| Photos (See all 51 | slideshow) | Videos (see all 9) |
| Eddie Murphy | ... | Jim Evers | |
| Terence Stamp | ... | Ramsley | |
| Nathaniel Parker | ... | Master Gracey | |
| Marsha Thomason | ... | Sara Evers | |
| Jennifer Tilly | ... | Madame Leota | |
| Wallace Shawn | ... | Ezra | |
| Dina Waters | ... | Emma | |
| Marc John Jefferies | ... | Michael | |
| Aree Davis | ... | Megan | |
| Jim Doughan | ... | Mr. Coleman | |
| Rachael Harris | ... | Mrs. Coleman (as Rachel Harris) | |
| Steve Hytner | ... | Mr. Silverman | |
| Heather Juergensen | ... | Mrs. Silverman | |
| Jeremy Howard | ... | Hitchhiking Ghost | |
| Deep Roy | ... | Hitchhiking Ghost | |
| Clayton Martinez | ... | Hitchhiking Ghost (as Clay Martinez) | |
| Bridget Brno | ... | Tiki Lounge Customer (as Bridget Brno) | |
| Gregg London | ... | Tiki Lounge Customer | |
| John Alexander | ... | Tea Ghost | |
| Zach Minkoff | ... | Boy on Bicycle | |
| Shelby Grimm | ... | The Singing Busts | |
| Harry J. Campbell | ... | The Singing Busts | |
| William T. Lewis | ... | The Singing Busts | |
| Tim Reeder | ... | The Singing Busts | |
| Bob Hartley | ... | The Singing Busts | |
| rest of cast listed alphabetically: | |||
| Cat Eberwine | ... | Ballroom Dancer (uncredited) | |
| Jeremy Gilbreath | ... | Zombie (uncredited) | |
| Martin Klebba | ... | Happy Ghost (uncredited) | |
| Dorian Martin | ... | Water Zombie (uncredited) | |
| Michael McAdam | ... | Ballroom Dancer (uncredited) | |
| Derek Mears | ... | French Duelist (uncredited) | |
| Tessa Munro | ... | Ballroom Dancer (uncredited) | |
| Kelly Stables | ... | Queen Ghost (uncredited) | |
| Anthony Woods | ... | Zombie with Gold Key (uncredited) | |
Directed by | |||
| Rob Minkoff | |||
Writing credits(WGA) | ||
| David Berenbaum | (written by) | |
Produced by | |||
| Barry Bernardi | .... | executive producer | |
| Andrew Gunn | .... | producer | |
| Don Hahn | .... | producer | |
| Rob Minkoff | .... | executive producer | |
Original Music by | |||
| Mark Mancina | |||
Cinematography by | |||
| Remi Adefarasin | (director of photography) | ||
Film Editing by | |||
| Priscilla Nedd-Friendly | |||
Casting by | |||
| Jennifer Alessi | |||
| Donna Morong | |||
| Marcia Ross | |||
Production Design by | |||
| John Myhre | |||
Art Direction by | |||
| Beat Frutiger | |||
| Tomas Voth | |||
Set Decoration by | |||
| Rosemary Brandenburg | |||
Costume Design by | |||
| Mona May | |||
Makeup Department | |||
| David Abbott | .... | additional makeup artist | |
| Cynthia Bachman | .... | make artist: Jennifer Tilly | |
| Rick Baker | .... | special makeup effects artist | |
| Jim Beinke | .... | zombie supervisor, art director, fabricator: Rick Baker/Cinovation | |
| Roland Blancaflor | .... | makeup appliance department supervisor: Rick Baker/Cinovation Studio | |
| Barney Burman | .... | special makeup effects artist | |
| Federico Cervantes | .... | zombie on-set dresser, mold maker: Rick Baker/Cinovation | |
| Diana Choi | .... | special makeup effects artist (as Diana Yun Soo Yoo) | |
| Bill Corso | .... | makeup department head | |
| Michelle Garbin | .... | makeup artist | |
| Connie Grayson Criswell | .... | wig maker (as Connie Grayson) | |
| Joel Harlow | .... | background coordinator | |
| Camille Henderson | .... | makeup artist | |
| Brett-Patrick Jenkins | .... | on-set dresser: Rick Baker/Cinovation | |
| Brett-Patrick Jenkins | .... | zombie fabricator: Rick Baker/Cinovation | |
| Jamie Kelman | .... | special makeup effects artist | |
| Barry R. Koper | .... | special makeup effects artist | |
| Margie Latinopoulos | .... | special makeup effects artist | |
| Vera Steimberg Moder | .... | makeup artist: Mr. Murphy (as Vera L. Steimberg) | |
| Brian Morishita | .... | on-set dresser: Rick Baker/Cinovation | |
| Brian Morishita | .... | zombie fabricator: Rick Baker/Cinovation | |
| Stacey Morris | .... | hair stylist: Mr. Murphy (as Stacey L. Morris) | |
| Sylvia Nava | .... | hair department supervisor: Rick Baker/ Cinovation Studio | |
| Steve Prouty | .... | special makeup effects artist | |
| Yoichi Art Sakamoto | .... | makeup effects fabrication | |
| Bill Sturgeon | .... | makeup production supervisor: Cinovation | |
| Kazuhiro Tsuji | .... | special makeup effects artist | |
