A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues. Written by
The car that is stolen in the film by McClane and Farrell is a 2006 E60 BMW 5 series, which was chosen due to a poll that found that people wanted films that had more BMWs in it. The main reason given was that the alternatives (Audis and Mercedes-Benzes) were too common and not bold and imposing enough to go with the characters in the film. The particular BMW model (5 series) was chosen because the director, Len Wiseman, found "the 3 series too common, the 7 series too uptight and every other car either too feminine or compensating for a midlife crisis... Everything McClane isn't, yet". See more »
John McClane takes over a large truck equipped with a Uniden Bearcat brand Mk III Trunktracker, a popular vehicle-mount radio scanner. Radio scanners are solely for reception purposes only, and it is impossible to transmit a radio signal using such a device. See more »
Just went to the world premiere of Die Hard 4.0, and I was positively surprised. It delivers action in abundance, and the movie has a great visceral feel to it thanks to great stunt work, and the fact that Willis really steps up in the fight scenes. The movie keeps up its pace throughout, and the script works quite well, though the tech-talk gets a little heavy at times. I was particularly worried about Wiseman directing, since both underworld movies were a complete mess in my opinion, but he really keeps it tight and disciplined this time around. Is Die Hard 4.0 the second or third best of the series? I don't know, but it is certainly a worthy successor, and all the other blockbusters should look this way to see how its done efficiently, crisp and above all entertaining.
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