Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
L.A. soft-porn writer Carter Webb is frustrated enough, after his actress girlfriend dumps him, to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
Shaken by the death of his father and discouraged by his stalled career, writer Sal Paradise goes on a road trip hoping for inspiration. While traveling, he is befriended by charismatic and fearless Dean Moriarty and Moriarty's free-spirited and seductive young wife, Marylou. Traveling across the American southwest together, they strive to break from conformity and and search the unknown, and their decisions change the very course of their lives. Written by
Based on the book 'On the Road' by Jack Kerouac, which was written in 1951 and published in 1957. See more »
In the opening scenes, Sal Paradise hitches a ride on the old farm truck. The large, round hay and straw bales in the background weren't available until 1972, when Vermeer built and sold the model 605 baler. Even then, the bales were much smaller and looser until the late '70s or early '80s on United States farms. See more »
Walter Salles has made another beautiful, captivating, moving film. 'On The Road' is a close adaptation of Kerouac's famous novel which came to define the beat movement. Sticking to the fictional character names of Dean Moriarty and Sal Paradise (this feels historically faithful as these are the names used in the book up until a recent re-edition of the original text) we follow Sal's attempts to find 'it' in his travels across America, and through his relationships, and his attempts to write a meaningful work of art. Sam Riley is brilliant in the central role; natural, sympathetic, captivating. All the other actors are excellent. What is the real strength of this film is the unpretentious film-making which resists drawing attention to the wealth of talent involved in making it, is it perhaps the perfection of this film which has tempted reviewers to pick holes or invent flaws, like a true beauty it is sometimes hard for others to resist trying to destroy or defile it? Cinema magic is rare, shame people have trouble recognizing it when they have it in front of them.
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