| Steve Saint | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Carmela | ... | Herself | |
| Dawa | ... | Herself | |
| Dayumae | ... | Herself | |
| Frank Drown | ... | Himself | |
| Kathy Saint Drown | ... | Herself | |
| Elisabeth Elliot Gren | ... | Herself | |
| Dave Howard | ... | Himself | |
| Kimo | ... | Himself | |
| Olive Fleming Liefeld | ... | Herself | |
| Christopher Maleki | ... | King Cyrus | |
| Marilou McCully | ... | Herself | |
| Mincaye | ... | Himself | |
| Malcolm Nurnberg | ... | Himself (as Col. Malcolm Nurnberg) | |
| Ompodae | ... | Herself | |
| Paa | ... | Himself | |
| Carole Robarchek | ... | Herself | |
| Clayton Robarchek | ... | Himself | |
| Ginny Saint | ... | Herself | |
| Jaime Saint | ... | Himself | |
| Jesse Saint | ... | Himself | |
| Rachel Saint | ... | Herself | |
| Valerie Elliot Shepard | ... | Herself | |
| Tementa | ... | Himself | |
| Marj Saint Van Der Puy | ... | Herself | |
| Barbara Youderian | ... | Herself | |
| Cam MacGregor | ... | Barber (uncredited) | |
Directed by | |||
| Jim Hanon | |||
Writing credits(in alphabetical order) | ||
| Jim Hanon | ||
Produced by | |||
| Bill Ewing | .... | executive producer | |
| Mart Green | .... | executive producer | |
| Kevin McAfee | .... | producer | |
| Heather Olive | .... | associate producer | |
| Ginny Saint | .... | co-associate producer | |
| Steve Saint | .... | co-associate producer | |
Original Music by | |||
| Ron Owen | |||
Film Editing by | |||
| Miles Hanon | |||
Casting by | |||
| Heather Olive | |||
Production Management | |||
| Brent Ryan Green | .... | production team | |
| David Hanon | .... | production manager | |
Art Department | |||
| Jim Baker | .... | prop supervisor: Florida | |
| Bob Cubbage | .... | prop supervisor: Florida | |
| David Dupuis | .... | property master: Los Angeles | |
| Jerry Eller | .... | associate art director: Florida | |
| Lorri Feenan | .... | art director: Seattle | |
| Paul Moore | .... | art director: Grand Rapids | |
| John Owen | .... | prop supervisor: Los Angeles | |
| David Winick | .... | prop designer: Grand Rapids | |
Sound Department | |||
| John Chalfant | .... | sound re-recording mixer | |
| Vincent Guisetti | .... | foley artist | |
| Pamela Kahn | .... | foley artist (as Pamela Nedd) | |
| Tom Rau | .... | sound engineer | |
| Kyle Rochlin | .... | foley mixer | |
| Reed Ruddy | .... | sound engineer | |
| Kendall Thomas | .... | sound engineer | |
Camera and Electrical Department | |||
| Gerald A. Agee | .... | generator operator: Los Angeles | |
| Jordy Klein | .... | supplier: camera and lighting equipment, Florida | |
Casting Department | |||
| Jude Hagin | .... | casting: Florida | |
Costume and Wardrobe Department | |||
| Melissa Grant | .... | wardrobe | |
| Lynda Martin | .... | wardrobe supervisor: Los Angeles | |
| Tina Vargas | .... | wardrobe supervisor: Florida | |
Editorial Department | |||
| Jennifer Clymer | .... | post-production coordinator | |
| Libby Fackler | .... | first assistant editor | |
Music Department | |||
| Fred Domulot | .... | musician: percussion | |
| Beth Gottlieb | .... | percussion music contractor | |
| Dan Johnson | .... | musician: percussion | |
| Mary Kuckuck | .... | orchestral copyist | |
| Michael Malgoza | .... | musician: percussion | |
| Charlie Morgan | .... | musician: percussion | |
| Charlie Morgan | .... | musician: percussion | |
| Douglas Narry | .... | musician: percussion | |
| Ron Owen | .... | conductor: orchestra | |
| Carl G. Rendek Jr. | .... | musician: percussion | |
| David Schober | .... | music engineer | |
| David Sutton | .... | consultant: music stems | |
Thanks | |||
| Brent Ryan Green | .... | special thanks | |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
I've seen this documentary in its pre-screening version, not the theatrical version, but I know it's not very different. It is a gripping story, one that unfolds like a well-told drama, all the better because it is true! It is touching, frightening, uplifting, romantic, all the trademarks of a good story. The filmmakers do a great job of weaving pictures, audio and live interviews to tell a story that happened 50 years ago. It is very moving to hear the actual voices and words of people that were involved in the story. There is a movie coming out next year by this same production company, based on this story. Be watching for it, it promises to be a gripping and high-quality movie. This documentary is a film for the whole family.