| Julia L. Walker | .... | assistant hair stylist | |
| Michael White | .... | hair | |
| Hiroshi Yada | .... | zombie on-set dresser, mold maker: Rick Baker/Cinovation | |
| Eddie Yang | .... | special makeup effects artist | |
| David Beneke | .... | makeup effects lab (uncredited) | |
| Adam Brandy | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Daryl Kass | .... | unit production manager | |
| Lori Korngiebel | .... | post-production supervisor | |
Sound Department | |||
| David A. Arnold | .... | supervising dialogue editor | |
| James Ashwill | .... | foley mixer | |
| Chuck Choi | .... | technical consultant | |
| Colin Cooper | .... | adr recordist | |
| André Dias | .... | dubbing editor | |
| Christopher Flick | .... | foley supervisor | |
| Lisa K. Fowle | .... | audio playback | |
| Jessica Gallavan | .... | adr supervisor | |
| Doc Kane | .... | adr mixer | |
| Steve Kohler | .... | pre-mix recordist | |
| Adam Kopald | .... | sound effects editor | |
| Chet Leonard | .... | additional utility sound | |
| F. Hudson Miller | .... | sound editor | |
| Daniel D. Monahan | .... | sound mixer: second unit | |
| Terry Porter | .... | sound re-recording mixer | |
| Chris Quilty | .... | boom operator: second unit | |
| Earl Sampson | .... | boom operator | |
| Robert L. Sephton | .... | sound designer | |
| Robert L. Sephton | .... | supervising sound editor | |
| David Wyman | .... | production sound mixer | |
| Dean A. Zupancic | .... | sound re-recording mixer | |
Visual Effects by | |||
| Chris Allen | .... | research & development supervisor: CIS Hollywood | |
| Chris Anderson | .... | roto/paint artist: CIS Hollywood | |
| Grant Anderson | .... | technical director | |
| Oliver Arnold | .... | digital modeler | |
| Leslie Baker | .... | senior technical director | |
| Kirk Balden | .... | visual effects compositor | |
| Jacquie Barnbrook | .... | visual effects producer: SPI | |
| James Battersby | .... | previs lead | |
| Travis Baumann | .... | Inferno artist:CIS Hollywood | |
| Mary Blee | .... | visual effects assistant editor | |
| David Bleich | .... | digital matte artist | |
| Barbara A. Bordo | .... | digital paint & roto artist | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Aimee Campbell | .... | digital effects: SPI | |
| Grady Campbell | .... | lookdev, lighting, compositing | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Moti Cohen | .... | software engineer | |
| Michael Condro | .... | matchmover | |
| Robert Coquia Jr. | .... | senior production service technician | |
| Nicolle Cornute | .... | paint/roto artist | |
| Christine Cram | .... | digital artist | |
| Doug Creel | .... | effects animator: SPI | |
| Christian Cunningham | .... | technical director | |
| Michael Curtis | .... | digital compositor | |
| Sumit Das | .... | character setup | |
| Brian C. Davis | .... | visual effects | |
| Matt Davis | .... | Spydercam rigger technician | |
| Tom Daws | .... | Inferno artist: CIS Hollywood | |
| Andy Dill | .... | digital compositor | |
| Mitch Dobrowner | .... | software production manager | |
| Roxanne Dorman | .... | assistant visual effects editor | |
| Tim Drnec | .... | Spydercam coordinator | |
| R. Stirling Duguid | .... | technical director | |
| Michael Duhatschek | .... | modeler | |
| Kevin Field | .... | digital coordinator | |
| Derek Fisher | .... | previsualization designer | |
| Alyssa Fong | .... | visual effects | |
| Michael Ford | .... | character setup supervisor | |
| Janet Freedland | .... | rotoscoping and paint artist | |
| Layne Friedman | .... | compositor: SPI | |
| Quentin Frost | .... | digital artist | |
| Quentin Frost | .... | visual effects technical director | |
| Jenny Fulle | .... | visual effects executive producer: SPI | |
| Max Gabl | .... | scenic artist | |
| Vijoy Gaddipati | .... | effects technical director | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Robb Gardner | .... | color & lighting technical director | |
| Andy Gauvreau | .... | digital effects artist: color, lighting & compositing | |
| Larry Gaynor | .... | paint supervisor: CIS Hollywood | |
| Joshua Geisler-Amhowitz | .... | digital matte painter | |
| Maria Giannakouros | .... | lead software engineer | |
| Deborah Giarratana | .... | visual effects executive | |
