| Photos (see all 27 | slideshow) | Videos (see all 2) |
| Helen Mirren | ... | Chris Harper | |
| Julie Walters | ... | Annie Clarke | |
| John Alderton | ... | John Clarke | |
| Linda Bassett | ... | Cora | |
| Annette Crosbie | ... | Jessie | |
| Philip Glenister | ... | Lawrence Sertain | |
| Ciarán Hinds | ... | Rod Harper | |
| Celia Imrie | ... | Celia | |
| Geraldine James | ... | Marie | |
| Penelope Wilton | ... | Ruth Reynoldson | |
| George Costigan | ... | Eddie Reynoldson | |
| Graham Crowden | ... | Richard | |
| John Fortune | ... | Frank | |
| Georgie Glen | ... | Kathy | |
| Angela Curran | ... | May Wilkinson | |
| Rosalind March | ... | Trudy | |
| John-Paul Macleod | ... | Jem Harper | |
| Marc Pickering | ... | Gaz | |
| John Sharian | ... | Danny | |
| Belinda Everett | ... | Maya | |
| Harriet Thorpe | ... | Brenda Mooney | |
| Gillian Wright | ... | Eddie's Woman | |
| Ian Embleton | ... | Andy | |
| Janet Howd | ... | Julia | |
| Lesley Staples | ... | Jenny | |
| Richard Braine | ... | Policeman | |
| Maggie McCarthy | ... | W.I. Administrator 1 | |
| Diana Marchment | ... | W.I. Administrator 2 | |
| Celia Henebury | ... | Check-In Stewardess | |
| Ted Robbins | ... | Ted the Bike Man | |
| Arthur Kelly | ... | Bookshop Owner | |
| Alison Pargeter | ... | Chemist's Assistant | |
| Tim Barker | ... | Holiday Speaker | |
| Angus Barnett | ... | Orchid Photographer | |
| Frank Barrie | ... | Lecherous Photographer | |
| John Sparkes | ... | Welsh Photographer | |
| Merryn Owen | ... | Student Photographer | |
| Richard Ashton | ... | Policeman 2 | |
| Shameer Madarbakus | ... | Policeman 3 | |
| Elizabeth Bennett | ... | W.I. Judge | |
| Simon Ludders | ... | Waiter | |
| Darren Southworth | ... | Sofa Salesman | |
| Sharon Thomas | ... | TV Reporter | |
| Christa Ackroyd | ... | News Presenter | |
| Geoffrey Wilkinson | ... | Seed Company Manager | |
| Bob Flag | ... | Alan Rathbone | |
| Mark Hayford | ... | Charity Chicken Worker | |
| Geoffrey Banks | ... | Lycra Cyclist 1 | |
| Wilfred Harrison | ... | Lycra Cyclist 2 | |
| Adil Hussain | ... | Jem's Friend 1 | |
| Waqas Altaf | ... | Jem's Friend 2 | |
| Paul McLeary | ... | Husband 1 | |
| Peter Lorenzelli | ... | Husband 2 | |
| Jay Leno | ... | Himself | |
| Matt Malloy | ... | Hotel Manager | |
| Patton Oswalt | ... | Larry | |
| Craig Kirkwood | ... | Bellboy | |
| Frank Bello | ... | Frank, Anthrax | |
| John Bush | ... | John, Anthrax | |
| Scott Ian | ... | Scott Anthrax (as Scott Ian Rosenfeld) | |
| Ashley Niles | ... | Hotel Registration | |
| Angela Baker | ... | Highgyll W.I. Lady | |
| Beryl Bamforth | ... | Highgyll W.I. Lady | |
| Christine Clancy | ... | Highgyll W.I. Lady | |
| Ros Fawcett | ... | Highgyll W.I. Lady | |
| Lynda Logan | ... | Highgyll W.I. Lady | |
| Tricia Stewart | ... | Highgyll W.I. Lady | |
| Roy the Postman | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Lisa Renée | ... | Personal Assistant (uncredited) | |
Directed by | |||
| Nigel Cole | |||
Writing credits(in alphabetical order) | ||
| Tim Firth | written by | |
| Juliette Towhidi | written by | |
Produced by | |||
| Nick Barton | .... | producer | |
| Steve Clark-Hall | .... | co-producer | |
| Suzanne Mackie | .... | producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Ashley Rowe | |||
Film Editing by | |||
| Michael Parker | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Martin Childs | |||
Art Direction by | |||
| Mark Raggett | |||
Costume Design by | |||
| Frances Tempest | |||
Makeup Department | |||
| Christina Baker | .... | hair designer | |
| Christina Baker | .... | makeup designer | |
| Kay Bilk | .... | hair stylist (makeup artist) | |
| Deborah Jarvis | .... | makeup artist | |
| Karen Sherriff-Brown | .... | hair stylist (makeup artist) | |
Production Management | |||
| Jo Farr | .... | production manager | |
| Miranda Jones | .... | post-production supervisor | |
| Chrisann Verges | .... | unit production manager: Los Angeles | |
Second Unit Director or Assistant Director | |||
| Guy Barker | .... | assistant director | |
| Rosemary C. Cremona | .... | second assistant director: Los Angeles | |
| Lee Grumett | .... | third assistant director | |
| Toby Hosking | .... | co-second assistant director | |
| Olivia Lloyd | .... | second assistant director | |
| Deborah Saban | .... | first assistant director | |
Art Department | |||
| Grant Armstrong | .... | stand-by art director | |
| Anna Bregman | .... | art department assistant | |
| Laura Dishington | .... | assistant art director | |
| Susan Emshwiller | .... | set decorator: U.S. | |
| Paul Inglis | .... | draughtsman | |
| Jonas Kirk | .... | construction coordinator: Los Angeles | |
| Shay Leonard | .... | stand-by props | |
| Gwen Murray | .... | art department trainee | |
| John O'Shaughnessy | .... | production buyer | |
| Carisa Rosenthal | .... | set dresser | |
| John Warnke | .... | set designer | |
Sound Department | |||
| Tom Barrow | .... | sound assistant | |
