Trying to bootstrap his way out of Brooklyn's mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he's trying to lay down a demo tape with cut-rate ... See full summary »
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
A young man receives a call on his cellular phone from a woman who says she's been kidnapped, and thinks she's going to be killed soon, along with her husband and son who the kidnappers have gone after next. The catch? She doesn't know where she is... and his cell phone battery might go dead soon. Written by
Larry Cohen worked on the script while he tried to get his screenplay Phone Booth (2002) sold. In a New Yorker article he says he wrote the film with the intention that it would be the direct opposite to Phone Booth (Phone Booth is about a man trapped on a phone in a booth, while this movie is about a man who is still trapped on a phone but can go anywhere). However, his friends told him that he had written the same screenplay twice. See more »
When Jessica is speaking to Officer Mooney, she clearly states that five men broke into her house. There were only four men involved and a female officer (Baybeck) who was not shown until after Jessica was taken to the safe house. Only three of the four men were shown entering the home. See more »
Mom, will you still be a science teacher when I get into high school?
Hmm... You never know. Why?
'Cause I think it'd be kind of weird to have your mom as a teacher.
See more »
The first part of the closing credits show cast and crew names on cellular telephone screens. See more »
A thriller worth watching for its exhilaratingly fast pace, situational humor, and Chris Evans' star-making performance.
Rating: *** out of ****
Gimmicky thriller premises are a dime a dozen. Fox's 24 essentially expounds on that idea every episode without any rhythm or consistency. The real trick is executing the idea with the right panache and skill to weave it all into a fun thriller. So is David R. Ellis' Cellular worthy of Phone Booth acclaim, or is it just another Nick of Time? You just might be surprised to see it's every bit as enjoyable as the former, with only occasional hints at the pure cheese of the latter.
Young beach bum Ryan (Chris Evans) is having just another typical day of sun and fun at the beach, but his girlfriend (Jessica Biel) sees his behavior as lazy and irresponsible. To try and patch things up, he promises to run a few errands for her, but on the way, he receives a call on his cell phone from a stranger named Jessica Martin (Kim Basinger), a woman who claims she's been kidnapped and is being held in the attic of an unfamiliar house. Her call to Ryan was completely random, but the catch is, she has to stay on the line or the signal may be lost for good.
Though initially dubious of her outrageous claims, Ryan quickly comes to believe her after he overhears one of the kidnappers on the phone. Deciding to help out in any possible way he can, Ryan tries to locate her family before the kidnappers do. Unfortunately, obstacles to keeping the phone signal going present themselves at every turn, and Ryan finds he must go through some extreme measures to keep Jessica on the line.
It's these obstacles that make up at least half the fun of watching Cellular. Whether it's a dying battery, "typical" close call encounters with the villains, car chases that require driving backwards or on the wrong side of the road, director Ellis keeps the pace lightning fast by presenting every plausible hindrance there is to keeping a cell phone signal alive. That might not be as immediately catchy a premise as keeping a bus above 50 mph, but it's hard to care when the gimmick is delivered with this much fresh skill and energy. Ellis also directed the enjoyable Final Destination 2, proving he has what it takes to deliver straight-faced thrillers in spite of their naturally ridiculous premises.
But as terrific a job as Ellis does, it's the cast that keeps the momentum going even when the story starts to sag. As the everyman caught in this horrifying situation, Chris Evans is wholly convincing and immensely appealing as Ryan, playing out an otherwise simple role for all its worth. Most of the movie rests on his shoulders, so it's to no small amount of praise when I say that we eagerly want to follow him through every move of his day-long adventure. Kim Basinger is surprisingly just as good as the kidnapped woman, proving that much like her physical features, her acting skills are improving with age. The other major standout is Jason Statham as the head kidnapper; he's obviously affecting an American accent that's not all that believable, but he brings an intensity to the role that makes him fiercely menacing.
The plot boasts the expected coincidences and contrivances that are needed to fuel the story, and most of these are easy enough to accept, but there are admittedly a few nagging problems. While I could reasonably believe that the kidnappers wouldn't tie up Jessica and could also accept that she knows just enough about phones to fix one up well enough to make one call, I found it less easy to swallow that the kidnappers wouldn't at least keep a guard posted right outside or inside her room. No biggie, though.
The more bothersome bits involve a few unlikely coincidences that allow a cop (played by William H. Macy, who delivers another one of his requisite subtly funny performances) to conveniently piece together a number of the clues. Even more troublesome is the climax, which has the unfortunate task of resolving every introduced plot strand, and while the results are still highly entertaining, it comes across a bit messy (though ironically finishing things up on a nice and tidy final note).
Still, the story makes a lot of right choices when a lesser movie would have simply veered off course for good. A plot twist involving the villains' identities and their motives is smart and surprising. The movie also satisfyingly chooses to reveal its surprise villain halfway through rather than saving it for a silly last-minute unveiling.
The film also boasts a good sense of humor, a lot of it coming from Evans, who handles the comic moments with natural ease (no real surprise, he was also very funny in Not Another Teen Movie). His best moment comes in one scene where he's in a private school searching for Jessica's kid, flabbergasted over his name (which is particularly funny) and how identical every student looks in the same brand of clothing. The laughs don't defuse the tension, though, and it's with this fun mixture of suspense and occasional comic ingenuity that makes this a highly recommended thriller.
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