| Michael Rodrick | ... | Conrad | |
| Debbie Rochon | ... | Jennifer | |
| Frank Olivier | ... | Daddy Mac | |
| Lloyd Kaufman | ... | Doctor Johnson | |
| Bob Gosse | ... | Hersh West | |
| Michael Risley | ... | Speed | |
| James Burton | ... | Larry (as Jim Burton) | |
| Mark Tchelistcheff | ... | Shannon | |
| Rod Razor | ... | Little John | |
| Steve Olivieri | ... | Producer | |
| Aaron Parker | ... | Gun Dealer | |
| Eric Hill | ... | Bartender | |
| Paul Williams | ... | Bar Patron | |
| Kathy Good | ... | Lisa | |
| Elvira Sinani | ... | Marie | |
| Juliette Olivier | ... | Samantha | |
| James W. Harrison III | ... | Pool Player (as Jim Harrison) | |
| Lawrence O'Neil | ... | Pool Player (as Larry O'Neil) | |
| Joe Indusi | ... | Pool Player | |
| rest of cast listed alphabetically: | |||
| Herbert Golder | ... | (uncredited) | |
| Rachel Haynes | ... | Cheryl (uncredited) | |
| Andrea Ulrich | ... | Alice (uncredited) | |
Directed by | |||
| Tim McCann | |||
Writing credits(in alphabetical order) | ||
| Tim McCann | ||
Produced by | |||
| James W. Harrison III | .... | line producer (as Jim Harrison) | |
| Tim McCann | .... | producer | |
| Linda Moran | .... | associate producer | |
| Lawrence O'Neil | .... | producer | |
| Frank Olivier | .... | executive producer | |
| Debbie Rochon | .... | associate producer | |
| Michael Rodrick | .... | executive producer | |
| Mark Tchelistcheff | .... | producer | |
| Adolfo Vargas | .... | executive producer | |
Original Music by | |||
| Jason Morphew | |||
| Drew Stiles | |||
| Robert Strait | (as Rob Strait) | ||
Cinematography by | |||
| John Lazear | |||
Film Editing by | |||
| Tim McCann | |||
Production Design by | |||
| Laura Hyman | |||
Art Direction by | |||
| Laura Hyman | |||
Costume Design by | |||
| Nives Spaleta | |||
Makeup Department | |||
| Michael R. Thomas | .... | hair stylist | |
| Michael R. Thomas | .... | key makeup artist | |
Production Management | |||
| Hillary Cutter | .... | post-production supervisor | |
| James W. Harrison III | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| James W. Harrison III | .... | first assistant director (as Jim Harrison) | |
Art Department | |||
| Mark S. Wilson | .... | property master | |
| Nives Spaleta | .... | property builder (uncredited) | |
Sound Department | |||
| Giles Kahn | .... | sound mixer (as Gilles Kahn) | |
| Jeff Kushner | .... | sound designer | |
| Jeff Kushner | .... | sound editor | |
| Sebastian Liszc | .... | sound mixer | |
| Jose Ochoa | .... | boom operator (as Jose Ochoa Jr.) | |
| Mark Victor | .... | sound mixer | |
| Eric Warzecha | .... | sound re-recording mixer | |
Visual Effects by | |||
| Justin Quagliata | .... | visual effects | |
Camera and Electrical Department | |||
| Kurt Hyman | .... | electric | |
| Joe Indusi | .... | gaffer (as Joseph Indusi) | |
| Em Ji | .... | grip | |
| Louis Kornfeld | .... | key grip | |
| Edwin Martinez | .... | gaffer | |
| Tim McCann | .... | additional cinematographer | |
| Stanley Roth | .... | grip | |
| Mike Selemon | .... | second assistant camera | |
| Adolfo Vargas | .... | first assistant camera | |
| Llaeth Wrec | .... | grip | |
Editorial Department | |||
| Justin Quagliata | .... | assistant editor | |
Music Department | |||
| Jason Morphew | .... | composer: song "Sex" | |
| Robert Strait | .... | composer: original score | |
Other crew | |||
| Sarah Hawkins | .... | script supervisor | |
| Pablo Liberato | .... | production assistant | |
| Derman MacCrear | .... | production assistant | |
| Hubert May | .... | production assistant | |
| Miles McGee | .... | key production assistant | |
| Frank Olivier | .... | production assistant | |
| Andrea Ulrich | .... | production assistant | |
| Jack Kennedy | .... | production assistant (uncredited) | |
Thanks | |||
| Peter Flierl | .... | the producers wish to thank: Nyack Hospital | |
| Lesly Kahn | .... | the producers wish to thank (as Lesley Kahn) | |
| Jeannie McCann | .... | the producers wish to thank | |
| Monica Olivier | .... | the producers wish to thank | |
| Rodney Picott | .... | the producers wish to thank | |
| Andre Tchelistcheff | .... | the producers wish to thank | |
| Carl Zimatore | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I have been recently watching a lot of Tim McCann movies in anticipation of his new movie with Robin Tunney and Aaron Stanford.
This second-newest release, NOWHERE MAN, is a great slice of low-budget DV independent/ B-movie film-making. And when I say B-movie, I mean it in the best sense of the term. I read a FILM THREAT interview with McCann where he talks about preferring Anthony Mann movies to anything made today, and NOWHERE MAN has that same sort of hard-hitting pulpiness that a film academic could respect... if they weren't TOO uptight. After all, this is a movie whose main character has had his willy removed.
The acting all around, from leads Rodrick and Rochon and Olivier to one-scene appearances by Michael Risley (who starred in McCann's excellent REVOLUTION #9) and Bob Gosse and Lloyd Kaufman, is really solid and plays more to the realistic side of the situation, but with a few moments of comedy -- both broad and subtly dark -- in there for good measure.
The theme of NOWHERE MAN is quite similar to McCann's first feature DESOLATION ANGELS, which also featured Rodrick as a man who learns a secret about his girlfriend that drives him to unnecessary macho violence, but this is a much leaner, more effective film. Unfortunately, I fear too many people won't be able to get over this flick's cockiness, so to speak, and see it for the well-told drama that it is.
Of course, the filmmakers aren't helping matters with the selection of crude outtakes put into the end credits, which sort of undercut the tone of the film -- but which presumably are there to pad this lean, mean film out to feature length.