John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues. Written by
The opening scene between McClane and Lucy was filmed on the campus of the University of Southern California in Los Angeles. The building that serves as Lucy's dormitory is actually Doheny Library. See more »
When John transmitted on his alleged "Police Radio", the squawks your hear at the beginning of his transmissions is MDC signaling. This is a Motorola product protected by multiple patents. Any amateur rig has never included MDC signaling. See more »
Just went to the world premiere of Die Hard 4.0, and I was positively surprised. It delivers action in abundance, and the movie has a great visceral feel to it thanks to great stunt work, and the fact that Willis really steps up in the fight scenes. The movie keeps up its pace throughout, and the script works quite well, though the tech-talk gets a little heavy at times. I was particularly worried about Wiseman directing, since both underworld movies were a complete mess in my opinion, but he really keeps it tight and disciplined this time around. Is Die Hard 4.0 the second or third best of the series? I don't know, but it is certainly a worthy successor, and all the other blockbusters should look this way to see how its done efficiently, crisp and above all entertaining.
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