Mexican revolutionary Pancho Villa (Antonio Banderas) finds himself without adequate funding to finance his war against the military-run government. He also finds himself at odds with the Americans because of the Hearst media empire's press campaign against him. To counter both of these, he sends emissaries to movie producers to convince them to pay to film his progress and the actual battles. Producer D.W. Griffith (Colm Feore) becomes interested and sends Frank Thayer (Eion Bailey) with a film crew to develop film reels. Thayer becomes horrified and fascinated by the bandit. He finds an enigmatic individual that is both ghoulishly brutal and charmingly captivating. The resulting film became the first feature length movie, introducing scores of Americans to the true horrors of war that they had never personally seen. Thayer sold the studios on making the film despite their concerns that no one would sit through a movie longer than 1 hour by convincing them that they could raise the ... Written by
John Sacksteder <email@example.com>
Lights. Camera. Revolution.
Did You Know?
While filming a battle between the forces of Pancho Villa
and federal troops near Ojinaga for Life of Villa
(1912), cameraman Charles Rosher
was captured by federal soldiers and brought before their commanding general. Rosher thought he was about to be executed as a spy, and things didn't look too good for him until the Mexican general noticed Rosher's Masonic pin in his lapel. The general then gave Rosher the Masonic greeting; it turned out he was a Mason, too. Instead of being shot as a spy, Rosher was treated as a guest, and was later released after the Mexican government made a deal with the American government that allowed their troops to cross into American territory in order to outflank Villa's forces and attack them from the rear. See more
Irene Hunt was twenty-two years old in 1914. In the real film, she played one of two sisters (this film shows only Teddy Sampson playing one of them), not Villa's mother. See more
[after hearing a gunshot
Sometimes justice can be loud.
Referenced in The L Word: Pilot
Performed by Tuna Normalista de Dan Miguel de Allende, Guanajuayo
Courtesy of Discos Imagen See more