| Kevin Gillen | .... | CG effects animator: SPI | |
| Juan Gonzalez | .... | matchmover | |
| Richard Grandy | .... | digital character set-up | |
| Harry Gundersen | .... | digital compositor | |
| Brian Hanable | .... | digital effects compositor: SPI | |
| Leah Hardstark | .... | research and still photographer | |
| Anthony Harris | .... | digital color timer | |
| Chris Hebert | .... | special still photography | |
| Joe Henke | .... | animation supervisor: CIS Hollywood | |
| Mark Herman | .... | visual effects editor | |
| Jep Hill | .... | technical director | |
| Michael Hobbs | .... | digital artist | |
| Erica Hornung | .... | senior matchmover: SPI | |
| Ivo Horvat | .... | lead matte painter: SPI | |
| Dartayous Hunter | .... | roto/paint: SPI | |
| Doug Ikeler | .... | visual effects | |
| Annika Iltis | .... | plate coordinator | |
| Sully Jacome-Wilkes | .... | texture artist | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood | |
| Michael Kaelin | .... | paint/rotoscope artist: Sony | |
| Joanie Karnowski | .... | matchmove lead | |
| Dan Kaufman | .... | digital effects supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Marvin Kim | .... | senior modeler | |
| Raji Kodja | .... | technical director | |
| Stephen Kowalski | .... | senior systems engineer | |
| Luis Labrador | .... | senior modeler | |
| Lea Lambert | .... | digital artist | |
| Brian Leach | .... | senior technical director | |
| Hae-Jeon Lee | .... | visual effects | |
| Mickey Levy | .... | visual effects digital production manager | |
| Gregory D. Liegey | .... | Shake compositing supervisor: CIS Hollywood | |
| Kevin Lin | .... | 3D matchmove artist: CIS Hollywood | |
| Daniel Lobl | .... | digital artist | |
| Chris Logan | .... | matchmove artist: SPI | |
| Timothy Loughran | .... | visual effects coordinator | |
| Darren Lurie | .... | CG supervisor | |
| Michael C. May | .... | senior production services technician: SPI | |
| Diana Miao | .... | lead CGI artist: CIS Hollywood | |
| Robert L. Miles | .... | lighting and compositing: SPI | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Maks Naporowski | .... | senior technical director | |
| Jarrod Nesbit | .... | production assistant | |
| Brandy Nightingale | .... | visual effects assistant | |
| James P. Noon | .... | visual effects | |
| Gregory Oehler | .... | Inferno compositing supervisor: CIS Hollywood | |
| Ethan Ormsby | .... | digital artist | |
| Scott Paider | .... | Spydercam head rigger | |
| Scott Palleiko | .... | senior technical director: SPI | |
| Jean-François Panisset | .... | senior research & development software engineer | |
| James Park | .... | 3D matchmover: SPI | |
| Bob Peitzman | .... | lead compositor | |
| Amy Pfaffinger | .... | senior technical director | |
| Thomas Pushpathadam | .... | visual effects artist | |
| Winston Quitasol | .... | digital compositor: SPI | |
| Jay Redd | .... | visual effects supervisor | |
| Ernie Rinard | .... | visual effects | |
| Daniel Roizman | .... | senior visual effects artist | |
| Marian Rudnyk | .... | roto artist: CIS Hollywood | |
| Allen Ruilova | .... | technical director: SPI | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Rosendo Salazar | .... | technical director | |
| Rick Sander | .... | digital effects artist | |
| Eric Sanford | .... | character modeler | |
| Jarmila Seflova | .... | digital artist: SPI | |
| Todd Semmes | .... | aerial effects coordinator | |
| Vincent Serritella | .... | digital effects artist | |
| Robert Sharman | .... | visual effects video assist operator | |
| Brian Shows | .... | digital intermediate supervisor | |
| David Stephens | .... | effects lead | |
| Baudouin Struye | .... | look development | |
| Brad Sutton | .... | restoration artist | |
| Kenji Sweeney | .... | senior technical director | |
| Wilson Tang | .... | digital restoration | |
| Joseph Thomas | .... | match mover | |
| Mathew Thomas | .... | senior production services technician | |
| Lynda Thompson | .... | visual effects producer | |
| Messrob Torikian | .... | on-set match move artist | |
| Peter G. Travers | .... | digital effects supervisor | |
| Erich Turner | .... | visual effects | |
| James Valentine | .... | rotoscope | |
| Attila Veress | .... | digital film recordist | |
