Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Shaken by the death of his father and discouraged by his stalled career, writer Sal Paradise goes on a road trip hoping for inspiration. While traveling, he is befriended by charismatic and fearless Dean Moriarty and Moriarty's free-spirited and seductive young wife, Marylou. Traveling across the American southwest together, they strive to break from conformity and and search the unknown, and their decisions change the very course of their lives. Written by
Because Amy Adams had just become a mother when shooting began and she's playing a drug addict on the movie, she decided to not use much make-up and incorporate her natural tiredness due to having a baby to the role. See more »
In the opening scenes narrator Sal(Jack Kerouac) says that Dean has married sixteen year old Mary Lou. In the second half of the film Mary Lou tiring of the constant travel says she has a fiance in the military and that she wants a baby. If she's married to Dean how does she have a fiance back home. See more »
Alas, alas, Sal. It's not me, I'm drunk. But my soul talking direct soul language, so to speak, to my deepest blood brother and holy goof, that's you. And to be formal and analytical about it, let me objectify the characteristics I miss the most of you. Number 1 your conversation. Number 2 your brotherly smile, man. But I shall go on, so to close and get the gist Denver waits for you. Carlo in his damp grotto and clowned misery to use a paradox of expression waits for you, so get on it! Be ...
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It's Not bad, Considering How Hard an Adaptation it is
Hemingway was terrified of being boring. Compared to Hemingway, Kerouac was completely & utterly fearless.
So let's take a page out one of Kerouac's best books, start at the beginning, & let the truth seep out.
I first encountered "On the Road" in the public library when I was in 6th grade. It spawned a fascination, an obsession, an addiction. Between the age of 12 & 18, outside of school, the Beat writers were all that I read. I devoured them. And in the years since my youth Kerouac has morphed from an obsession to a comfort author, I read him to help cushion the blows life brings. "Maggie Cassidy," is still my favorite.
That being said, I walked into this flick with extremely low expectations. I'm more than familiar with the source material & couldn't see how it could translate into anything but a dull film. I expected the film to stagnate. I wasn't really disappointed in this. Anyone that has read "On the Road" has to question the wisdom of attempting to translate that into a decent movie.
Like the novel, there are parts of this film you just have to fight through in the hopes that he'll move off his love for grape picking & into something interesting again.
The plus side is, once you make it past the stagnation, the plot picks up again & you feel the sense of freedom having overcome the monotony of Kerouac. But on the other-hand, I'm fairly certain that's the point.
The bottom line is that if you are familiar with Travelin' Jack you know what to expect before you walk into the film & you walk out with an experience far better than you would have thought it's be. It's an enjoyable film.
However, if you're like most of the world & for some reason do not read, you'll be expecting the legend without understanding the reality & you will hate it, for no other reason than the lack of background necessary to expect Kerouac to be, well, Kerouac.
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