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On the Road (2012)

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Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.

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(based on the novel by), (screenplay) | 1 more credit »
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2 wins & 4 nominations. See more awards »

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Cast

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Storyline

Shaken by the death of his father and discouraged by his stalled career, writer Sal Paradise goes on a road trip hoping for inspiration. While traveling, he is befriended by charismatic and fearless Dean Moriarty and Moriarty's free-spirited and seductive young wife, Marylou. Traveling across the American southwest together, they strive to break from conformity and and search the unknown, and their decisions change the very course of their lives. Written by anonymous

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The best teacher is experience.


Motion Picture Rating (MPAA)

Rated R for strong sexual content, drug use and language | See all certifications »

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Details

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Release Date:

23 May 2012 (France)  »

Also Known As:

Na putu  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$39,550 (USA) (21 December 2012)

Gross:

$717,753 (USA) (26 April 2013)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Francis Ford Coppola purchased the movie rights in 1979 and labored over many years on screenplay adaptations with the likes of Michael Herr, Barry Gifford and his own son, Roman Coppola. When Coppola Sr saw Walter Salles' movie The Motorcycle Diaries (2004), he felt he had found the right man to finally make the film. See more »

Goofs

Set in 1949, but the characters ride in a 1950 Hudson. See more »

Quotes

Dean Moriarty: Yes, yes, yes, I gotta go now, Fever Sal. Goodbye.
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Connections

Featured in At the Movies: Cannes Film Festival 2012 (2012) See more »

Soundtracks

Violin concerto in A minor BWV 1041-2 - Andante
Composed Performed by Johann Sebastian Bach
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Frequently Asked Questions

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User Reviews

 
On the sideline waiting for On The Road.
7 April 2013 | by (Berkeley, Ca.) – See all my reviews

One of the aspects this film really lacked was an understanding of the zeitgeist of Beat America in the late forties and fifties of Post-World War Two America. The conservative middle class that Ronald Reagan defended was in full swing and there were those who did not fit in and did not know where to go, and this is where the Beats fit in. It was L seven heaven square land and people with creative vision didn't have the flavor for materialism. The idea in the mind was just as secure as house in the suburbs. Plus I saw no James Joycean stream of consciousness with the speed, booze and the jazz. Where was the poetry? You see people moving around, dancing, snapping fingers and being "hip" but no expression of what was going on within. The characters I saw were 21st century self-centered users, dopers, and boozers who could not afford a day of tasting wine in Napa Valley, so it's everyone else's fault. The most real character in the film that captures the sense of the time was Viggo Mortensen's Old Bull Lee/William S. Burroughs. That worked. Carlo Marx, the Ginsberg attempt should have been called Harpo Marx. I was howling at the idea that this was suppose to be the person that wrote Howl. The art direction and cinematography did keep me watching instead of leaving. But remember, it does say based on the book On The Road.


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