Tells the life story of a wolf named Lobo. He grows from a playful, curious cub into a wolf with a huge bounty on his head. Along the way he makes friends with deer, tangles with ... See full summary »
Ten-year-old Arthur, in a bid to save his grandfather's house from being demolished, goes looking for some much-fabled hidden treasure in the land of the Minimoys, a tiny people living in harmony with nature.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Set not so long ago in a distant land, the film follows the adventures of twin tiger cubs--one shy and gentle, the other bold and fierce--who are born among the temple ruins of an exotic jungle. However, on a fateful day, the brothers are separated by fate. The bold brother is sold off to a circus, where homesickness and living in a cage rob him of his spirit. Meanwhile, the shy cub becomes the beloved companion of the governor's lonely young son, until an accident forces the family to give him away to a man who resolves to break his gentle nature and turn him into a fighter for sport. When they are fully grown the brothers find themselves reunited--but as forced enemies, pitted against each other. Written by
Sujit R. Varma
Am rarely moved to comment on what others say here, but Sarah from Canada's mindless and cynical response to TWO BROTHERS can't go unchallenged. Though far from perfect, I found this movie to be exceptionally entertaining on all accounts. Sarah claims there's no story, no characters, no moral ... on and on. Well, what she says is a complete crock: there is a story: it's about the two tiger brothers who are taken from their jungle home. The two main characters are not human, and I guess the fact that they don't have dialogue presented quite an obstacle for Sarah because she doesn't seem to have followed their story and its moral/ethical significance. Since the movie plays out like a fairy tale, realism here is not the point, hence the broad human characterizations. Rather, the most successful parts of the film allows us to view the world from the animals' eyes, and in doing so we experience their feelings, memories, and needs. I found this to be entertaining and at times quite moving. The film makers ennoble these tiger characters with such power and respect, I find it utterly mystifying that anyone could miss this as being the major point of the film. Please do not let negative comments like the ones from Sarah keep you from watching this terrific movie.
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