A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life ... See full summary »
In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background ... See full summary »
In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on. Written by
Wallfahrtslied / Pilgrim's Song
Words and Music by Arvo Pärt
European American Music Distributors LLC representing Universal Editions A.G., Vienna
Performed by Radio Symphony Orchestra
Conducted by Tõnu Kaljuste
Album "Orient Occident"
(c) (p) 2002 ECM Records
Courtesy of ECM Records See more »
"Wonderful" is the only word I can think of to describe this movie. Denys Arcand skewers the Quebec Provincial Government, the Federal Government, Socialized Medicine, Labour Unions, and just about everything else, but gently and wittily. (Rather more funny since there are a lot of Canadian tax dollars financing this effort). The aging and dying student radicals of forty years ago gather to give it all one last heave-ho and the dialogue (so much better than the sub-tiles can convey) is smart and witty and sad. They poke wistful fun at their younger selves while fearing the end as it comes for them and for us all. Love is thick on the ground as is self-loathing and anger and lust. These are rich, educated, privileged people who are still not all that far removed from their student days, at least in their own minds. They are something that many people may have trouble comprehending: wealthy Socialists.
It isn't necessary to have seen Arcand's previous work with these characters,( `The Decline of the American Empire') to appreciate this movie, but then, why would anyone deny themselves that pleasure?
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