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The Barbarian Invasions (2003)
"Les invasions barbares" (original title)

R  |   |  Comedy, Crime, Drama  |  24 September 2003 (France)
7.7
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Ratings: 7.7/10 from 23,271 users   Metascore: 70/100
Reviews: 164 user | 133 critic | 34 from Metacritic.com

During his final days, a dying man is reunited with old friends, former lovers, his ex-wife, and his estranged son.

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Cast

Cast overview, first billed only:
...
...
...
...
Dorothée Berryman ...
Louise
Johanne-Marie Tremblay ...
Sister Constance Lazure (as Johanne Marie Tremblay)
Pierre Curzi ...
Pierre Citrouillard
...
Claude
...
Diane Leonard
Dominique Michel ...
Dominique St. Arnaud
Isabelle Blais ...
Sylvaine
Toni Cecchinato ...
Alessandro
...
First Lover
...
Ghislaine (as Mitsou Gélinas)
Markita Boies ...
Nurse Suzanne
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Storyline

In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on. Written by matt-282

Plot Summary | Add Synopsis

Plot Keywords:

friend | dying | cancer | past | lover | See All (342) »

Taglines:

A provocative new comedy about sex, friendship, and all other things that invade our lives.


Motion Picture Rating (MPAA)

Rated R for language, sexual dialogue and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

24 September 2003 (France)  »

Also Known As:

The Barbarian Invasions  »

Filming Locations:

 »

Box Office

Budget:

CAD 6,000,000 (estimated)

Opening Weekend:

$9,499 (Hong Kong) (18 June 2004)

Gross:

$9,499 (Hong Kong) (18 June 2004)
 »

Company Credits

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

It is the first Canadian film ever to win The Best French Film of the Year award at the Cesars (France's national film awards). See more »

Goofs

When Sebastian and Nathalie first come to Nathalie's heroin dealer, we hear the rain falling, yet when Nathalie steps on the street there is no sign of rain but we can still hear it. See more »

Quotes

Rémy: I wish that one day you will have a son like you.
See more »

Connections

Follows The Decline of the American Empire (1986) See more »

Soundtracks

Concerto Op. 6 No. 5 in D major
Music by George Frideric Handel (as Haendel)
Courtesy of Chris Stone Audio Productions Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Key Themes are Not 'Anti-capitalism, Anti-Americanism'
8 March 2007 | by (Australia) – See all my reviews

There seems to be a lot of passion over the claim that the film is anti-American, anti-capitalist, etc. Many criticisms seem to dismiss the humanistic elements in this film - pain, death, reconciliation - because it has a vague intellectual, leftist, socialist face. My experiences in Canada tend to suggest that the Canadians have plenty of targets down south that deserve criticism. But does it matter? Whether the film included all these elements, the key theme was the preparation for death and reconciliation between those who will not see each other again.

Doesn't anybody cry over loss? Are we scared of those things after death? or do we fear the process of dying - the loss of the person, their presence? A person died in this film - right before us - 100 minutes of decline -and what a sigh of relief that there was reconciliation in the end! That there was time to speak, time to be present. Consider the contrast between the daughter on the yacht - stranded, distant - and the son near his father. The great pain that welled up in me to see that there was no opportunity for her left.

I don't cry in films, but I did here. I feared dying more than ever - other people's deaths, and mine - and I resolved to prepare for it.


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