A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues. Written by
The French title translates as "Die Hard 4.0: Return to Hell". See more »
When the FBI are flying to the rescue at the end of the movie, they clearly state they are fifteen minutes out and then the camera pans to a shot of them with dockyards in the background. Firstly they are heading to the dockyards and secondly when we return to them later they are still flying over the same dockyards in the same direction. See more »
As a generic action flick it passes, as the Die Hard 4 it fails
The Die Hard dynasty is the definition of the heroic anti-hero. John McClane is a hero by accident. He is forced to be a hero, not because he is inclined to be one.
This is why I, and others, distinguish between Die Har 1&3 and Die Hard 2. And without telling to much, I now put number 4 in the series in the latter category.
I'll tell you why.... John McTiernan had the right take on it, and you see it in both the 1 and 3. He doesn't treat John McClane as a hero, he treats him as an ordinary guy, albeit a bad-ass type of ordinary guy. This is what makes Die Hard ultra cool. - Bruce Willis kicking ass and cracking jokes. If you hit him he falls over, bleeds, but gets up again, retaliates ending in fatality, and a snide remark.
Number 2 made him too much of a generic hero, and Live Free or Die Hard aka Die Hard 4.0 has a bit of the same problem. John McTiernan made a balanced gourmet (action)meal, in the proper serving size. 4.0 struggles with the same as you do, when you try to recreate the meal you just had. You liked it, so you make a double portion, and because you liked certain elements, you add extra of that. And the result of that is always the same, it's OK, but not as good as you had, because it's out of proportion and after gorging on it, you suddenly feel you've had too much, spoiling it all a bit.
Although John McClane in 4.0, is very vocally underlined as not being the heroes hero. The rest of the movie portrays him as such. Everything is a little bit extra, and little big bigger, and a bit more explosive. Sometimes you wonder if the director was thinking, "and then here it would be nice with another explosion, maybe John bleeding a bit more".
Live Free or Die Hard goes a long way with the template and the pedigree, but because of it's eager to give a little bit more of everything, it stops short of giving the same cool feel as the John McTiernans.
As an action flick though, it's exciting and keeps you entertained most of the time. It does get a little long towards the end, and some of the mushy elements, gets well... a little too mushy
All in all, it's worth seeing, and you should take a hide during the summer to do just that. Because Bruce Willis is good company. Even if you do miss the John McClane of the past millennium.
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