In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst. Written by
When Yan and SP Wong are waiting at the elevator, the digital floor counter skips the 4th floor. In China and Hong Kong, the number 4 is considered bad luck because it sounds similar to the word 'death'. See more »
When Lau goes to listen to the "sampler" CD that's been dropped off for him, he presses the button on the player and we see the CD drawer close twice - first in the long-shot, and then in a close-up that starts from a fully-open position on the drawer. See more »
Composed & Arranged by Ronald Ng
Performed by Andy Lau and Tony Chiu Wai Leung (as Tony Leung)
Produced by Ronald Ng and Jacky Chan
O.P. BMG Music Publishing Hong Kong, Ltd./Catchy Music Publishing, Ltd. See more »
This movie is well-made, stylish and extremely entertaining. However, as stated by the review from a Hong Kong viewer, there is also depth and subtlety rarely found in action/thrillers. It is this depth that makes this movie brilliant. The depth of this movie is best served by the understated yet deeply moving performances of the main characters. Viewers are allowed into the inner changes of these characters and before long, the viewers begin to care about them, be it the "good guy" (Yan) or the "bad guy" (Ming). The rest of cast successfully relate the complicated and exciting plot to the viewers, and all the supporting performances are almost flawless, perhaps with the exception of the female psychologist who seems sadly one-dimensional. I grew up in Hong Kong but has since lived most of my life in Canada. With this duo-cultural background, I have mixed feelings about the Hollywood remaking of this movie. On the one hand, I am happy for the Hollywood recognition of this great movie by remaking it. On the other hand, I would hate to see how badly sabotaged the end result would be. Some things just do not translate. As a minimum, I hope the great director Scorcese will make good use of the major plot line and generate a haute thriller and with the excellent cast, develop some in-depth characterization. The Chinese philosophy and the spirit of the original film is better left undisturbed.
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