Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancé, her increased contact with him leads her to question the choices she has made in her life. Written by
Sujit R. Varma
The first scene is following from behind, a man in black hoodie, running on a snow covered road, surrounding a park. His left shoe/boot is obviously untied. Since he died of a heart attack, an untied shoe was not intended. See more »
Voice of Sean:
Ok, let me say this.
Voice of Sean:
Let me say this. If I lost my wife and, and uh, the next day a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.
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Nicole Kidman is made-up and photographed in a breathtaking way--even more so than usual. Angular and arched, she's an elongated pixie, beautiful but not the same Kidman we've all seen walking the red carpet. Her Anna is slightly dazed, imposing at first but then maybe a little fragile; it's tough to get a fix on her, she's just beyond reach. Such an intelligent, tremulous woman would never let this plot-line go so far, as a youngster approaches her and claims to be the reincarnation of her deceased husband. Why doesn't she (or any of her family members) just say the obvious thing to the strange little boy: if you are who you say you are, prove it! Kidman walks all the way into the park to confront the boy but only asks him one question--and then runs away; the family greets the boy at the apartment, but instead of grilling him they give him dessert! It's a very frustrating movie, frustrating for the fact it had enormous potential but the opportunities for a sharp, smart, sophisticated human drama have been muffled out. **1/2 from ****
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