stealing all her scenes is Cate Blanchett, who should start making room on her mantle for her Best Supporting Actress Oscar. It couldn't have been easy to play an iconic movie star like Katharine Hepburn, but Blanchett aces it. Kate Beckinsale, Kelli Garner (Faith Demorgue), and Gwen Stefani (Jean Harlow) are the other women in Howard's life, although none are as clearly defined as Blanchett/Hepburn. The villains of the piece are Alec Baldwin and Alan Alda, playing, respectively, Pan-American Airways CEO Juan Trippe and Trippe's bought-and-paid-for politician, Senator Ralph Owen Brewster. Both excel, with Alda coming off as both slimy and goofy at the same time. Alec Baldwin, like Cate Blanchett, steals every scene he has, playing Trippe as a delightfully suave villain. In his final scene he delivers a wonderful monologue on the future of Hughes's Trans-World Airline, and caps it off with the most hysterical use of the F word in many years. Also appearing: the dependable John C. Reilly as Hughes's business manager Noah Dietrich; Jude Law, who apparently can't go two weeks without seeing himself in a different movie, as movie legend Errol Flynn; Brent Spiner (yay!) as airplane executive Robert Gross; and Willem Dafoe as a photographer. "The Aviator" is overlong, and drags in places, but it is a great movie. I rate it a 9/10.
191 of 311 people found this review helpful.
Was this review helpful to you?