HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. ... See full summary »
Director:
Pat O'Connor
Stars:
Keanu Reeves,
Charlize Theron,
Jason Isaacs
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
Director:
Niki Caro
Stars:
Charlize Theron,
Jeremy Renner,
Frances McDormand
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Director:
Isabel Coixet
Stars:
Ben Kingsley,
Penélope Cruz,
Patricia Clarkson
Soon after her divorce, a fiction writer returns to her home in small-town Minnesota, looking to rekindle a romance with her ex-boyfriend, who is now happily married and has a newborn daughter.
Director:
Jason Reitman
Stars:
Charlize Theron,
Patrick Wilson,
Patton Oswalt
A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.
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Paul Haggis
Stars:
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HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated - seemingly forever. Written by
Anonymous
In a city of glamour at a time of decadence they met. An aristocrat, a soldier of conscience, and an entertainer. Together they shared a deep passion. See more »
The film opened on only ten screens in the United States and earned $46,133. See more »
Quotes
Julian Elsworth:
[Guy and Gilda are on the pool table, naked under a blanket]
What are you wearing under there?
Gilda Bessé:
As it's your big day, I'm wearing my Birthday Suit in your honor.
See more »
Writer and Director John Duigan has added to his cinematic stature with this recent film about the interrelated responses of three countries - England, France, Spain - to the early phases of WW II and in doing so gives some inadvertent insight into how the continent was so endangered by the little known bad boy Hitler in the years leading up to the horror of a second World War.
The title seems very appropriate - taken from the quip of 'Head in the clouds, Feet on the ground' - as the lead character Gilda (a radiantly beautiful Charlize Theron) seems to float above all of the reality of warring struggles in 1933, focusing her life on paramours, expensive clothes, and 'dangerous liaisons' with a varied assortment of men, all the while keeping a firm stance on needs of her strangely disjointed life. Indeed, the opening of the film finds Gilda in need of shelter from a night's fling with a Cambridge lover and she knocks on the door of a poor struggling Irish student Guy (Stuart Townsend), thus beginning a lasting affair that coasts through the entire story.
Guy eventually follows Gilda to Paris where she is a popular photographer living with her gallerist, but also living with her lesbian lover Mia (Penelope Cruz). Gilda, Guy, and Mia become a triptych and it is only the impact of the rise of fascism in Spain (Mia's home) that separates the ménage a trois: idealistic Guy and compassionate Mia are off to fight Franco while Gilda is left behind to admit to the encroaching threat of Nazis in France and enter into her own version of involvement.
How these three weather the war and resolve their varied degrees of complicity provides the film's finale. The cast is strong, the settings are gorgeous (in all three countries) as captured by cinematographer Paul Sarossy, and the musical score by Terry Frewer introduces a potential talent for film composition (while borrowing heavily from French cabaret songs, symphonic music by Edward Elgar, and pieces of Francis Poulenc). But the overall reason for enjoying this rather long film is the interplay of Theron, Townsend and Cruz in a variety of richly sensuous vignettes. Well worth watching. Grady Harp
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Writer and Director John Duigan has added to his cinematic stature with this recent film about the interrelated responses of three countries - England, France, Spain - to the early phases of WW II and in doing so gives some inadvertent insight into how the continent was so endangered by the little known bad boy Hitler in the years leading up to the horror of a second World War.
The title seems very appropriate - taken from the quip of 'Head in the clouds, Feet on the ground' - as the lead character Gilda (a radiantly beautiful Charlize Theron) seems to float above all of the reality of warring struggles in 1933, focusing her life on paramours, expensive clothes, and 'dangerous liaisons' with a varied assortment of men, all the while keeping a firm stance on needs of her strangely disjointed life. Indeed, the opening of the film finds Gilda in need of shelter from a night's fling with a Cambridge lover and she knocks on the door of a poor struggling Irish student Guy (Stuart Townsend), thus beginning a lasting affair that coasts through the entire story.
Guy eventually follows Gilda to Paris where she is a popular photographer living with her gallerist, but also living with her lesbian lover Mia (Penelope Cruz). Gilda, Guy, and Mia become a triptych and it is only the impact of the rise of fascism in Spain (Mia's home) that separates the ménage a trois: idealistic Guy and compassionate Mia are off to fight Franco while Gilda is left behind to admit to the encroaching threat of Nazis in France and enter into her own version of involvement.
How these three weather the war and resolve their varied degrees of complicity provides the film's finale. The cast is strong, the settings are gorgeous (in all three countries) as captured by cinematographer Paul Sarossy, and the musical score by Terry Frewer introduces a potential talent for film composition (while borrowing heavily from French cabaret songs, symphonic music by Edward Elgar, and pieces of Francis Poulenc). But the overall reason for enjoying this rather long film is the interplay of Theron, Townsend and Cruz in a variety of richly sensuous vignettes. Well worth watching. Grady Harp