| Ulrich Thomsen | ... | Gerhard Zucher | |
| Shauna Macdonald | ... | Catriona Mackay | |
| Gary Lewis | ... | Jimmy Roach | |
| Kevin McKidd | ... | Thomas McKinnon | |
| Patrick Malahide | ... | Charles Ilford | |
| Eddie Marsan | ... | Heinz Dombrowsky | |
| Clive Russell | ... | Angus MacKay | |
| Jimmy Yuill | ... | James MacLeod | |
| Ian McNeice | ... | Alex Miln | |
| John Wood | ... | Sir Wilson Ramsay | |
| Niall Maclennan | ... | James Maclellan | |
| Alasdair Maclennan | ... | Paul Maclellan | |
| Tim Barlow | ... | Hector McDougal | |
| Iain MacRae | ... | Islander 1 | |
| Lewis Iain MacNeill | ... | Islander 2 | |
| Ralph Riach | ... | Old Donald | |
| Deirdre Davis | ... | Christine Maclellan | |
| Brian Pettifer | ... | Reverand Shand | |
| Roderic Culver | ... | Captain Von Struge | |
| Malcolm Storry | ... | Captain Kultz | |
| rest of cast listed alphabetically: | |||
| Hannah Tiffin | ... | Maid | |
Directed by | |||
| Stephen Whittaker | |||
Writing credits(in alphabetical order) | ||
| James MacInnes | writer | |
| William Morrissey | writer | |
Produced by | |||
| Alison Barnett | .... | line producer | |
| Tony Caplin | .... | associate producer | |
| David Kennaway | .... | co-producer | |
| Charlie Savill | .... | executive producer | |
| Mark Shorrock | .... | producer | |
Original Music by | |||
| Nigel Clarke | |||
| Michael Csányi-Wills | |||
Cinematography by | |||
| Richard Greatrex | |||
Film Editing by | |||
| Beverley Mills | |||
Art Direction by | |||
| Steve Carter | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Stewart Meachem | |||
Makeup Department | |||
| Faye De Bremaeker | .... | assistant hair stylist (as Fay De Braemaker) | |
| Faye De Bremaeker | .... | assistant makeup artist (as Fay De Braemaker) | |
| Polly Fehily | .... | daily hair stylist (as Polly Fehilly) | |
| Polly Fehily | .... | daily makeup artist (as Polly Fehilly) | |
| Sindy Hely | .... | daily hair stylist | |
| Sindy Hely | .... | daily makeup artist | |
| Dianne Jamieson | .... | daily hair stylist | |
| Dianne Jamieson | .... | daily makeup artist | |
| Fiona Maynard | .... | daily hair stylist | |
| Fiona Maynard | .... | daily makeup artist | |
| Julie McGuire | .... | daily hair stylist | |
| Julie McGuire | .... | daily makeup artist | |
| Catherine Muir | .... | daily hair stylist | |
| Catherine Muir | .... | daily makeup artist | |
| Susie Munachen | .... | daily hair stylist | |
| Susie Munachen | .... | daily makeup artist | |
| Kerry Scourfield | .... | assistant hair stylist | |
| Kerry Scourfield | .... | assistant makeup artist | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Candy Lewiston | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jane Burgess | .... | third assistant director | |
| Sean Guest | .... | first assistant director | |
| James Haven | .... | second assistant director | |
Art Department | |||
| Terry Babcock | .... | plasterer | |
| Muir Balfour | .... | carpenter | |
| Mat Bergel | .... | stand-by props | |
| Sandy Borthwick | .... | painter | |
| Phil Bowen | .... | chargehand carpenter | |
| Mark Brady | .... | carpenter | |
| Reginald Bramner | .... | prop dressing crew | |
| Arabella Bristol | .... | art department assistant | |
| Frank Cameron | .... | carpenter | |
| Tristan Carlisle-Kitz | .... | props | |
| Paul Caswell | .... | prop dressing crew | |
| Susan Collin | .... | art department trainee | |
| Penny Crisp | .... | scenic artist | |
| Stewart Cunningham | .... | dressing prophand | |
| Paul Curren | .... | supervising painter | |
| Sam Curren | .... | painter | |
| Gerald Deery | .... | prop dressing crew | |
| Conor Dennison | .... | set designer | |
| John Donnelly | .... | carpenter | |
| Gordon Fitzgerald | .... | property master | |
| Iain Geddes | .... | chargehand painter | |
| Bobby Gee | .... | stand-by painter | |
| Christine Gibson | .... | art department assistant | |
| Richard Hassall | .... | stand-by carpenter | |
| Christopher Higson | .... | supervising carpenter (as Chris Higson) | |
| Douglas Ingram | .... | storyboard artist | |
| Piero Jamieson | .... | props | |
| Scott Keery | .... | prop dressing crew | |
| Peter Knotts | .... | carpenter | |
| Neil Marston | .... | prop dressing crew | |
| William Maxwell | .... | carpenter | |
| John McNeilage | .... | prop dressing crew | |
| Tim Monroe | .... | assistant art director | |
| Niall Moroney | .... | draughtsman | |
| Stephen Page | .... | plasterer (as Steve Page) | |
| Stephen Querns | .... | painter | |
| Alex Robertson | .... | carpenter | |
| Zoe Smith | .... | assistant set decorator | |
| Sam Stokes | .... | stand-by art director | |
| Danny Sumsion | .... | construction manager | |
| Emma Vane | .... | draughtsman | |
| David Weatherstone | .... | prop storeman | |
| Colin Woodbridge | .... | carpenter | |
| Dean Wye | .... | plasterer | |
Sound Department | |||
| James Andrews | .... | adr recordist | |
| Vicky Brazier | .... | sound editor | |