| Ricky Butt | .... | foley artist | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Colin Cooper | .... | adr recordist | |
| Twydor Davis | .... | dialogue editor | |
| Graham Day | .... | sound trainee | |
| Nathan Duncan | .... | sound assistant trainee | |
| Tim Fraser | .... | sound recordist | |
| Stuart Mackay | .... | assistant sound editor | |
| Michael Redfern | .... | foley editor | |
| Steve Single | .... | sound re-recording mixer | |
| William Towers | .... | boom operator | |
| Ian Wilson | .... | supervising sound editor | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Mark Haddenham | .... | special effects senior technician | |
Visual Effects by | |||
| Henry Badgett | .... | digital compositor | |
| Stefan Drury | .... | visual effects producer | |
| Michael Elson | .... | head of production: MPC | |
| Charley Henley | .... | digital compositor | |
| Chas Jarrett | .... | 3D animator | |
| Richard Stammers | .... | visual effects supervisor | |
| Maria Stroka | .... | film recording manager | |
| Ben Thompson | .... | 3D animator: MPC | |
| Daniel Walton | .... | digital artist | |
| Howard Berry | .... | visual effects runner: MPC (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Sabine Kertscher | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Colin Anderson | .... | Steadicam operator: USA | |
| Jaap Buitendijk | .... | still photographer | |
| Ian Clark | .... | focus puller | |
| Andy Cole | .... | electrician | |
| Kelly Cummins | .... | assistant camera | |
| Oliver Curtis | .... | director of photography: additional photography | |
| Louis DiCesare | .... | gaffer: Los Angeles | |
| Tim Durr | .... | electrician: Los Angeles | |
| Steve Lawes | .... | focus puller: "b" camera | |
| David McAnulty | .... | grip | |
| Adrian McCarthy | .... | grip | |
| Vince McGahon | .... | Steadicam operator | |
| Pat Miller | .... | rigging gaffer | |
| Martin Scanlan | .... | daily clapper loader | |
| Paige Thomas | .... | first assistant camera | |
| Garie Wetherill | .... | video playback operator | |
| Phil Whittaker | .... | second grip | |
Casting Department | |||
| Robin Hudson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Alix Friedberg | .... | assistant costume designer | |
| Kelly Mijailovic | .... | costume supervisor (as Kelly Bowman) | |
| Shirley Nevin | .... | costume supervisor | |
Editorial Department | |||
| Marsha Bramwell | .... | trainee assistant editor | |
| Lisa Clifford-Owen | .... | assistant editor | |
| Guy Ducker | .... | assistant editor | |
| Celia Haining | .... | assistant editor | |
| Lea Morement | .... | assistant editor | |
| Paisley Pappé-Iredell | .... | assistant editor: Los Angeles | |
| Matthew Streatfield | .... | trainee assistant editor | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
| Maggie Rodford | .... | score producer | |
| James Shearman | .... | conductor | |
| Graham Sutton | .... | music editor | |
| Nick Wollage | .... | score recordist | |
| Mike Deasy | .... | musician (uncredited) | |
Transportation Department | |||
| Adrian Cannon | .... | driver: Mr. Cole | |
| Ian Lisi | .... | facilities driver | |
| Mike Miliotti | .... | driver: production van | |
| Enyo Mortty | .... | driver: Cilia Imrie | |
|
|
|
|
|
| Big Fish | Chicago | River's Edge | Missing | Ace in the Hole |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
Based on a true story. There is a Women's Institute in Yorkshire England, a tiny little town. The Institute decides to raise money for new furniture for a local hospital. They decide the only way to raise money is do a nude calendar with members. The problem is all the members are 50+! The calendar is done and is a roaring success. The film focuses on some of the women and how the calendar affects their families and personal lives.
Whimsical is the best way to describe this. It's one of those British comedies that has few laughs, but is very lighthearted and has some serious drama in it. I can't say I loved the movie--the script, while well-written, is scattershot and the light, low-key tone was TOO low-key for me. And some story lines are brought up (one of the women has a cheating husband) and are never resolved. Still, there were some good laughs in it and there is some just beautiful views of (I'm assuming) Yorkshire. Especially incredible is a view of the entire town from on top of a huge rock overlooking the area.
Also we have some wonderful British actresses playing in the lead roles. The two best were Helen Mirren (who's just great--again) and Julie Walters (who looks absolutely stunning). Also this is one of the few films that celebrates the sexuality of women who are 50+. How many movies do you you see like that nowadays? Of course this is a British film--Hollywood would NEVER tell a story like this. Also the film does have some fairly explicit glimpses of female nudity--but they're not sexual in context and ARE needed for the integrity of the story.
I'm giving this a 7.