| Antonio Banderas | ... | Pancho Villa | |
| Eion Bailey | ... | Frank Thayer | |
| Alan Arkin | ... | Sam Drebben | |
| Jim Broadbent | ... | Harry Aitken | |
| Matt Day | ... | John Reed | |
| Michael McKean | ... | William Christy Cabanne | |
| Colm Feore | ... | D.W. Griffith | |
| Alexa Davalos | ... | Teddy Sampson | |
| Anthony Head | ... | William Benton (as Anthony Stewart Head) | |
| Kyle Chandler | ... | Raoul Walsh | |
| Saul Rubinek | ... | Eli Morton | |
| Cosme Alberto | ... | Abraham Sanchez | |
| Damián Alcázar | ... | Gen. Rodolfo Fierro | |
| Pedro Armendáriz Jr. | ... | Don Luis Terrazas (as Pedro Armendáriz) | |
| Fernando Becerril | ... | Priest | |
| Michael F. Boyle | ... | Sgt. Edward Emerson | |
| Steven Calcote | ... | Reporter #1 | |
| Rita López Carrasco | ... | Carmen | |
| Carl Dillard | ... | Charles Rosher | |
| Omar Espino | ... | Anastacio Sanchez (as Omar Éspino) | |
| Marcelo García | ... | Gen. Toribio Ortega | |
| Peter Gregory | ... | William Randolph Hearst | |
| Adrián Hernández | ... | Peon woman | |
| Isaías Jiménez | ... | Peon man | |
| Jorge Jimenez | ... | Gen. Hipolito Villa | |
| Jay Kimball | ... | W. H. Lawrence | |
| Jake Koenig | ... | Reporter #2 | |
| José Manuel Lambarri | ... | Gen. José Refugio Velasco | |
| Madeline Lee | ... | Drebben's Mother | |
| Benjamin Long | ... | Duffy Dorfman | |
| José Concepción Macías | ... | President Victoriano Huerta | |
| Mauricio Magaña | ... | Older Abraham Sánchez | |
| Barbara May | ... | Irene Hunt | |
| Lorena Mínguez | ... | Peon daughter | |
| Darrell Pritchett | ... | Senator Albert Fall | |
| María Guillermina Ramírez | ... | Esperanza Sánchez | |
| Gabriela Reynoso | ... | Señora Madrigal | |
| Guillermo Ríos | ... | Federale Officer #1 (as Guillermo Rios) | |
| Diego Sandoval | ... | Gen. Felipe Ángeles | |
| Patricia Schweers | ... | Zenia the make-up lady | |
| Julian Sedgwick | ... | Carl von Hoffman | |
| Sacha Oberlander Tasletikye | ... | Adrian Brodsky | |
| John Wharton | ... | Hennie Ausenberg | |
| Lilia Zelinna | ... | Rosita | |
| rest of cast listed alphabetically: | |||
| Cesar Di Parra | ... | Harmonica Player | |
| Lynnanne Zager | ... | Actress (uncredited) | |
Directed by | |||
| Bruce Beresford | |||
Writing credits(WGA) | ||
| Larry Gelbart | (written by) | |
Produced by | |||
| Juanita F. Diana | .... | associate producer (as Juanita Diana Freney) | |
| Lourdes Diaz | .... | co-producer | |
| Larry Gelbart | .... | executive producer | |
| Mark Gordon | .... | executive producer | |
| Diane Isaacs | .... | producer (as Diane Sillan Isaacs) | |
| Sue Jett | .... | producer | |
| Gary Levinsohn | .... | co-executive producer | |
| Tony Mark | .... | producer | |
| Joshua D. Maurer | .... | executive producer | |
| Luz María Rojas | .... | line producer | |
Original Music by | |||
| Stephen Endelman | |||
| Joseph Vitarelli | |||
Cinematography by | |||
| Peter James | |||
Film Editing by | |||
| Mark Warner | |||
| Edward A. Warschilka | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Herbert Pinter | |||
Art Direction by | |||
| Bernardo Trujillo | |||
Set Decoration by | |||
| Jay Aroesty | |||
Costume Design by | |||
| Monica Araiz | |||
| Eduardo Castro | |||
Makeup Department | |||
| Lourdes Delgado | .... | hair stylist | |
| Lucrecia González Muñoz | .... | key makeup artist | |
| Lynda Gurasich | .... | key hair stylist | |
| Ofelia Gutiérrez | .... | makeup artist: second unit | |
| Dorothy J. Pearl | .... | key makeup artist | |
| Nena Smarz | .... | makeup artist: Antonio Banderas | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | second assistant director: U.S. photography | |
| Marco Polo Constandse | .... | second second assistant director | |
| Richard Cowan | .... | first assistant director | |
| Efren del Moral | .... | second assistant director | |
| Andre Fleuren | .... | second unit director | |
| Yvette Gurza | .... | key second assistant director: second unit | |
| Mark Hansson | .... | first assistant director: second unit | |
| Miguel Lima | .... | first assistant director: Mexico | |
| Juan Obregon | .... | second second assistant director: second unit | |
| Korey Scott Pollard | .... | second assistant director (as Korey Pollard) | |
