6.6/10
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67 user 44 critic

Head in the Clouds (2004)

HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »

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3,837 ( 86)

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6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mia
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Guy Malyon
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Charles Bessé
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Lucien
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Julian Elsworth
Peter Cockett ...
Max
Élizabeth Chouvalidzé ...
Fortune Teller
Jolyane Langlois ...
Gilda, Age 14
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Élodie
Éloïsa Laflamme-Cervantes ...
Julie
Ivan Vukov ...
Undergraduate #1
Sebastian Bailey ...
Undergraduate #2
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Storyline

HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated - seemingly forever. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Three lives. One destiny. See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

30 October 2004 (Japan)  »

Also Known As:

Bulutlarin üzerinde  »

Filming Locations:

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Box Office

Opening Weekend:

$46,133 (USA) (17 September 2004)

Gross:

$398,179 (USA) (31 December 2004)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film opened on only ten screens in the United States, and earned 46,133 dollars. See more »

Quotes

Julian Elsworth: [Guy and Gilda are on the pool table, naked under a blanket] What are you wearing under there?
Gilda Bessé: As it's your big day, I'm wearing my Birthday Suit in your honor.
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Connections

Featured in Cinemania: I anodos kai i ptosi tou Nazismou (2008) See more »

Soundtracks

My Girl's Pussy
Anonymous
Produced by Jean Robitaille
Performed by John Duigan
Courtesy of HITC Productions Inc.
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User Reviews

 
World War II from the European View
27 March 2006 | by (United States) – See all my reviews

Writer and Director John Duigan has added to his cinematic stature with this recent film about the interrelated responses of three countries - England, France, Spain - to the early phases of WW II and in doing so gives some inadvertent insight into how the continent was so endangered by the little known bad boy Hitler in the years leading up to the horror of a second World War.

The title seems very appropriate - taken from the quip of 'Head in the clouds, Feet on the ground' - as the lead character Gilda (a radiantly beautiful Charlize Theron) seems to float above all of the reality of warring struggles in 1933, focusing her life on paramours, expensive clothes, and 'dangerous liaisons' with a varied assortment of men, all the while keeping a firm stance on needs of her strangely disjointed life. Indeed, the opening of the film finds Gilda in need of shelter from a night's fling with a Cambridge lover and she knocks on the door of a poor struggling Irish student Guy (Stuart Townsend), thus beginning a lasting affair that coasts through the entire story.

Guy eventually follows Gilda to Paris where she is a popular photographer living with her gallerist, but also living with her lesbian lover Mia (Penelope Cruz). Gilda, Guy, and Mia become a triptych and it is only the impact of the rise of fascism in Spain (Mia's home) that separates the ménage a trois: idealistic Guy and compassionate Mia are off to fight Franco while Gilda is left behind to admit to the encroaching threat of Nazis in France and enter into her own version of involvement.

How these three weather the war and resolve their varied degrees of complicity provides the film's finale. The cast is strong, the settings are gorgeous (in all three countries) as captured by cinematographer Paul Sarossy, and the musical score by Terry Frewer introduces a potential talent for film composition (while borrowing heavily from French cabaret songs, symphonic music by Edward Elgar, and pieces of Francis Poulenc). But the overall reason for enjoying this rather long film is the interplay of Theron, Townsend and Cruz in a variety of richly sensuous vignettes. Well worth watching. Grady Harp


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