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Evil (2003)

Ondskan (original title)
Not Rated | | Drama | 26 September 2003 (Sweden)
Erik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story ... See full summary »



(novel), | 1 more credit »

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Nominated for 1 Oscar. Another 9 wins & 9 nominations. See more awards »
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Cast overview, first billed only:
Otto Silverhielm
Jesper Salén ...
Fredrik af Trampe ...
von Schenken
Richard Danielsson ...
Martin Svane ...
Rustan Blomqvist ...
Peter Eggers ...
Von Rosen
Per Westergren ...
Henrik Linnros ...
Theodor Hoffsten ...
Sannamari Patjas ...


Erik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story revolves around Erik who just wishes to be left alone and graduate. He doesn't listen to what the seniors have to say and they don't like it. Written by Mikael

Plot Summary | Plot Synopsis


It's time to take a stand.




Not Rated | See all certifications »

Parents Guide:







Release Date:

26 September 2003 (Sweden)  »

Also Known As:

Evil  »

Box Office


SEK 20,000,000 (estimated)

Opening Weekend:

$931,409 (Sweden) (26 September 2003)


$15,280 (USA) (5 May 2006)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


When Erik is on the train in the beginning he sees a little girl with a doll. That girl is Emma Håfström, daughter of director Mikael Håfström. See more »


It is sometime after Christmas when Erik is trying to see the Finnish girl for the last time but there are yellow and falling leaves visible behind him. See more »


Headmaster: There is only one word for people like you, and that is "evil"
See more »


Referenced in Evil: Sanningen bakom Ondskan (2004) See more »


Stupid Cupid
Written by Howard Greenfield (as Greenfield) and Neil Sedaka (as Sedaka)
Performed by Connie Francis
With the kind permission of Warner/Chappell Music Scand.AB and Universal Music AB
See more »

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User Reviews

Cinematic and psychological study of adolescent cruelty
16 December 2003 | by (Boston. MA) – See all my reviews

I wonder, as I write this, why a film like Ondskan hasn't received commercial distribution in the States. Perhaps distributors assume Americans are too removed from the world of mid-century upper class boy's boarding schools in Sweden to relate to the film, which is our loss. Ondskan presents a microcosm of cruelty, status, and one-upsmanship - one might say evil - that exists in such an institution. Every year we read another horror story of a hazing gone too far. Children trounce their playmates. There's plenty of physical aggression among boys. The latest discussion concerns what among girls is called relational aggression, in which an individual is harmed through the hurtful manipulation of peer relationships and/or their friendships. .Neal LaBute has taken the idea of sadistic relationships to the American workplace in 'In the Company of Men' and to the suburbs in 'Your Friends and Neighbors'. There have certainly been other films tackling this particularly subject of sadism in boarding schools, Young Torless (Der Junge Törless) in 1966, comes especially to mind. What is captivating about Ondskan ('Evil') is both cinematic and psychological. The world of this o-so reputable boys school is painted in earth tones and fine wood with muted light rendering its cold emotions. The set design by Anna Asp (who's has done some other great looking films) lets us feel as though we have lived in this space. The lead character, Erik Ponti, at first we think will be the embodiment of the 'evil' of the title. He is regularly and systematically strapped by his stepfather. He transfers that frustration to his own classmates, which is what gets him sent to the boarding school in question. There he is ritually brutalized by the upperclassmen, which is, we are led to understand, the expected behavior in this hierarchy. To the administration and faculty this is apparently part of school tradition. Eric's initial unwillingness to fight back, despite a similar unwillingness to bend to arbitrary, sadistic, and unwritten rules, is relentlessly frustrating. As an audience we really want him to act. But his honor, his fortitude, and the fact his mother has hocked some heirlooms to pay tuition, keep him from lashing back. We are thus submitted to the same unremitting abuses with no real payoff. I will refrain from revealing the end, but it is not when or what you might expect. The result is a great ride and an elating experience. The audiences at Harvard, where I saw the film, applauded afterward. It's not a perfect film. There are clichés and expected set-ups. Still the mushy adolescence of the actors cast in these parts is consistently smart. The music is tasteful and well used. The direction is subtle and the violence is felt more than seen, but when it happens it is as ugly as it deserves to be.

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