| Simon Wakley | .... | lead motion control operator | |
| Jason Wardle | .... | lead CGI artist: CIS Hollywood | |
| Barry Weiss | .... | senior staff: SPI | |
| Guy Wiedmann | .... | visual effects editor | |
| Lauralee Wiseman | .... | lead production services technician | |
| Xye | .... | visual effects | |
| Shyam V. Yadav | .... | plate coordinator | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Patrick Zentis | .... | matte artist: Digital Backlot | |
| Jayni Borgaro | .... | paint/roto artist: CIS Hollywood (uncredited) | |
| Danielle Conroy | .... | digital production management (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Evangeline Monroy | .... | senior digital coordinator (uncredited) | |
| Amanda Morrison | .... | digital compositor (uncredited) | |
| George Richman | .... | senior production services technician, SPI (uncredited) | |
| Eric Withee | .... | visual effects coordinator: SPI (uncredited) | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI (uncredited) | |
Animation Department | |||
| Jay Jackson | .... | animator | |
| Noel McGinn | .... | animator | |
| Keith W. Smith | .... | animator | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Nadia Aleyd | .... | casting assistant | |
| Kristan Berona | .... | extras casting | |
| Elizabeth Coulon | .... | casting liaison | |
| Terri Douglas | .... | adr group voice casting | |
| Timothee Hammond | .... | casting liaison | |
| Kate Lacey | .... | casting associate | |
| Matthew Messinger | .... | casting: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Roberta Bilé | .... | costumer | |
| Fetteroff Colen | .... | costumer: Mr. Murphy | |
| Tangi Crawford | .... | costume supervisor | |
| Lisa A. Doyle | .... | set costumer | |
| Jenny Eagan | .... | costumer | |
| Richard Ewan | .... | costume painter | |
| Christopher Gilman | .... | wardrobe | |
| Francine Lecoultre | .... | costume textile effects | |
| Barbara Marko | .... | costumer | |
| Marjorie McCown | .... | assistant costume designer | |
| Kara Owens | .... | costumer | |
| Romeo Pompa | .... | costumer | |
| Grace Pyke | .... | additional costumer | |
| Reggie Rizzo | .... | costume assistant | |
| Lori Rozzi | .... | specialty costume fabricator: armor riveter | |
| Faye Sevilla | .... | costumer: second unit | |
| George Sartiano | .... | specialty costumes (uncredited) | |
Editorial Department | |||
| Shaun Aprahamian | .... | apprentice editor | |
| Sean Callan | .... | editor: video | |
| Chris DeLaGuardia | .... | color timer | |
| Justine Gerenstein | .... | editor: main title sequence | |
| Gregg London | .... | associate editor | |
| Danny Miller | .... | first assistant editor | |
| Stephen Nakamura | .... | senior digital film colorist | |
| Bob Peishel | .... | digital intermediate producer | |
| Patrick Thornhill | .... | assistant editor | |
Music Department | |||
| Thomas Bartke | .... | music editor | |
| Tom Boyd | .... | musician: oboe soloist | |
| Carmen Carter | .... | vocal contractor | |
| Bryan Clements | .... | scoring crew | |
| George Doering | .... | musician | |
| Mark Eshelman | .... | scoring crew | |
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Eddie Jobson | .... | music arranger: choral | |
| Steve Kempster | .... | score mixer | |
| Frank Macchia | .... | music preparation | |
| Joseph Magee | .... | production music mixer | |
| Dave Metzger | .... | orchestrator | |
| Adam Michalak | .... | score recordist | |
| Gary Raymond | .... | music playback operator: ProTools | |
| Bryon Rickerson | .... | assistant music editor | |
| Peter Rotter | .... | orchestra contractor | |
| Patrick Spain | .... | score assistant engineer | |
| James Thatcher | .... | musician: french horn | |
| Pat Weber | .... | scoring technician | |
| Booker White | .... | music preparation | |
| Marc Fantini | .... | composer: additional music (uncredited) | |
| Steffan Fantini | .... | composer: additional music (uncredited) | |
| Dave Metzger | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Steve Brill | .... | transportation dispatcher | |
| Edward Flotard | .... | transportation coordinator | |
| Jeremy Morgan | .... | driver | |
| Tina Peterson | .... | driver | |
| Mike Riportella | .... | transportation captain | |
| Jerry Smith | .... | driver | |
