A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst. Written by
When Yan and SP Wong are waiting at the elevator, the digital floor counter skips the 4th floor. In China and Hong Kong, the number 4 is considered bad luck because it sounds similar to the word 'death'. See more »
Changes in the time on the clock in the living room when the cop is listening to the CD that's been dropped off for him. See more »
Most western viewers will only know the Asian crime scene from the bleak and lyrical canvas of Takeshi Kitano's work. Here we get something that at first seems far more westernized and very close to the work of one Michael Mann. Okay, enough allusions: yes "Heat" comes heavily to mind at first. but this is no simple "Heat" in Hong Kong. This a splicing of everything Asians do best in a moody, stylish tension-based thriller. From the beautiful cinematography(reminiscent of Wong Kar-Way's films)- step forward visual consultant Christopher Doyle! - and music to the graceful ying-yang undertones (mirror-images are a key theme), the film's most heroic achievement lies in its leads and in the bold ending.
Hearing that this is being considered for a remake stateside comes as no big surprise, but how Matt Damon and Leonardo DiCaprio could possibly compete against Andy Lau and Tony Leung evokes cynicism at best. Both leads are perfect. Lau's cold calculating intellect against Leung's anguished and tormented heart, complimentary opposites. There aren't enough words to commend this fresh, invigorating film with...
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