| Victoria Brazier | .... | dialogue editor | |
| Peter Burgis | .... | foley artist | |
| Andie Derrick | .... | foley artist | |
| Robert Farr | .... | sound re-recording mixer | |
| Matt Grimes | .... | foley editor | |
| Mike Grimes | .... | assistant dubbing mixer | |
| Stewart Henderson | .... | dialogue editor | |
| Tim Lewiston | .... | sound editor | |
| Tim Lewiston | .... | supervising sound editor | |
| Kate Morath | .... | boom operator | |
| Jeremy Price | .... | sound effects editor | |
| George Trevis | .... | sound assistant | |
| Martin Trevis | .... | sound mixer | |
Special Effects by | |||
| Barry Angus | .... | special effects technician | |
| Peter Hutchinson | .... | special effects | |
| Stephen Hutchinson | .... | special effects technician | |
| Pennicott Payne | .... | animatronics (as Pennicot Payne) | |
Visual Effects by | |||
| Simon Frame | .... | visual effects supervisor | |
| Tom Hocking | .... | digital compositor | |
| Colin Laski | .... | digital effects producer | |
Stunts | |||
| Rowley Irlam | .... | stunts | |
| Kim McGarrity | .... | stunts | |
| Gareth Milne | .... | stunt coordinator | |
Casting Department | |||
| Camilla Evans | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jenny Hawkins | .... | wardrobe supervisor | |
| Sarah Higbid | .... | costume daily | |
| Mike Hodge | .... | additional costume assistant | |
| Graham Hunter | .... | costume daily | |
| Fiona King | .... | costume daily | |
| John Laurie | .... | costume daily | |
| Melissa Layton | .... | costume assistant (as Melissa Layton-Skorepa) | |
| Donna Macleod | .... | costume daily | |
| Anne Matheson | .... | costume daily | |
Editorial Department | |||
| Trevor Brown | .... | colorist | |
| Jo Dale | .... | assistant editor | |
| Teresa Garber | .... | post-production executive | |
| Peter Hunt | .... | color grader | |
| John Nuth | .... | assistant editor | |
| Melanie Schouw | .... | post-production secretary | |
Music Department | |||
| Mikael Carlsson | .... | executive soundtrack producer | |
| Geoff Foster | .... | score recordist | |
| Jake Jackson | .... | assistant music engineer | |
| Ion Metsovitis | .... | assistant music engineer | |
| Robin Page | .... | conductor | |
| Jill Streeter | .... | score preparation (as Jill Streater) | |
| John Warhurst | .... | music editor: temp music | |
| Alison Wright | .... | music supervisor | |
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This is the kind of film they used to make, amusing, heart-warming, troubling, authentic, with convincing performances by people without nose jobs, boob jobs, eye jobs, in other words real people. Shauna Macdonald plays the female love interest, and she is so real you want to give her a cuddle at the very least. Imagine that, a real girl in a movie, whatever next? Hollywood would hate her, because her freshness is a sharp rebuke to every false starlet in Tinseltown. This story has the same hilarious feel as Sandy Mackendrick's classic 'Whisky Galore', with the gnomic humour of remote Scottish islanders puncturing the pretensions of intruders from outside and enjoying a wee dram from time to time (the actual intervals between those times often being rather short). Director Stephen Whittaker displays a rare skill in pulling this off just right, and it is shocking to discover that he died before his film's release, aged only 56, which was clearly a substantial loss to the screen. Ulrich Thomsen does very well at playing a German rocket scientist who in the late 1930s goes to Scarp in the Isle of Harris to build a small rocket to carry postal packets between the islands. There he falls in love with the alluring Macdonald lass, and she reciprocates the affection. Some wonderfully colourful local characters decorate the tale, and the film is pure delight. There is of course the threat of imminent war with Hitler, and we learn that Hitler executed 1000 rocket scientists who refused to build weapons of war, which is a shocking statistic. Tragic love is never far from view, but lips must remain sealed in a review as to what happens in the end. This film is a magnificent example of just the kind of films which people in Britain should be making. But are they being properly released? In a nation whose tastes have been so corrupted by reality TV shows, where repulsive nonentities have become the national heroes, is there even a market anymore for a film like this? After all, there is no grunting sex, there are no close-ups of suppurating wounds or of anyone's genitals, there are no drugs taken, there are no mindless celebrities prancing around wanting to be looked at, and so one wonders whether there is anything to interest a public which has become so decadent and jaded that only the most extreme sensations can briefly alleviate the tedium of their pointless existence. Anyone who is looking for an antidote to the vacuity of contemporary Britain can take refuge in this refreshing and honest film.