| Batan Silva | .... | first assistant director: second unit (as Sebastián G. Silva) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| John Cannon | .... | first assistant sound editor | |
| Zack Davis | .... | co-supervising sound editor | |
| Hank Garfield | .... | production sound mixer | |
| Phillip A. Hamilton | .... | adr recordist | |
| Dennis Hammermeister | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Lou Kleinman | .... | sound editor | |
| Tony Lamberti | .... | sound | |
| Michael Lyle | .... | foley artist | |
| Khama Matiti | .... | sound recordist | |
| Carey Milbradt | .... | foley mixer | |
| Carey Milbradt | .... | sound effects editor | |
| Michael Miller | .... | adr mixer | |
| Ernesto Muñoz | .... | utility sound technician | |
| Geoffrey G. Rubay | .... | supervising sound editor | |
| Unsun Song | .... | sound re-recordist | |
| Bruce Tanis | .... | sound effects editor | |
| Tami Treadwell | .... | adr recordist | |
| Eduardo Valverde | .... | sound mixer: second unit | |
| Drew Webster | .... | sound re-recording mixer | |
| David Williams | .... | sound editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Karen Vassar Triest | .... | sound editor (uncredited) | |
Special Effects by | |||
| Isaac Amezquita Ochoa | .... | model maker | |
| Ray Brown | .... | special effects foreman | |
| Raymond J. Brown | .... | special effects shop foreman | |
| Laurencio Cordero | .... | special effects coordinator (as Laurencio 'Chovy' Cordero) | |
| Manuel Cordero | .... | special effects technician | |
| Travis Dutch | .... | scanning and recording | |
| Marcelino Pacheco | .... | special effects coordinator (as Marcelino Pacheco Guzmán) | |
| Casey Pritchett | .... | special effects foreman (as William Casey Pritchett) | |
| Darrell Pritchett | .... | special effects coordinator | |
| Keith O. Wilson | .... | special effects assistant | |
Visual Effects by | |||
| Paal Anand | .... | technical director: Gray Matter | |
| Laurent Ben-Mimoun | .... | digital matte painter | |
| Steve Bowen | .... | digital color timer | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision | |
| Camille Cellucci | .... | visual effects producer | |
| Patrick Clancey | .... | digital opticals | |
| Sarah Coatts | .... | visual effects producer: main title sequence: yU+co. | |
| Sean C. Cunningham | .... | digital artist: Gray Matter Effects | |
| Ben Grossmann | .... | digital compositor | |
| Christopher Gwynne | .... | technical director: Gray Matter | |
| Chris Holmes | .... | digital compositor | |
| Kristin Johnson | .... | matte painter: Gray Matter FX | |
| Ntana Key | .... | digital intermediate paint artist | |
| Kevin Lin | .... | digital cleanup artist | |
| Margaux Mackay | .... | supervising visual effects producer | |
| Gray Marshall | .... | visual effects supervisor | |
| Robert Rowles | .... | compositor | |
| Robert Rowles | .... | digital artist | |
| Nancy St. John | .... | visual effects producer | |
| K. Susan Turmond | .... | visual effects producer | |
| Paul C. Warschilka | .... | visual effects editor | |
| J.W. Kompare | .... | digital intermediate editor (uncredited) | |
| Mark Larranaga | .... | compositor (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Gerardo Albarrán | .... | stunts (as Gerardo Moreno) | |
| David Alvarado | .... | stunt coordinator | |
| Tony Lee Boggs | .... | stunts (as Tony Boggs) | |
| Mark Brooks | .... | utility stunts | |
| Dino Dos Santos | .... | stunt double: Antonio Banderas (as Dino Santos) | |
| Gabriel Godínez | .... | stunts | |
| Tomás Guzmán | .... | stunts | |
| Clifford Happy | .... | stunts (as Clifford R. Happy) | |
| Kirk Johnson | .... | stunts | |
| Krisztian Kery | .... | stunts (as Kristian Kery) | |
| Francisco Lambert | .... | stunts | |
| Mauricio Magaña | .... | stunt double | |
| Darwin Mitchell | .... | stunts | |
| Gabriela Moreno | .... | stunts | |
| Reid Overstreet | .... | stunts | |
| Rod Rondeaux | .... | stunts | |
Casting Department | |||
| Kamala Fritzler | .... | casting assistant: USA | |
| Jorge Guerrero | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Wendy O'Brien | .... | casting associate: USA | |
| Jesus Quinones | .... | casting assistant | |
| Elvira Richards | .... | casting assistant: Mexico | |
