Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to ... Written by
Steve Martin had Tom Hanks in mind to play Ray Porter, but as the film's development progressed, he felt he was better suited to play the part since he was so familiar with the work. See more »
In the scene where Mirabelle is at her parents home in Vermont and takes a phone call from Ray, the camera cuts to a shot of her mother sitting at the dining room table. Behind her mother, green, leafy trees are visible through the windows, even though everything outside the house was covered in snow when Mirabelle first entered the house. See more »
Amplifiers are so under-appreciated.
They could be so cool looking and nobody cares about design, you know. It pisses me off! Mac designs a cool computer, EVERYBODY goes out and they buy it! And... a band! A rock n' roll band... lives or dies by their amplifiers... and they're sold... like fridgerators. Hell, it's that ridiculous, come on! The amp should have mystique! I mean, yeah. I mean, an amp should be sold like cool things! You know, like cars! Like swords! Not like appliances. And ...
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I Only Want to Be With You
Written by Mike Hawker and Ivor Raymonde
Performed by Dusty Springfield
Published by Chappell & Co. (ASCAP)
On behalf of Chappell Music Ltd. (PRS) 100%
Courtesy of Mercury Records Ltd.
Under License from Universal Music Enterprises See more »
Just saw it... Wow! What an EXCELLENT movie! Several appropriate quotes come to mind: There's hope for love, yet! I may be a GUY and all that, but it was definitely handkerchief time a few times during this movie!
I'd like to get the ONLY negative observation out of the way at the start, I feel Steve Martin could have skipped some of the voice overs, or STOPPED earlier, giving us SOME credit for appreciating the situation, without having to spoon feed it to us in case we missed it. If that had been skipped it would have been PERFECT. - I realize, though, in today's numbed (read that as "dumb") society some of the people may not get the whole story, so I guess the thinking people must make allowances for him trying to put his point across to them, but there you go.
This is a great LOVE date movie. You can even expect to get married soon after you see it with a partner! Also expect it raising questions in your relationship. Where you're going with it, will it be going anywhere, etc.
In case you haven't seen it, here's a quick plot synopsis: It's somewhat romantic a story of a girl working at a rather expensive department store who dates two guys who are very different. First the young, uncouth, immature and impulsive guy. Then a rich, suave, intense and sophisticated guy (Steve Martin). Basically it's a moral tale that puts her in various situations which puts the audience sympathy on her side. It is unfair, the way she is treated, and if it inspires someone to be more less like the characters, more truthful and honest, it will have served it's purpose, and entertained you at the same time.
That's what makes it so great.
It's one of these movies where you leave feeling you're a better person than when you came into the cinema.
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