Québec-Montréal: 250 km of asphalt, nine thirty-something travelers, four cars, one destination. The journey becomes an opportunity to share points of view about life and discuss troubling ... See full summary »
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on. Written by
In the opening scene, Louise is calling Sébastien, the screen states that it is 9:30 p.m. in Montréal and 2:30 p.m. in London. London is five hours ahead of Montréal time, not 17. The time in Montréal should thus either state 9:30 a.m. or the London time should state 2:30 a.m. See more »
It's not the present you cling on, it's your past life. That life is already dead.
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"Wonderful" is the only word I can think of to describe this movie. Denys Arcand skewers the Quebec Provincial Government, the Federal Government, Socialized Medicine, Labour Unions, and just about everything else, but gently and wittily. (Rather more funny since there are a lot of Canadian tax dollars financing this effort). The aging and dying student radicals of forty years ago gather to give it all one last heave-ho and the dialogue (so much better than the sub-tiles can convey) is smart and witty and sad. They poke wistful fun at their younger selves while fearing the end as it comes for them and for us all. Love is thick on the ground as is self-loathing and anger and lust. These are rich, educated, privileged people who are still not all that far removed from their student days, at least in their own minds. They are something that many people may have trouble comprehending: wealthy Socialists.
It isn't necessary to have seen Arcand's previous work with these characters,( `The Decline of the American Empire') to appreciate this movie, but then, why would anyone deny themselves that pleasure?
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