At college Paige meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves; he proves to be Crown Prince Edvard. Paige follows him to Copenhagen, and he follows her back to school with a plan.
King Edvard and Queen Paige fly to fictional Sangyoon for the arranged wedding of Princess Myra, who loves instead an humble boy. Eddie and Paige help, but they encounter problems and a royal elephant; still, though, true love prevails.
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Single-girl anxiety causes Kat Ellis (Messing) to hire a male escort (Mulroney) to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
Beth is a young, ambitious New Yorker who is completely unlucky in love. However, on a whirlwind trip to Rome, she impulsively steals some coins from a reputed fountain of love, and is then aggressively pursued by a band of suitors.
Mark Steven Johnson
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Three weeks before the wedding of Paige and Edvard, Prince Albert of Norway shows up and derails the marriage; further, he offers his daughter, Kirsten, instead. Hijinks abound, an alternate provision appears, and Edvard and Paige marry.
At the University of Wisconsin in Madison, Paige, a pre-med student and a farm girl from Manitowoc, meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves. Paige takes Eddie to her home for the Thanksgiving weekend. Paparazzi find and photograph the couple, and Paige learns that Eddie is truly Crown Prince Edvard. Failing health causes King Haraald to abdicate in favor of Edvard, so Eddie returns to Copenhagen, then Paige follows her heart to Copenhagen, where Edvard warmly welcomes her, takes her to the castle, and introduces her to the royal family. Queen Rosalind first expresses opposition to Paige but later relents; King Haraald soon warms to her; Edvard proposes, Paige accepts, and he gives her a ring. However, Paige recalls her previous dream of going to Doctors Without Borders, so she breaks off and returns to school. Still, though, Edvard shows up at Paige's graduation and suggests an alternate plan. Written by
As transparent as it is absurd, "The Prince and Me" is nothing more than a regurgitation of the classic royalty-or-famous-person-meets--unsuspecting-commoner-and-they-fall-in-love- and-live-happily-ever-after fairytale that has been passed down from generation to generation. But thanks to the charms of the established young actress, Julia Stiles, and the new up and coming Brit, Luke Mably, mixed with the somehow amusing screenplay by the writers of the soon to come Kate Hudson picture "Raising Helen", "The Prince and Me," succeeds in its genre.
Set in Wisconsin, Paige Morgan (Julia Stiles) is a driven pre-med student who is determined not to be weighed down by a careless romance, and Prince Edward (Luke Mably) of Denmark is the restless king to be who is avoiding royal responsibility to be a rebellious college kid in the States. Despite his odd, self absorbed manner, and trailing assistant, nobody seems to guess his true identity, and Paige believes he is a foreign exchange student. The magnetism between Stiles and Mably cannot be denied, and when their two opposite characters attract, there are definitely fireworks. The cat and mouse chase exposition is much more interesting than the over the top finale, but it helps develop the story so you are still paying attention at the end.
And of course, Paige teaches Eddie about love and work ethic, while Eddie teaches Paige about poetry and the pains and pleasures of wealth and privilege. This dull, predictable, and recycled premise has been used many a time because with the right stars and right lighting, it easily reminds the audience of the innocence, joy, and surprises that are found in love. And that is truly the greatest story ever told, so why not tell it over and over and over and over again? Thus, an enjoyable cinema experience is practically guaranteed if you put the idea in capable hands.
Modest humor and sincere characters bring the story to life. The glimpse into Denmark royalty is intriguing and believable, and the film's characters are impossible to dislike. Stiles and Mably give equally thorough performances and I wouldn't mind seeing them pair up again for a more thought-provoking project.
Since the dialogue was satisfying, it is surprising the script at large wasn't a bit more realistic or original. But I assume that wasn't the aim, and am in a forgiving mood today.
In fact, I am glad that "The Prince and Me" didn't attempt to venture into more dramatic territory, for that would be unnecessary, and merely pretentious. Director Martha Coolige knows what "The Prince and Me" is and she doesn't try to make it anything more, so it stays on track with an obvious and clear goal in mind.
"The Prince and Me" won't change or challenge you, but it just may uplift you for the movie's duration plus two or three, maybe even five, minutes afterward, so why not pay the five to eight bucks? But if you seek more than temporary well wrapped candy, hunker in on the two leads or just avoid the picture completely.
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