| Manuel Teil | .... | casting: Mexico (as Manuel Tiel) | |
| Jessica Valencia | .... | casting assistant: Mexico | |
| Francisco Veyro | .... | extras casting assistant: set | |
Costume and Wardrobe Department | |||
| Monica Araiz | .... | costume coordinator | |
| Federico Castillo | .... | costume coordinator: second unit | |
| Michael R. Chapman | .... | costume supervisor | |
| Ariel Chávez | .... | extras costumer | |
| Angelo Cruz Martínez | .... | key extras costumer | |
| Adolfo Cruz Mateo | .... | costumer | |
| María del Carmen Delvin | .... | costumer | |
| Palla Estrada Araiz | .... | costumer | |
| Pedro Raúl Flores | .... | tailor | |
| Jesús Francisco García | .... | costumer | |
| Gabriela Godínez | .... | costumer | |
| Bárbara González Monsreal | .... | assistant costume designer | |
| Ismael Jardon | .... | on-set costumer | |
| Gerardo Ledezma Muñoz | .... | extras costumer | |
| María de Jesús Lina | .... | costumer | |
| Barbara Marko | .... | costume buyer: USA | |
| Ireri Mazón Salas | .... | costumer | |
| Carlos 'Pollo' Munguia | .... | on-set costumer | |
| Leticia Pichardo | .... | on-set costumer | |
| Rufino Rodríguez | .... | tailor | |
Editorial Department | |||
| Matthew Crocker | .... | post-production assistant | |
| Ben Estrada | .... | digital colorist assistant | |
| Christina Kim | .... | post-production coordinator | |
| Dennis McNeill | .... | color timer (as Denny McNeil) | |
| Paul Murphy | .... | assistant editor | |
| Hilda Saffari | .... | digital intermediate producer | |
| Paul C. Warschilka | .... | assistant editor (as Paul Warschilka) | |
| Michael Moran | .... | post-production assistant (uncredited) | |
Music Department | |||
| P.J. Bloom | .... | associate music supervisor | |
| Jorge Del Barrio | .... | conductor | |
| Jorge Del Barrio | .... | orchestrator | |
| Bradford Ellis | .... | additional score production | |
| Ken Gruberman | .... | music preparation | |
| Bob Joles | .... | music preparation (as Rob Joles) | |
| Evyen Klean | .... | music score producer (as Evyen J. Klean) | |
| Evyen Klean | .... | music supervisor (as Evyen J. Klean) | |
| Nestor Pereira | .... | musician: guitar | |
| Allan K. Rosen | .... | music editor | |
| Tim Starnes | .... | orchestrator | |
| Joseph Vitarelli | .... | music score producer | |
| Joseph Vitarelli | .... | orchestrator | |
| Nicholas Viterelli | .... | music editor | |
| Dan Wallin | .... | music scoring mixer (as Daniel Wallin) | |
| Joshua Winget | .... | music editor | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator: USA | |
| Joey Freitas | .... | transportation co-captain | |
| Javier Gunther | .... | transportation coordinator: Mexico | |
| Billy Kane | .... | driver: tractor | |
| Fermín Lara | .... | transportation dispatcher | |
| Carlos Ponce de León | .... | transportation captain (as Carlos 'Pollo' Ponce) | |
| Carlos Romero | .... | transportation assistant | |
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| The Alamo | The Professional: Golgo 13 | The Professionals | Machete | The Baader Meinhof Complex |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
The film had not only good, believable action, but also the thread of underlying concerns in the U.S. at that time of "what might be in it" for the USA. Availability of oil was titillating. The film brought out our country's fascination for the bloody revolution Villa was waging and, at the same time, whether he might be a threat to our own economic interests. The film was about making a film with the backdrop of a genuine revolution going on, and trying to merge some "acting" along with the horrors of live fighting. The "carrot" for Villa was that a film of his efforts, however horrendous, would help make him a hero in the U.S. where some politicians were calling for his pursuit and elimination. D.W. Griffith, the film maker, becomes disillusioned with Villa after his final victory when he shows his viciousness in a blatant manner by personally shooting a grieving widow who tries to physically attack him with her hands. Though this heinous act was caught on film, it is edited in a manner that shows it as an action by the Mexican forces Villa was combating. After all, Villa's "heroism" is at stake here!