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Oxide Pang Chun,
A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Alexia travels with her friend Marie to spend a couple of days with her family in their farm in the country. They arrive late and they are welcomed by Alexia's father. Late in the night, a sadistic and sick killer breaks into the farmhouse, slaughters Alexia's family--including their dog--and kidnaps Alexia. Marie hides from the criminal and tries to help the hysterical and frightened Alexia, chase the maniac, and disclose his identity in the end. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The camera used during the car-attack scene got so much fake blood on it during shooting that when it was being used on another film later on fake blood oozed from it during the focusing of a shot. See more »
When the car driver is attacked near the end, Alex is showered in blood, including her face and teeth. In the next scenes, her teeth are perfectly white and the blood has dried very quickly. See more »
by U. Roy
(U. Beckford / T. Robinson)
Excerpt from the album Dread in Babylon
1975 by EMI Virgin Music Ltd.
By permission from Editions EMI Virgin Music Publishing France
All rights reserved worldwide
(p) 1975 Virgin Records Ltd
By kind permission of EMI Music France / Label Virgin See more »
Bloody, intense, psychological terror. A classic film.
There should not be any surprise why Wes Craven chose Alexandre Aja to direct the remake of "The Hills Have Eyes". Aja's "High Tension" delivers what could be the most terrifying scenario in horror history since "The Last House on The Left". Two young women travel to a dreary looking farmhouse to study for important school exams. That same night, as soon as the doorbell rings, the madness strikes, and it strikes hard. The killer in this film holds nothing back, and it will feel as if you had been struck in the stomach by a 2x4. The flick will not let you go until the last fearful scene is over. Highly recommended for serious horror filmmakers.
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