9 items from 2015
Other films include "Moulin Rouge!" (2001) earning her a 'Golden Globe Award' for Best Actress – Motion Picture Musical or Comedy and her first nomination for the Academy Award for Best Actress.
Kidman's performance as 'Virginia Woolf' in the "The Hours" (2002) earned her an 'Academy Award' for Best Actress...
...the 'BAFTA Award' for Best Actress in a Leading Role, the 'Golden Globe' Award for Best Actress – Motion Picture Drama and the 'Silver Bear' for Best Actress at the 'Berlin International Film Festival'.
Kidman's other notable films include "To Die For" (1995), for which she won her first Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, »
- Michael Stevens
Read More: Nicole Kidman Says She's Making A New Movie With Jane Campion, Talks Lack Of Movie Roles For Older Women "Birth" (2004)The visionary director Jonathan Glazer has a way of bringing his lead actresses to a fragile edge (see Scarlett Johansson in "Under the Skin), and Kidman's work in "Birth" is her most psychologically-disoritenting to date as a result. Playing a widow who gradually comes to believe her deceased husband has been reincarnated into a young child (Cameron Bright), Kidman expertly charts her characters mental evolution from stubborn disbelief to tempestuous acceptance, making it that much harder for the viewer to figure out the truth beneath the surface. All you need to do is watch this astonishing long take of Kidman's Anna wrestling with the reality of her situation while at the opera to see why "Birth" will always be considered one of her best. "To Die For" (1995)Gus Van Sant »
Jonathan Glazer’s 2004 film, about a ten year old boy who claims to be the reincarnation of Nicole Kidman’s deceased husband, is part psychological thriller and part ghost story. Glazer ("Under the Skin") explores the queasy ambiguities in the film’s premise with an elegant touch and though the movie received exceedingly mixed reviews upon its release, it has gained in favor and appears headed toward an inevitable cult status. Read More: Why Ten Years Later 'Birth' Is Still a Masterpiece »
- Trailers From Hell
Villordsutch reviews Judge Dredd: The Mega Collection – Origins…
Citizens! Issue 4 has just hit the shelves…
In Origins, you’ll learn the true story behind the creation of the Judges and Justice Department as a villain from the past returns to reclaim his heritage…
In Judge Dredd: The Mega Collection – Origins we skip back only a few years to 2006 – when it was originally published – when we finally take hold of the strands of Dredd’s past and the history that led to the world of the Mega-Cities being built. For years the piles and piles of Dredd Lore had built up, for which numerous writers dodged out of the way not wanting to think about tackling this mammoth saga because of the scale of what Origins would actually have to be – the story of the genesis of the Judges, the Justice Department, the destruction of most of planet Earth »
With the 2015 Oscars coming up this weekend, we go back ten years to see if the 2005 awards still hold up today...
It was during an interview with Mark Kermode that I asked him how long someone really needs to gestate on a film, and come up with a proper review. "About ten years", he said. I get his point. Each awards season, it's about, at best, what feels like the best film right then. Not the one that settles over a period of time, or shows you new things each time you watch it. But the one that you watched once, and affected you once. It's the only way, anyway, I can think of why A Beautiful Mind won a Best Picture Oscar.
This weekend, then, is the Academy Awards once more. And I thought it'd be worth rewinding ten years, to see whether the Academy's choices on February 27th »
Nine Oscar seasons ago, composer Alexandre Desplat earned what already felt like an overdue first nomination for "The Queen." (He already had "Girl With a Pearl Earring," "Birth," "Syriana" and "The Painted Veil" to his credit.) Eight years and as many Oscar nominations later, the prolific Desplat has cemented himself as the go-to composer of his generation, with the hottest producers and directors clamoring to collaborate with him. This is not surprising, given his talent and his extraordinary knowledge of both world cinema and world music. This year, he is a double Oscar nominee for "The Grand Budapest Hotel" and "The Imitation Game" and has already won a British Academy Award and a Grammy for the former. And that elusive first Oscar may well be within his grasp. HitFix recently caught up with Desplat to discuss Anderson's latest melancholic comic romp and the awards success he has experienced of late. »
- Gerard Kennedy
This year’s Bafta nominees for British film — “Pride,” “Paddington,” “Under the Skin,” “’71,” “The Theory of Everything” and “The Imitation Game” — showcase the sheer variety, range and intelligence of U.K. cinema in 2014.
That’s underlined by the exceptional quality of contenders that failed to make the cut — the likes of “Calvary,” “Locke,” “Belle,” “Testament of Youth,” “Starred Up” and, most controversially, “Mr. Turner.”
For all the considerable differences between them, in artistic ambition and commercial appeal, the six nominees share an underlying theme that sheds an intriguing light on the zeitgeist. They are all about misfits struggling to belong, and they ask acute questions about our capacity for empathy.
That echoes the anxiety about immigration and social cohesion that is dominating the U.K. political debate — a weighty subject addressed explicitly in the most populist of all the contenders, “Paddington.” It’s a giant stylistic leap from here to »
- Adam Dawtrey
Did "Under the Skin's" absence from this week's list of Oscar nominees represent a glaring oversight? Hardly. Despite being beloved by critics, Jonathan Glazer's unsettling sci-fi wasn't expected to rack up any nods. Which is fine! Some of the best movies never get their due come awards season. Me? I can't get it out of my brain. I've previously mentioned "The Babadook" as the year's best horror movie, and from a conventional standpoint it certainly is. But while "Under the Skin" is far from a traditional fright flick, it disturbed me in a deeper way than any pureblood horror film in recent memory. The beach scene alone! Haunting, horrifying, utterly unforgettable. Director Jonathan Glazer is one of the true visionaries working in film today. With the help of cinematographer Daniel Landin and his special effects team he conjured up a collection of the most striking images I saw »
- Chris Eggertsen
Back in November, we reported that David O. Russell’s ill-fated, romantic satire "Nailed" would actually see the light of day, thanks to producers determined to reshoot, finish and release the picture in whatever marketable form they could. Now dubbed "Accidental Love," the first trailer for the film plays like a goofy rom-com of the McConaughey-Hudson era, albeit with hints of Russell’s biting perspective. What was dead is now reborn… as something far more generic. Is this how Nicole Kidman felt in "Birth"? "Accidental Love" follows Alice (Jessica Biel), the recent victim of a nailgun shot to the head, as she crusades to Washington D.C. in defense of all those afflicted by "weird conditions they can’t afford to fix." Ditched by her fiancée (James Marsden), Alice hooks up with an eager, young politician (Jake Gyllenhaal) and antics ensue. Though he’s turned his attention to more traditional drama fare, »
- Matt Patches
9 items from 2015
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