Live Free or Die Hard (2007)

Director:

Len Wiseman

Writers (WGA):

Mark Bomback (screenplay)
Mark Bomback (story) ...

Release Date:

27 June 2007 (USA)

Genre:

Action | Crime | Drama | Thriller

Tagline:

Yippee Ki Yay Mo - John 6:27

Plot:

John McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Plot Keywords:

Hacker | FBI | Police | Hero | New York City

Awards:

2 wins & 8 nominations

US TV Schedule:

Tue. Dec. 1	7:00 PM	FX
Wed. Dec. 2	4:30 PM	FX

Cast

Bruce Willis	...	John McClane
Timothy Olyphant	...	Thomas Gabriel
Justin Long	...	Matt Farrell
Maggie Q	...	Mai
Cliff Curtis	...	Bowman
Jonathan Sadowski	...	Trey
Andrew Friedman	...	Casper
Kevin Smith	...	Warlock
Yorgo Constantine	...	Russo
Cyril Raffaelli	...	Rand
Chris Palermo	...	Del (as Christopher Palermo)
Mary Elizabeth Winstead	...	Lucy
Sung Kang	...	Raj
Zeljko Ivanek	...	Molina
Christina Chang	...	Taylor

Also Known As:

Die Hard 4.0 (Australia) (South Africa: English title) (UK) (USA) (working title)
Die Hard 4 (USA) (working title)
Die Hard 4: Die Hardest (USA) (working title)
Die Hard 4: Live Free or Die Hard (South Africa: English title) (TV title)
Die Hard: Reset (USA) (working title)
Die Hard: Tears of the Sun (USA) (working title)

MPAA:

Rated PG-13 for intense sequences of violence and action, language and a brief sexual situation.

Runtime:

128 min | 129 min (unrated version)

Country:

USA | UK

Language:

English | Italian | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital EX | DTS | SDDS

Certification:

Netherlands:12 | Germany:16 | Finland:K-15 | Singapore:PG | South Korea:12 | UK:15 | Ireland:15A | Denmark:11 | Sweden:15 | Norway:15 | Hong Kong:IIB | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | USA:PG-13 (certificate #43515) | Portugal:M/12 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Malaysia:18SG | Australia:M | Brazil:14 | Malta:16 | Chile:14 | France:U | Argentina:13 | Philippines:PG-13 | Taiwan:PG-12 | Singapore:NC-16 (DVD rating) | Italy:T | Spain:13 | Peru:14 | India:UA | South Africa:13V | USA:Unrated (unrated DVD version) | Iceland:14 (original rating) | Iceland:16 (video rating) | New Zealand:M

Filming Locations:

105 Freeway, Los Angeles, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The French title translates as "Die Hard 4.0: Return to Hell".

Goofs:

Factual errors: The BMW 5 series that is stolen has a security system (you can tell by the red light sticking out of the rear-view mirror) which means the car would have detected the smashed window and the motion of the people inside. As a result, the alarm would have sounded and the authorities been notified (due to the apparent existence of BMW assist feature in the car)

Quotes:

[first lines]
Mai Lihn: Well?
Clay: I'm sending you the code.
Mai Lihn: Yes, I see that. Thank you.

Movie Connections:

Edited from The Sum of All Fears (2002)

Soundtrack:

Fortunate Son

It's a bird... it's a plane.... no, it's John McClane!!!

About 40 minutes into Live Free or Die Hard (the fourth film in the popular Die Hard series), Bruce Willis stops playing tough cop John McClane and becomes his indestructible character from M. Night Shyalaman's Unbreakable. It's the only answer that makes sense.

How else could he jump from a speeding car onto blacktop and live to tell the tale? Or fall several stories out of a window, only to get up, dust himself off and continue fighting? Or crash a vehicle through solid walls and into a lift shaft without killing himself? Or leap from a wrecked juggernaut, onto the tail of a soon-to-explode jet plane, and then onto a collapsed freeway (I'm not making this up—honest!) without being reduced to a red smear? In the first Die Hard, McClane was vulnerable; in this one, he wouldn't look out of place wearing a fancy spandex costume with a fluttering cape.

Part 4 sees our grizzled hero back in action after he is sent to pick up Matthew Farrell, a computer hacker who is suspected of being involved with a high-tech terrorist organisation (who are attempting to shut down the U.S.A. in order to get their grubby paws on it's entire wealth). However, it transpires that the young geek was duped into helping the bad-guys and is now surplus to requirements; the villains try to kill the net-nerd (I know, I know... look who's talking!) to cover their tracks, but they don't count on the hero of the Nakatomi Tower incident being on bodyguard duty.

McClane rescues Matthew (after engaging in an exciting shootout with some nameless henchmen, who all die—natch!) and takes off in his car, with a helicopter full of gun-toting baddies in hot pursuit. Eventually, trapped in a tunnel, having narrowly escaped death in a multiple pile-up, John McClane makes his transformation into a superhero. Now, impervious to damage, he gets in his car, hurtles at high speed down the tunnel and launches the vehicle into the waiting helicopter, leaping to safety at the last moment.

And so it continues, with each successive action set-piece more ridiculous than the one before, until the aforementioned freeway/fighter jet scene which takes my award for daftest cinematic moment of this millennium.

Unfortunately, the silliness doesn't stop with the action scenes... the characters that populate this film are equally ill-conceived: Luscious Maggie Q plays Mai Lihn, a kung fu fighting villainess who is almost as indestructible as Willis''s cop; Long's cyber-dork is one of those people that only seem to exist in modern day action/thrillers—a twenty something with the ability to outsmart the government's top computer operatives; tasty Mary Elizabeth Winstead is John's ballsy daughter Lucy, who goes from hating her dad to loving him (when he rescues her from danger); and Timothy Olyphant is the supreme bad-guy, a miffed ex-government computer boffin who (inexplicably) manages to gather together a team of henchmen willing to do his bidding, whatever the risks.

Live Free or Die Hard is glossy, popcorn entertainment for those who don't worry too much about logic. It's entertaining fluff that is technically flawless, easy to follow and reasonably exciting, and, for many, that will be enough. But for those who, nearly twenty years ago, thrilled at the sight of a vest-wearing Willis dangling over the edge of a skyscraper, it can only be something of a disappointment.