A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
The scene where DJ (Joe La Due) bluffs his opponent, Mario, off of pocket Kings, while holding 7-2 off-suit, is based upon an actual hand that occurred between Jack "Treetop" Straus and an unknown opponent. The story goes, that while playing in a high stakes cash game, Straus had won several pots in row and decided that he would play the "rush" and raise the next hand regardless of what his cards were. When he looked down at his hole cards, he found that he'd been dealt 7-2 off-suit, the worst starting hand in Texas Hold'em. But he decided to raise anyway, he was called by a single opponent, and the flop read; 7 3 3. Straus bet and his opponent re-raised, indicating an over-pair to the board. Straus decided to call, in the hopes that he could perhaps bluff his opponent off of his hand on the turn or river. The turn brought a 2. It was no help to Straus though, as he could only play his two pair sevens and threes. The deuce didn't play. And it also meant that if his opponent did in fact have an over-pair, such as Kings or Queens, that Straus was way behind. Straus decided to bet again on the turn anyway, which made his opponent seriously consider whether to call or fold. Straus knew that if he were called, his chances of outdrawing his opponent were very slim, with only one card to go. After several minutes, Straus offered a proposition to his opponent, for $25 his opponent could choose either one of Straus' hole cards and Straus would show it to him. After more consideration, the opponent finally decided to take the deal, he tossed Straus $25 and chose a card, it turned out to be the deuce. Straus' opponent deduced that since he showed him one card, the other must be of the same value and so, he naturally assumed that Straus must have had pocket deuces, giving him a full house, deuces full of threes. It was considered one the most celebrated bluffs in all of poker history. See more »
When Stuey first walks into a casino when he arrives in Las Vegas, the scene is supposed to take place in 1973. However the video slots on the other side of the glass doors he enters weren't invented until a couple decades after. See more »
Welcome back, everybody, to the 1997 World Series of Poker, where Stu "The Kid" Ungar is attempting to make one of the greatest comebacks in poker history, by winning the no-limit Texas Hold'em Championship a record third time.
Andrew N.S. Glazer:
And Al, the amazing thing about this is, that Stuey would be achieving that feat after sixteen years of personal struggle, where victories were really few and far between.
And standing between Stuey and history is John Stremp, a local casino executive who's ...
[...] See more »
(Introductions and Variations on a Theme from) 'DIE SCHOENE MUELLERIN' Op. 160
Performed by Jean-Pierre Rampal
Written by Franz Schubert
PD Arrangement by J. Baird (BMI), F. Gari (BMI)
Published by Arvee (BMI), Dingletown Music (BMI)
Courtesy of Bully Music, L.L.C. See more »
An insult to both poker and cinema, this movie manages to make the most dynamic, brilliant, and fascinating figure in poker history into an utter bore. Still a fun film to make jokes about, from the lame gangster movie clichés of the first half to the incomprehensible nonsense of that second hour. Hilariously, Stu Ungar wins all three of his World Series titles without playing a single hand on screen. His infamous dealer abuse? 1 scene. His coke habit? 1 scene. His incredible memory? 0 scenes. They couldn't even get any real poker players. What did they cover? A lot of high angle shots from inside a house in the suburbs. Oh, and a montage of Stu waking up every day and shopping for meat which doesn't come anywhere close to making sense. Why do I care so much about this little Sopranos summer camp trying to cash in on the poker craze? Because I think there's still a great film to be made about Stu Ungar waiting for someone willing to do it right.
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