A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desedmona in Othello. But what will become of the male actor she once worked for and eventually replaced?
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a ... See full summary »
Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to ... Written by
In the scene where Mirabelle is at her parents home in Vermont and takes a phone call from Ray, the camera cuts to a shot of her mother sitting at the dining room table. Behind her mother, green, leafy trees are visible through the windows, even though everything outside the house was covered in snow when Mirabelle first entered the house. See more »
When I'm in New York next week, I decided to look for an apartment there.
To move there?
Just a place to stay while I'm there. No more luggage. Whoo-hoo!
Like a crash pad. You lucky mister.
Actually, I'll look for a three-bedroom in case I meet someone and have kids.
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Funny and sad, sweet and acerbic, Shopgirl is quite simply the most rewarding experience of the year. I have not read Steve Martin's novel, but from what I knew of it I kinda thought the movie would be good. What I did not expect was an experience so involving, so compelling and simply so delightful. Good, interesting characters start with the writing; great characters emerge when the actors enhance the writers vision. And we see three great examples of this here.
Everything about this film was note perfect; a terrific, slightly idiosyncratic story, wonderful scenes that sometimes have you laughing, sometimes wiping away a tear and always inviting your rapt attention. Terrific acting and direction which ensured that every scene was "just enough".
There is a word that is hardly ever used today, and if it is, it's usually in a sneering way; and that word is "sophistication". But "Shopgirl" is a truly sophisticated movie. Not in the superficial and secondary sense of being glamorous or even cultured, but in the better sense of intelligence, complexity and subtlety. And there is real intelligence at work here; and while all involved display it, it is Steve Martin's own vision that ultimately informs every aspect of the film.
The success of "Million Dollar Baby" gave me new respect for the Oscars; is it too much too hope that "Shopgirl" could achieve the same recognition?
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