John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues. Written by
This is the first Die Hard film without the music of film composer Michael Kamen. Kamen died in 2003. Portions of Kamen's previous "Die Hard" scores, however, were incorporated into the score by Marco Beltrami. See more »
When IP addressed are traced to reveal a person's name, the IPs displayed for these traces (172.16.55.103 and 10.252.27.112) both belong to IANA private network IPv4 address space reservations. Realistically, IP addresses in this range do not exist on the Internet, as they are reserved for internal network use only. An attacker would need to be on the same local-area network as the victim for a reserved address to be returned in a trace, but this scenario would obviate the usefulness of such a trace in determining the geographical location of the victim. This may have been done intentionally by the filmmakers to avoid giving out IP addresses that could be reached via the Internet. See more »
As a generic action flick it passes, as the Die Hard 4 it fails
The Die Hard dynasty is the definition of the heroic anti-hero. John McClane is a hero by accident. He is forced to be a hero, not because he is inclined to be one.
This is why I, and others, distinguish between Die Har 1&3 and Die Hard 2. And without telling to much, I now put number 4 in the series in the latter category.
I'll tell you why.... John McTiernan had the right take on it, and you see it in both the 1 and 3. He doesn't treat John McClane as a hero, he treats him as an ordinary guy, albeit a bad-ass type of ordinary guy. This is what makes Die Hard ultra cool. - Bruce Willis kicking ass and cracking jokes. If you hit him he falls over, bleeds, but gets up again, retaliates ending in fatality, and a snide remark.
Number 2 made him too much of a generic hero, and Live Free or Die Hard aka Die Hard 4.0 has a bit of the same problem. John McTiernan made a balanced gourmet (action)meal, in the proper serving size. 4.0 struggles with the same as you do, when you try to recreate the meal you just had. You liked it, so you make a double portion, and because you liked certain elements, you add extra of that. And the result of that is always the same, it's OK, but not as good as you had, because it's out of proportion and after gorging on it, you suddenly feel you've had too much, spoiling it all a bit.
Although John McClane in 4.0, is very vocally underlined as not being the heroes hero. The rest of the movie portrays him as such. Everything is a little bit extra, and little big bigger, and a bit more explosive. Sometimes you wonder if the director was thinking, "and then here it would be nice with another explosion, maybe John bleeding a bit more".
Live Free or Die Hard goes a long way with the template and the pedigree, but because of it's eager to give a little bit more of everything, it stops short of giving the same cool feel as the John McTiernans.
As an action flick though, it's exciting and keeps you entertained most of the time. It does get a little long towards the end, and some of the mushy elements, gets well... a little too mushy
All in all, it's worth seeing, and you should take a hide during the summer to do just that. Because Bruce Willis is good company. Even if you do miss the John McClane of the past millennium.
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