BET RAISE FOLD tracks the origins and evolution of the Internet poker industry during the 2000s and its impact on a new generation of poker professionals. It examines the conflict between ... See full summary »
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
Trevor Miller visits his friend and lawyer Martin Meyers to finalize divorce proceedings to his wife Stacey. Reluctant to move ahead with the divorce, Miller recounts the sordid events that... See full summary »
The scene where DJ (Joe La Due) bluffs his opponent, Mario, off of pocket Kings, while holding 7-2 off-suit, is based upon an actual hand that occurred between Jack "Treetop" Straus and an unknown opponent. The story goes, that while playing in a high stakes cash game, Straus had won several pots in row and decided that he would play the "rush" and raise the next hand regardless of what his cards were. When he looked down at his hole cards, he found that he'd been dealt 7-2 off-suit, the worst starting hand in Texas Hold'em. But he decided to raise anyway, he was called by a single opponent, and the flop read; 7 3 3. Straus bet and his opponent re-raised, indicating an over-pair to the board. Straus decided to call, in the hopes that he could perhaps bluff his opponent off of his hand on the turn or river. The turn brought a 2. It was no help to Straus though, as he could only play his two pair sevens and threes. The deuce didn't play. And it also meant that if his opponent did in fact have an over-pair, such as Kings or Queens, that Straus was way behind. Straus decided to bet again on the turn anyway, which made his opponent seriously consider whether to call or fold. Straus knew that if he were called, his chances of outdrawing his opponent were very slim, with only one card to go. After several minutes, Straus offered a proposition to his opponent, for $25 his opponent could choose either one of Straus' hole cards and Straus would show it to him. After more consideration, the opponent finally decided to take the deal, he tossed Straus $25 and chose a card, it turned out to be the deuce. Straus' opponent deduced that since he showed him one card, the other must be of the same value and so, he naturally assumed that Straus must have had pocket deuces, giving him a full house, deuces full of threes. It was considered one the most celebrated bluffs in all of poker history. See more »
When Stuey first walks into a casino when he arrives in Las Vegas, the scene is supposed to take place in 1973. However the video slots on the other side of the glass doors he enters weren't invented until a couple decades after. See more »
Welcome back, everybody, to the 1997 World Series of Poker, where Stu "The Kid" Ungar is attempting to make one of the greatest comebacks in poker history, by winning the no-limit Texas Hold'em Championship a record third time.
Andrew N.S. Glazer:
And Al, the amazing thing about this is, that Stuey would be achieving that feat after sixteen years of personal struggle, where victories were really few and far between.
And standing between Stuey and history is John Stremp, a local casino executive who's ...
[...] See more »
This film appeared on cable television under the title of "High Roller." It is a well-crafted biographical portrait of three-time world champion poker player Stu Ungar. In life, Stu's nickname was "The Kid," and the film chronicles the descent of an intelligent young man with great promise, who becomes addicted to gambling and ruins all of that potential. As Stu, Michael Imperioli delivers an engaging and credible performance, capturing the essence of a life spiraling out of control from the craving of high-stakes gambling. The cast surrounding Imperioli is excellent, especially veteran actor Pat Morita, who plays a Las Vegas gambling impresario. The film's production values fall somewhere between a competent made-for-television movie and a workmanlike low-budget feature film, attempting valiantly to convey the period styles of the final four decades of the twentieth century. There is one revealing scene with documentary footage of the classic Las Vegas Sands Hotel being imploded and crashing to the ground. That moment vividly sums up of the sad life of Stu Ungar.
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