Simon is a down-on-his luck artist who gets no breaks from any quarter. While out working as a street sketch artist, he stumbles across the construction site for a new museum that is very ... See full summary »
Simon is a down-on-his luck artist who gets no breaks from any quarter. While out working as a street sketch artist, he stumbles across the construction site for a new museum that is very obviously stolen from a design he created as an architecture student. Enraged, he storms into the office of architect Vincent Porel and demands an explanation, but is immediately hauled out by security. When the police arrive to arrest Simon, he makes a break for freedom, only to be accidentally struck down in the street by Porel himself. As Simon lays dying on the hood of Porel's car, his soul is transferred into the body of a newborn baby, none other than Porel's own son, born at that very instant. Remembering his past and realizing that he is now in the care of the man who stole his work and killed him, Simon resolves to make his new father's life hell. Written by
Jean-Marc Rocher <email@example.com>
The film proves that it is difficult to make a baby the real star of a film. The crew have made a remarkable effort (see the "making of" on the DVD) in preparing, casting and filming the little guys, but the film has lengths. The story is hold together by the off voice of the reborn "looser", which is sometimes very funny, but also equally annoying.
The cinematography and actors are first rate, the film might be appreciated by people who like the French cinema and love French humour.
The German title "der kleine Scheisser" seems more appropriate than either the French or English title, "Mauvais esprit / Bad spirit".
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