Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A young man receives a call on his cellular phone from a woman who says she's been kidnapped, and thinks she's going to be killed soon, along with her husband and son who the kidnappers have gone after next. The catch? She doesn't know where she is... and his cell phone battery might go dead soon. Written by
The phone that Ryan is using is actually not functioning, but he did have an earpiece in so he could talk to someone. See more »
When Jessica exits the car at the end after Ryan beats up the last thug and sees him for the first time, she seems to know right away that it is him. However, Jessica has only talked to Ryan on the phone up to this point, and has no way of knowing what he looks like, thus no way of knowing for sure this is him. See more »
Mom, will you still be a science teacher when I get into high school?
Hmm... You never know. Why?
'Cause I think it'd be kind of weird to have your mom as a teacher.
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The first part of the closing credits show cast and crew names on cellular telephone screens. See more »
A popcorn thriller that draws heavily on PHONE BOOTH for its inspiration (written by the same guy, Larry Cohen), CELLULAR take us on one heck of a ride right from the opening sequence, as a bunch of bad guys kidnap a woman (Kim Basinger), Her only contact with the outside world accidentally becomes a young man (Chris Evans) with a cell phone, hence the title. William Macy as a retiring cop (shades of FALLING DOWN!) and Jason Statham as the main bad guy (and whose name is curiously missing from the IMDb credits for this film) lend able support. A harrowing car chase forms the centerpiece of this mindless but thoroughly enjoyable action flick, just as a huge chain accident formed the heart of the director's previous FINAL DESTINATION 2. The movie remains taut throughout, but it also has deft moments of comedy, to remind us we're watching a movie. In particular, watch for the scene where Evans is in desperate need of a cell phone charger. It's hysterical.
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