| Lin C. Smith | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The most disappointing thing about "The Haunted Mansion" is that its star, Eddie Murphy, has once again lowered himself to silly kids' fare. I'm sure some younger children may get a kick out of certain segments of "The Haunted Mansion," but then again, its intended age group -- the 4-and-over crowd -- will be undoubtedly scared by its eerie presence and quite frightening visuals, such as when a father and his daughter are locked in a tomb and find re-animated -- and quite realistic -- skeletons chasing them. The scary moment of this all aside, the fact that these stiff creatures pursue the young girl will most likely strike a chord with children. If you take your kids to see this, you're just asking for nightmares.
Murphy is Jim Evers, a workaholic Realtor accused by his wife and co-Realtor, Sarah (Marsha Thomason), that he neglects his personal life far too often in favor of the cash he's making at work. So Jim promises Sarah and his two kids (Marc John Jefferies and Aree Davis) a relaxing getaway to a nearby lake. But first he's going to just make a quick stop at his newest assignment, the Gracey Manor, an old, crumbling mansion located in the heart of swamp area. The butler of the establishment, Ramsley (Terence Stamp), lets them in and eventually informs them that they will be unable to leave the house due to flooding on the road. Something strange is afoot, and the audience guesses what's going on about an hour before the movie's characters do, which is a tedious thought.
As we first suspect from the title, the ride, and the overall marketing of the movie, ghosts inhabit the mansion, and soon we learn that Master Gracey (Nathaniel Parker) plans on taking Sarah as his bride. Why? Just take a guess. She bears a startling resemblance to his old love, Elizabeth (also played by Thomason in flashbacks and such).
Now, I'm not going to try and sound racist here, but let's be blunt: Back when Master Gracey was alive, he would never have been near an African-American woman. And even if he were, it would surely be a matter brought up during the film's running time. Yet Disney seems afraid to touch the subject, as if it may offend its potential audience by even indicating racial technicalities. But all it does it make the whole situation come off as rather comical.
Meanwhile, Wallace Shawn ("The Princess Bride") provides supposed comic relief as a ghost. But to assume he can steal the movie himself is, of course, "inconceivable!"
So here we have an odd mix of horror and slapstick, pratfalls and frights. The movie is based on the Walt Disney World theme park ride, which is probably about three to five minutes long, and there's a reason for that. Its movie adaptation feels like a giant theme park ride, but the material can't support itself for a bare minimum ninety minutes, so we get a lot of nonsense about a ghost trying to marry a deceased love, and so on and so forth, minus the humor and flair and rousing feeling of Disney's surprise hit of 2003, "Pirates of the Caribbean: The Curse of the Black Pearl," which has started a trend we may (unfortunately) be seeing more of in the future.
And as for Murphy -- who was once one of Hollywood's bad boys -- where is he in this mess? Murphy seems way too eager to please in this movie, boasting his famous smile every second he can -- probably to evoke nostalgia of his older efforts. Or maybe he's just trying to remain totally optimistic. But you know a movie is in trouble when even Eddie Murphy can't manage to insert witty one-liners. Instead, he relies on the occasional bodily function joke, which is usually a good indication that an actor has hit rock bottom. I don't think it's that Eddie Murphy has lost his humor. I think it's that his humor has lost him.
"The Haunted Mansion" knows it's in a bad position from the start, and it doesn't even make an effort to give Murphy any funny lines whatsoever. It's directed by Rob Minkoff ("The Lion King," "Stuart Little"), and is proof that sometimes directors should be restricted to certain mediums of entertainment. "The Haunted Mansion" isn't a terrible movie, but it isn't anything special, and you can find the same quality material by flicking on ABC, Sunday nights at 7:00 p.m.
2.5/5 stars.
- John Ulmer