Critic Reviews



Based on 30 critic reviews provided by Metacritic.com
But purely as an exercise in style, this movie has its moments.
Like all horror films, High Tension builds to a final, sobering flash of chaos that settles all scores. Some viewers will hate Aja's movie for its end-game reveal; others will love it for the very same reason.
New York Post
A chainsaw-cut above recent entries in the genre: a pure, unapologetic, unironic homage to the likes of "Friday the 13th" that respectfully salutes all the old shtick.
The film revels in blood and gore, but this is not just a run-of-the-mill splatter film. There's a lot of intelligence in both the script and in Alexandre Aja's direction.
Miami Herald
Even if you don't buy the ending, however, High Tension makes for ghoulish, sick fun, and Aja, who is already at work on a remake of Wes Craven's The Hills Have Eyes, clearly takes this horror stuff very seriously. The genre can always use a few more like him.
For all this, there is one unalloyed good thing to be said for High Tension. When all is said and done, it really does live up to its title. In every other way it's trash, but that truth-in-advertising aspect is a major weight to throw into the mix.
Borderline reprehensible, High Tension is a living nightmare, but then, why else would you see it?
Entertainment Weekly
The latest reshuffling of "Chainsaw" tropes.
The Hollywood Reporter
That outrageous third-act reveal proves to be a major deal-breaker.
New York Daily News
One of the ugliest movies I've ever seen. Even though it occurs mostly in the dark, the open flesh wounds are both graphic and implausible.
The horrible anticipation he [Aja] builds is derailed by a gimmick that makes the twist in, say, ''Fight Club" seem perfectly logical. To say more would be to ruin the movie, and why should I do that when its own makers have done it for you?

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